See it if you appreciate non-fiction.
Don't see it if you think history will teach us nothing.
See it if You want to see a historic, funny, powerful, relevant, moving play.
Don't see it if You don't want to cry.
See it if See this no matter who you are, it is a play about the human spirit
Don't see it if See it,
See it if if you want to see a very clever play about the history and love of theater, freedom of expression, Yiddish culture, suffering of Jews.
Don't see it if if you want something light that won’t touch you emotionally; don’t like actors playing multiple roles, uncomfortable with sexual references Read more
See it if You enjoy new plays that deal with tough topics (anti-semitism, homophobia, etc)
Don't see it if You're easily upset, or not looking for an intense drama.
See it if Very powerful and important piece of theatre. Packs a wallop.
Don't see it if Everyone should see this.
See it if you appreciate ensemble theatre, want to explore theatre history, and are interested in current social issues.
Don't see it if you want a big song and dance spectacle or you are uncomfortable with complicated emotional stories.
See it if You love not just to be entertained, but to be touched by their story.
Don't see it if No reason not to see it. Read more
"Beautiful and emotionally shattering...Vogel and Taichman work their transporting magic in plain sight and without any apparent help from a big Broadway budget, relying instead upon their own imaginative sense of stagecraft, an excellent company of actors and a resourceful design team...'Indecent' is pretty much just three boards, two actors, and one magnificent, transcendent passion."
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"An engaging, heartfelt work...The troupe moves as a seamless mechanism, fitting perfectly together like gears of a clock, to conjure both the beauty and pain of time...You have to pay close attention to keep up, as it races through time...Vogel, Taichman, composers Gutkin and Halva, choreographer Dorfman and their stellar cast have crafted an exuberant, exciting show, one which exudes warmth and is, above all, a testament to the transportive, life-affirming power of theater."
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“A must-see, and maybe the best play I’ve seen this year…A magnificently powerful piece of theatre. To call it a play within a play seems to belittle what transpires in this 90-minute creation. Thanks to the impeccable direction of Taichman, it’s a much grander and yet, simple and meaningful engagement of all our senses…It’s meaningful and poetic, while heart-wrenchingly sad and disturbing, in a style and structure that can only be achieved live on a theatre stage.”
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“This remarkable and stunning play brings into sharp focus the importance of vigilance amidst intolerance and indomitability in the face of insidious censorship…Max Gordon Moore delivers a riveting performance…Vogel and Taichman have created a compelling story about the power of innovation…Taichman directs with a sensitive precision…A compelling piece of theatre that raises deep, enduring questions about the future of a society that refuses to accept differences.”
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“Taichman's highly imaginative staging, using dance, music, and Brechtian storytelling techniques, is superb, and the play's panoramic narrative is absorbing. Having the dust pour from the actors' sleeves at select moments (evoking the notion of ‘ashes to ashes’) is memorable. The across-the-years, pageant-like structure, with seven actors playing over forty roles, seems more pronounced in a Broadway theatre. With the actors relying on shortcuts, few characters appear more than two-dimensional.”
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"Its examinations of censorship, xenophobia and anti-Semitism are both brilliant and painfully timely. One can also simply appreciate this piece for the searing intelligence and gorgeous poetry of Vogel’s writing, the stunning visual imagination of co-creator and director Rebecca Taichman, and the exemplary work of its cast...For all of Vogel and Taichman’s skill, the unwavering commitment and facility of this acting troupe is the largest part of the equation for the production’s success."
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"There are many reasons to find deep satisfaction in the arrival on Broadway of the play 'Indecent,' a fascinating tale wondrously staged...Proof that a play can explore a range of frighteningly relevant issues—threats to the arts and an entire culture, anti-immigrant bigotry, homophobia, even genocide—and do so in a production that is not only enlightening, and moving, but entertaining...'Indecent' helps us see the power and beauty of art, not just by its subject but by its example."
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"Ms. Vogel and the wonderful director Ms. Taichman have created a powerful piece that almost seems like a dance...The cast, director and play are first-rate. It is hard to single anyone out because this is a true collaborative effort. The only drawback to this play is it seems to have three endings and that takes away from the power of the piece...I actually preferred it more at the Vineyard. No matter the changes, this is a show not to miss. It is powerfully acted and beautifully staged."
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