See it if Howard's End fashioned into a tale of post-AIDS gay life. I couldn't take my eyes of the stage. Almost a sequel to Angels in America.
Don't see it if This show is long. It's 3 hours and 20 minutes, and part 2 is a similar length. If you're not interested in gay life in NYC.
See it if You want to see one of the best written and performed plays on Broadway.
Don't see it if You absolutely cannot sit through a 3 hours plus play with 2 parts.
See it if you want a moving, thought-provoking journey through memory lane of the AIDS plague, all the incredible lives lost and the few who survived.
Don't see it if you can not endure 3 hours 15 minutes per part (including 2 intermissions). But the play fascinated us so much that time flew by quickly. Read more
See it if Six hours to interweave 100 years of gay history. Some sex scenes seem silly but afterwards seem relevant. Best gay play maybe ever.
Don't see it if You don't have patience. I saw Part 1 and didn't like it SO much. Happily, I saw Part 1 again, and Part 2 and loved it. Read more
See it if you love great theater, acting and stories
Don't see it if you want fluff, big sets/costumes and/or are upset w/explicit sex discussed/simulated on stage
See it if You know what? It is over 6 hours long and part 1 does have more humor than part 2, although it makes sense to see it as a unit, but, the
Don't see it if Acting is superb! The stage is minimal, although I like the trickery of which the created scenes and ambiance with what little they had. If Read more
See it if You appreciate an extraordinary play about the Gay Community that deserves to win a TONY award for Best play. Profound & emotionally moving.
Don't see it if You don’t like long dramas about the Gay Community with many complex characters. You don’t like the writings of E. M. Forster.
See it if Loved the acting, writing & directing. Telling an important story a little different. Thought provoking and emotional.
Don't see it if You don’t like emotions or thought provoking drama. You don’t enjoy a homosexual driven storyline.
"This award-winning production of a new American play arrives from London ’s West End with a top-notch..."
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"It's…melodramatically intense, angrily argumentative, unduly vulgar, egregiously overlong, and, while sprayed with strong laugh lines, emotionally overwrought…'The Inheritance,' for many, will be [a]…powerful, life-affirming work of art. For others…, it will be less than the sum of its parts."
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Score: 80% "In this play there is one moment where the great loss from the plague of AIDS is handed to us like a baby in swaddling clothes. Before we know it we have wrapped our arms around the now visible wound that we thought we had left behind."
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"'The Inheritance' truly surprises us, moment to moment, with its tender power and strong parallel story-telling. It slides in almost unsuspecting, finding a way to deliver a heart breaking truth and an emotional reality that sends me, almost, over the edge. "
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"Sweeping and intimate, sophisticated and raw, a weepy that is often funny. Several performances are transporting…There are swoops into intellectual brilliance...dips into nudity and raunch. There is insight and debate and uplift. Does it have to be nearly seven hours? No."
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"Its social message aside, Lopez's riveting two-part examination of how America's gay men do - and sadly, don't - learn lessons from previous generations (as well as each other) is a feat of unexpected theatrical daring, passion and beauty."
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"The Inheritance is three stacked genres-literary homage, AIDS melodrama, and relationship play-but its metafictional layer-cake gambit is not matched by the moral intelligence or prose pyrotechnics required to pull it off."
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