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Every night in a hidden library on 47th and 8th with over 15,000 books a Drunk Shakespeare society member will have at least five shots of whiskey and then attempt to perform in a Shakespearean play. Each performance by The Drunk Shakespeare Society requires a Patron, an audience member to be the King or Queen who helps run the show. Anything can, and does, happen. Craft cocktails available during the show.

Based on an event that occurred in Alabama in the 1930s, Harper Lee’s enduring story of racial injustice and the destruction of childhood innocence centers on one of the most beloved and admired characters in American literature, the small-town lawyer Atticus Finch.

On September 11, 2001 the world stopped. In a heartbeat, 38 planes with 6,579 passengers were stranded in the remote town of Gander in Newfoundland, effectively doubling its population. The locals opened their hearts and homes, hosting this international community of strangers–spurring unexpected camaraderie under extraordinary circumstances. Directed by two-time Tony nominee Christopher Ashley ('Memphis,' the revival of 'The Rocky Horror Show').

From the show:

Bill and Nancy have spent fifty full years as husband and wife. They practically breathe in unison, and can anticipate each other's every sigh, snore and sneeze. But just as they settle comfortably into their new home in Grand Horizons, the unthinkable happens: Nancy suddenly wants out. As their two adult sons struggle to cope with the shocking news, they are forced to question everything they assumed about the people they thought they knew best. 

From the show:

It's a celebration of the things we do, say, and sing to keep ourselves going as we hurtle toward the finish line. Through a series of stories and songs both hilarious and heartbreaking, Young Jean Lee’s We're Gonna Die, under Raja Feather Kelly's new direction, offers proof positive that being alive is about more than just awaiting the inevitable.come

From the show:

When the original production of West Side Story first premiered at Broadway’s Winter Garden Theatre on September 26, 1957, it utterly changed the face of the American musical theater. A career-defining milestone for every single member of its towering creative team — Laurents, Bernstein, Sondheim, and Robbins — West Side Story reimagined the most enduring love story ever written as a contemporary musical, complete with form-shattering stagecraft and a score for the ages. Now, more than 60 years later, the legacy of that original production, along with subsequent stagings around the globe and the iconic cinematic adaptation, has cemented  West Side Story’s place as one the most significant cultural achievements of the 20th century. 

From the show:

Dana was a chaplain of a psych ward where she met a charismatic patient, an ex-convict searching for redemption. A harrowing true story, Dana was held captive with her life in this man’s hands — trapped in a series of Florida motels, disoriented and terrified — for five months. Told in Dana's own words and reconstructed for the stage by her son Lucas Hnath (A DOLL'S HOUSE PART 2, THE CHRISTIANS), “one of the freshest playwriting voices to emerge in the past five years” (The New York Times), this innovative work shatters the boundaries of the art form and our understanding of good and evil.

From the show:

1944. A black Sergeant is murdered on a Louisiana Army base, and one tenacious investigator must race against his white leadership to unravel the crime before they unravel him.

A hair-raising drama that reverberates with the “authentic and exciting pulse” (Ben Brantley, The New York Times) of mystery, Charles Fuller's Pulitzer Prize-winning masterpiece rockets onto Broadway for the first time, starring three-time Tony nominee David Alan Grier and Golden Globe nominee Blair Underwood and directed by Tony Award winner Kenny Leon (A Raisin in the Sun).

From the show:

Not to be confused with, and very much unlike The Emoji Movie, Emojiland is an electric ensemble piece about a diverse community of archetypes who take one another at face value: a smiling face dealing with depression; a princess who doesn’t want a prince; a skull dying for deletion; a nerd face too smart for his own good; a face with sunglasses who can’t see past his own reflection; and a police officer and construction worker who just want to work together. When a software update threatens to destroy life as they know it, Emojiland faces the most fundamental questions a society – and a heart – can face: Who are we? And who matters?

From the show:

Winner of the 2018 Susan Smith Blackburn Prize, Anatomy of a Suicide is a revelatory exploration of mothers and daughters by Alice Birch (Revolt. She Said. Revolt Again.), directed by Obie Award winner Lileana Blain-Cruz (Marys Seacole).

From the show:

We couldn’t think of a better way to celebrate our 35th anniversary than by presenting the newest work from one of our most frequent collaborators, legendary master of theatrical parody Charles Busch (best known to Primary Stages audiences from our productions of The Tribute Artist, Olive and the Bitter Herbs, and You Should Be So Lucky). Busch’s newest play, The Confession of Lily Dare, tells the story of one woman’s tumultuous passage from convent girl to glittering cabaret chanteuse to infamous madame of a string of brothels—all while hiding her undying devotion to the child she was forced to abandon. Directed by Busch’s long-time colleague Carl Andress (The Tribute Artist, The Divine Sister), this comic melodrama celebrates the gauzy “confession film” tearjerkers of early 1930s pre-code cinema, such as The Sin of Madelon Claudet, Frisco Jenny, and Madame X. 

From the show:

In Jonathan Rockefeller’s "Paddington Gets in a Jam," Paddington is at home making his favorite marmalade jam, with the help of the Brown’s housekeeper Mrs. Bird, but they run out of sugar. Paddington goes next door to borrow some sugar, where he finds his ever-grumpy neighbor Mr. Curry in a panic, expecting an important visitor. Paddington volunteers to help get the house ready for the visit, but in typical Paddington fashion, his good intentions lead to hysterical chaos.