J.T. Rogers' drama chronicles the behind-the-scenes maneuvering that led to the 1993 Oslo Peace Accords. Winner of two 2017 Tony Awards, including Best Play. More…
It’s 1993 and Israeli Prime Minister Yitzhak Rabin and PLO Chairman Yasser Arafat are standing together in the White House Rose Garden, signing the first-ever peace agreement between Israel and the PLO. How were the negotiations kept secret? And who are these mysterious negotiators? Featuring dozens of characters and set in locations across the globe, 'Oslo' is both a political thriller and the personal story of a small band of women and men struggling together—and fighting each other—as they seek to change the world. Directed by Tony winner Bartlett Sher, and starring Tony winners Jefferson Mays and Jennifer Ehle.
"If it's not easy to fall for 'Oslo' wholeheartedly, if it won't change your life or perspective on pretty much anything, Rogers is skillful enough to ensure that you have plenty to enjoy along the way...Mays and Ehle give bold, funny performances...Too bad Rogers hasn't solved the problem of, well, not solving the problem; a work that thinks as big as this one does and exhibits so much ambition needs to more emphatically own what it can do and what it can't." Full Review
See it if you are curious to see how it beat out Indecent for the Best Play Tony- but are willing to leave knowing that Indecent was robbed.
Don't see it if you want to be emotionally moved by a theatrical experience.
See it if the event intrigues you and if you enjoy seeing the work of Bartlett Sher on stage.Aronov deserves the Tony win.
Don't see it if you want to actually care for any character on the stage. Everyone is just yelling and yelling. Definitely not the Best Play of the season.
See it if You like historical, education pieces. You enjoy shows based on true events. You like international politics.
Don't see it if You like shows with a lot of action. You don't like shows heavy in dialogue
See it if You are interested in minute-by-minute backstory to Israeli peqce accords and can tolerate a lot of screaming.
Don't see it if you need sophisticated writing and staging. The characters were cariacatures and shouted and cursed non stop. UGH. How did this win Tony??
See it if you like political drama's. There is plenty of humor but it is pretty dry for three hours.
Don't see it if you have a short attention span. This show requires that you think and it is long.
See it if You don't mind that this is not really a drama but a blow-by-blow.
Don't see it if You just want the story - read a book on the subject instead. This might make a better movie but it didn't work for me as theater.
See it if very disappointed. expected to see meaningful drama with a message to send. Only message was that personal contact is better than politics
Don't see it if you have any type of hearing problem, the acoustics were awful
See it if you love serious, political dramas and have a specific interest in the 1990s Middle Eastern politics.
Don't see it if You don't have a deep interest in the subject matter. You prefer to see shows about characters, not about an event.
See it if you're a history buff and want to learn about the behind-the-scenes negotiating that led to the Oslo Accords and enjoy a slow-moving plot
Don't see it if you don't enjoy long plays (almost 3 hrs) with little change in scenery and somewhat monotonous dialogue
See it if You are interested in Israeli Palestinian politics. Interesting to witness "secret" talks.
Don't see it if You want scenery. Very little here. Wordy and repetitious. Beaumont too cavernous - voices get lost. Needs smaller theater. Was probably
See it if You are a political drama junkie and won't mind a lack of dramatic buildup or character development. It's no "All the Way."
Don't see it if You want a compelling story, want to care about the characters, seek intensity
See it if You have no objections to farce, have superlative hearing and a lot of patience.
Don't see it if You dislike farce, you don't want to be bored for half of this lengthy, moderately interesting and occasionally amusing production.
See it if you like plays that are about history and politics. And if you are curious about the art of negotiation.
Don't see it if you have a hard time understanding heavy accents, on top of that this theatre is way too big so the actors' voices are hard to hear sometime
See it if you're interested in the Mideast peace talks and are curious about whether an inherently non-theatrical subject can be turned into a play.
Don't see it if you don't want to spend three hours listening to almost non-stop shouting, occasionally broken up by lame attempts at humor.
Get alerts about your favorite artists and theater companies