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Currently appearing in CSC’s Macbeth, Mary Beth Peil, a two time Tony Award Nominee, and Barbara Walsh, will begin our Classic Conversations series this season. Known for their Broadway performances in Anastasia, Falsettos, The Visit, Company, The King and I, and many more, Mary Beth and Barbara will perform songs and discuss their careers with CSC Artistic Director John Doyle. 

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WINNER! Best Musical Revival – 2019 Drama Desk Award

WINNER! Best Musical Revival – 2019 Outer Critics Circle Awards

WINNER! 2019 NY Drama Critics’ Circle Award – Special Citation

WINNER! Best Lead Actor 2019 Lortel Award – Steven Skybell

A New York Times Critics’ Pick, Fiddler on the Roof “strikes a deep emotional chord" and "offers a kind of authenticity no other American Fiddler ever has” (The New York Times).

With direction by Oscar and Tony Award®-winner Joel Grey, this production “speaks to us all” (Newsday). It has been hailed as "a richer, deeper interpretation” by The Wall Street Journal, "a mitzvah" by Time Out New York, and AM New York gives it four stars, calling Fiddler on the Roof "perfect."

Harold Prince, the legendary and original producer of Fiddler on the Roof on Broadway (1965 Winner of 9 Tony® Awards, including Best Musical) said, "If you have seen Fiddler before, you must see this production because it will make you feel you are seeing Fiddler for the first time.”

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Bill and Nancy have spent fifty full years as husband and wife. They practically breathe in unison, and can anticipate each other's every sigh, snore and sneeze. But just as they settle comfortably into their new home in Grand Horizons, the unthinkable happens: Nancy suddenly wants out. As their two adult sons struggle to cope with the shocking news, they are forced to question everything they assumed about the people they thought they knew best. 

From the show:

Linney plays Lucy Barton, a woman who wakes after an operation to find – much to her surprise – her mother at the foot of her bed. They haven’t seen each other in years. During their days-long visit, Lucy tries to understand her past, works to come to terms with her family, and begins to find herself as a writer. This spellbinding story is directed by five-time Olivier Award winner Richard Eyre “with a keen-eyed compassion.” – The New York Times.

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When the original production of West Side Story first premiered at Broadway’s Winter Garden Theatre on September 26, 1957, it utterly changed the face of the American musical theater. A career-defining milestone for every single member of its towering creative team — Laurents, Bernstein, Sondheim, and Robbins — West Side Story reimagined the most enduring love story ever written as a contemporary musical, complete with form-shattering stagecraft and a score for the ages. Now, more than 60 years later, the legacy of that original production, along with subsequent stagings around the globe and the iconic cinematic adaptation, has cemented  West Side Story’s place as one the most significant cultural achievements of the 20th century. 

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1934. A time-weathered guesthouse in the heartland of America. Only a song can shake off the dust for one group of wayward souls—and old dreams may hold the promise of new beginnings. As they pass in and out of each other’s lives, their stories awaken with passion, fury and extraordinary beauty. Reimagining the music of Bob Dylan as roof-raising ensemble pieces and soul-stirring solos, celebrated playwright Conor McPherson ("The Weir," "The Seafarer") writes and directs this heartbreaking and universal story about family and love.

Seventy-two miles. That’s the space between Nogales, Mexico and Tucson, Arizona—and the world of distance that separates a mother at a shelter and her American-born husband and children.

The Healys appear to be a picture-perfect suburban family — but looks can be deceiving. When the cracks beneath the surface begin to show, they must choose between maintaining the status quo or facing harsh truths about themselves, their community, and the world around them

Featuring lyrics by seven-time Grammy Award winner Alanis Morissette and music by Morissette and six-time Grammy winner Glen Ballard, "Jagged Little Pill" is directed by Tony Award winner Diane Paulus ("Waitress," "Pippin") and features a book by Academy Award-winning writer Diablo Cody ("Juno," "Tully").

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Direct from a smash-hit run on London's West End, this new production of Tony Kushner (Angels in America) and Jeanine Tesori’s (Fun Home) explosive musical launches to “the titanic dimensions of greatness" (Ben Brantley, The New York Times).

The “incandescent” (Holly Williams, Time Out London) Sharon D Clarke stars in an exhilarating, Olivier Award-winning performance as Caroline, an African-American maid whose world of 1963 Louisiana ripples with change both large and small.

Erupting with transcendent songs and larger-than-life imagination, Caroline, or Change explores how, in times of great transformation, even the simplest acts shake the earth.

From the show:

In 1962, when Who’s Afraid of Virginia Woolf? stunned its very first Broadway audiences with its radical, provocative, and unflinching portrait of a marriage, Edward Albee instantly became the most important American playwright of his generation. The New York Times exclaimed that the new work “towers over the common run of contemporary plays.” At that season’s Tony Awards ceremony, the production racked up five wins, including Best Play and lead acting prizes for its two stars: Uta Hagen and Arthur Hill. Next spring, a new company of theatrical powerhouses take on this landmark drama nearly sixty years after its legendary Broadway premiere.

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DIANA is the electrifying new musical about a woman who chose to be fearless, and as a result became timeless.

When Lady Diana Spencer married Prince Charles, she instantly became a cultural phenomenon. Leading fiercely with her heart, Princess Diana stood up for her family, her country and herself. She defied expectations, she rocked the royals and she created a legacy that will endure forever. 

Written by JOE DiPIETRO and DAVID BRYAN (Tony Award®-winning Best Musical Memphis), directed by Tony winner CHRISTOPHER ASHLEY (Come From Away) with choreography by Tony nominee KELLY DEVINE (Rock of Ages) and music supervision and arrangements by IAN EISENDRATH (Come From Away), this sensational production brings the legend of Princess Di to thrilling new life onstage.

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From the arrival of three brothers from Bavaria to America in search of a new life to the collapse of the firm they established, triggering the largest financial crisis in history, the story of the Lehman Brothers serves as a parable of the shifting definition of the American dream. Simon Russell Beale, Adam Godley, and Ben Miles reprise their portrayals of the Lehman Brothers, their sons, and grandsons spanning nearly two centuries and told in three parts on a single evening.

From the show:

It’s 1957. You are at a beautiful beach house overlooking the Pacific. You’re there with Cary Grant, Clare Boothe Luce and Aldous Huxley and they are on an acid trip. Together. That is the bold premise of the new musical, FLYING OVER SUNSET, written and directed by James Lapine, premiering at the Beaumont this spring.

Keep in mind that the drug was legal then and was suggested, or prescribed by doctors, as a tool for enhancing self-awareness and healthy psychological exploration. It is a known fact that these three extraordinary people did experiment, individually, with LSD on multiple occasions. It is only in Lapine’s brilliant imagination, though, that the three shared an LSD trip. At least as far as we know. They were all in and around LA in the 1950s... Who’s to say it never happened?

From the show:

Debra Messing (Will & Grace) returns to the stage as Ernestine Ashworth, who spends her 17th birthday agonizing over her insignificance in the universe.

Soon enough, it’s her 18th birthday. Even sooner, her 41st. Her 70th. Her 101st. Five generations, dozens of goldfish, an infinity of dreams, one cake baked over a century. What makes a lifetime…into a life?

A writer of "freewheeling ambition" (Charles Isherwood, The New York Times), Noah Haidle makes his Broadway debut with a poignant new play as fearless in scope as it is tremendous in heart.

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Helloooooooo, poppets! Mrs Doubtfire is a musical now, dearie!

When out-of-work actor Daniel Hillard loses custody of his kids in a divorce, he disguises himself as Scottish nanny Euphegenia Doubtfire in a desperate attempt to stay in their lives. As he gets lost in his new persona and grows closer to his kids, Mrs. Doubtfire teaches Daniel more than he bargained for about how to be a father.

A heartfelt and hilarious story about the lengths we’ll go to for our loved ones, Mrs. Doubtfire is the next big musical comedy hit for the whole family.

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Divorced, beheaded, died, divorced, beheaded, survived. From Tudor Queens to Pop Princesses, SIX the wives of Henry VIII take the mic to reclaim their identities out of the shadow of their infamous spouse—remixing five hundred years of historical heartbreak into an exuberant celebration of 21st century girl power. The female cast is backed by an all-female band, the “Ladies in Waiting.” Songs from the studio album are streamed on average 300,000 per day making it the second highest streaming cast recording in the world.

From the show:

Two world-class actors play three hilarious couples in this uproarious and piercing look at love and marriage from legendary playwright and Pulitzer Prize winner Neil Simon. This new production will mark the first revival of a Neil Simon play following his passing last August at the age 91. He is remembered as one of the most celebrated, successful, and beloved writers in Broadway history having written more than 30 plays and musicals.