See it if you enjoy intense dramas, great acting, don't mind a story that moves backwards, and don't mind a minimalist and quirky interpretation.
Don't see it if you prefer linear, choronological shows or you are looking for something light and fluffy
See it if you want to see three fantastic actors on the same stage performing a story that slowly untangles itself.
Don't see it if you don't want to follow a non-linear narrative or want something that moves along briskly.
See it if excellent acting from all 3 leads. Interesting premise of telling story backward. Quiet, slow play demands concentration.
Don't see it if you prefer more action--this is all talk. If you want an elaborate set. If you want likable characters. Read more
See it if Intriguing, complex storytelling. With spare set and beautiful lighting you can watch shadows behind the characters. Fits the deceptions.
Don't see it if Was reluctant to see it after disliking Pinter’s the Homecoming, but found this less disturbing. Lots to think about with levels of betrayal
See it if Pinter's mid-career masterwork rendered in a heightened if somewhat muted mode Extremely well acted though Ashton's Emma is a little brittle
Don't see it if Despite the production's total domination by directorial concept - slow stage revolves, no set, muted gray tonal lighting, it's first rate
See it if Small, intimate show about the ties that bind. Strong performances, characters, and script all around.
Don't see it if You don't like character-driven drama, backwards narratives, or petty, manipulative jealousies and betrayals (heh). Read more
See it if You're open to deep introspective exploration of complex, intertwined relationships, acted out intelligently.
Don't see it if You want action on stage and find discussions of love triangles tiresome or dislike Pinters's plays. Read more
See it if You like any of the actors. Like intelligent, well written and well acted plays. Like stories of broken relationships
Don't see it if You dont like plays with minimal action. This is mainly dialogue. Don't want to see a play told in reverse. Don't like bare boned sets Read more