There’s no shortage of incident in this 90-minute piece... It’s just a shame that his presentation sells him short. There’s no director credit, and you can’t help feeling that the material needs more shaping.'
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Ellams, modest and unassumingly downbeat, comes over as an engaging and attractive figure; it is a pleasure to spend time in his company... it feels essential viewing, but it isn't particularly theatrical.'
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Masterly revival of Inua Ellams’s 2016 autobiographical one-man show... poetic and engaging.'
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...a self-consciously low-key production — really, more of a poetry reading than a piece of theatre... It’s testament to Ellams’s extraordinary talent that this autobiographical show is as engrossing as it is.'
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Irresistible. In this warm monologue, Inua Ellams recalls his journey from Nigeria to London to shed light on Britain’s asylum system.'
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