See it if you're at all interested.
Don't see it if you're a prude/allergic to solo shows.
See it if If you want to laugh and reflect at the same time. Absolutely loved it!
Don't see it if Just watch it.
See it if you enjoyed the television series.
Don't see it if you don’t like one-person performances with no set.
See it if you loved the tv show and want to see more of the same!
Don't see it if you don't like a self reflective play
See it if want to experience a really well-written and fun female stand-up show, gradually transforming into an impressive drama
Don't see it if not a fan of mono-actor plays with 0 actions or effects
It's a bespoke vehicle for her sharp comic timing and physical wit as well as a nuanced piece of writing, and she plays the audience like a ukulele.
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Ultimately, ‘Fleabag’ series two is Waller-Bridge’s masterpiece, the perfection of the character. But the return of the original monologue isn’t just an ego trip; it’s a piece of theatre that still really stands up.
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It's a terrific performance, beautifully realised, burnishing the legend that the star has already created.
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Vicky Jones’s production and Isobel Waller-Bridge’s sound design enhance the performance by their essential simplicity and, although the show has been over-hyped, it is still quirky and original.
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A triumphant return...the stage show is darker and bleaker than the television series it spawned. It’s less hopeful in many ways, but still very funny.
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Her timing is perfect and the punchlines are good but, still, it does feel just a little, er, old hat. You cannot help but notice that you are watching Fleabag.
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Still, Waller-Bridge impressively manages to make matters feel remarkably intimate and conspiratorial, drawing you in with those judgemental eyebrow swoops and wicked grins.
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She takes us by the wrist and drags us at a pace through break-ups, hook-ups, family and friends. ...It’s awkward, dirty, witty and raw.
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