See it if you want to see a serious--yet very entertaining--play about race on Broadway.
Don't see it if you can't forgive writing flaws (the second scene goes on much too long) in an otherwise important play
See it if Laugh out loud funny, provocative, thought provoking.
Don't see it if Deals with American racial issues. Very sexual content. The middle section was too long.
See it if One of the most ambitious plays in theater right now. It confronts the tangle of racial and sexual trauma at the core of the American psyche
Don't see it if The play opens up real traumas. One of the women I saw this with sobbed for the second half of the play, & we each left emotionally drained.
See it if a Broadway play for today's "woke" culture, and I mean that in a good way. An articulate look at very intense issues. Subverts expectations.
Don't see it if you need an intermission - it's long with no break; you want something fluffy and lighthearted. Read more
See it if You like shows playing on the subjects of race and love that tackle the complex issues of prejudice and understanding.
Don't see it if You dislike shows talking openly about fetishes and simulated sex on stage while using racial slurs.
See it if You enjoy plays that will have you talking about them long after you've seen them.
Don't see it if You dislike plays that feature some characters that feel more caricature than character. Read more
See it if you are open to bold, unconventional plays that challenge your views about interracial relationships, and if you enjoy creative staging.
Don't see it if you feel that sexual topics should not be presented on stage.
See it if Harris' invigorating drama on interracial sexual politics is mightily aided by the dynamic, fierce ensemble & O'Hara's kinetic staging
Don't see it if Drama still falters in the 2nd Act as Harris stumbles over his own polemics and the satire becomes a bit turgid Third act coda rightens ship