Annie (West End) London Reviews and Tickets
Show-Score Member Reviews (7)
See it if You want a heart warming tale with great performances, love dogs as they will melt your heart, love the songs and film
Don't see it if You want lots of flashy effects, don’t like the music.
See it if If you are a fan of the film and have children who would enjoy.
Don't see it if If you don't like musicals. I personally found the accents lacking as well as the staging.
See it if Liked the movies! I watched the second coming with Jamie Foxx and loved it, then watched it in theatre and was just as good! So entertaining
Don't see it if You are not a fan of the movies or you do not like changes to the original concept!
See it if You like a classic family friendly musical with amazing singing all around and very impressive child actors. It follows the general story.
Don't see it if You didn’t like any of the films or don’t like musicals.
See it if You love the film and the songs.
Don't see it if You are expecting it to be like the film.
See it if The 80s production was hilarious, punchy and brilliant, this was sadly watered down too much, only the music stood out, a shame!
Don't see it if You are expecting this to be as funny as the movie
See it if you’re a fan of the movies
Don't see it if if you don’t relive your childhood
Critic Reviews (7)
But ‘Annie’ has its own charms, and though I suspect this production may not survive Hart’s departure on September 17, there is definitely more to it than celebrity casting.
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Perfect, then, as anticipated, for the summer and the school-holidays but, more unexpectedly, for these jittery, fear-filled times too; a potent juvenile rallying cry to resist hard-knocks and fight back.
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This production, fluently directed by Nikolai Foster, who previously directed a touring version, also has the benefit of a kind of rough theatrical magic. Its scale fits perfectly into the relatively compact Piccadilly...
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If Annie is in some ways an enduringly safe bet – this isn't a show that would benefit from Donmar-style deconstruction – its strength lies in an open-faced, full-throated compassion...
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The 1977 Tony winning Broadway musical may be more than a little bit old-fashioned and even corny, but it wears its sincerity totally on its heart; and director Nikolai Foster honours that sentiment (and sentimentality) with real integrity...
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[Miranda Hart] gets top billing, but really it’s a colourful cameo. The show is the star. And its mixture of open-heartedness, wit and pizzazz enables the little orphan inside us all to see off our enemies.
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An ingenious jigsaw-like design and strong performances lift this revival, but the main draw, Miranda Hart, is just too likable and the politics seem dated.
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