The Invisible Hand (Kiln Theatre) London Reviews and Tickets

Ayad Akhtar’s claustrophobic four-man thriller has made a winning return, five years after it was first staged here.
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[The Invisible Hand is] the sort of juicy, thorny, knotty one-room play that gets the blood pumping – remarkable given that extended passages just see two men argue while looking at a laptop screen.
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Reviving her 2016 production, Indhu Rubasingham excels in her directorial signatures of pacy staging combined with clarity of narrative and characterisation.
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[The Invisible Hand] really is edge-of-your-seat theatre that had me pondering the maxim ‘power corrupts and absolute power corrupts absolutely’.
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All four are strong, but Karim (the lone newcomer to the cast) takes the production to new heights. His bombastic Bashir is likeable to the end – which makes him a great foil for Nick, who just doesn’t tug on the heartstrings in the same way.
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Indhu Rubasingham’s stage is smoky and claustrophobic, the combination of silence and explosions of sound, darkness and blinding white light all creating a visceral experience.
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