Amelia Bienstock is a critic with Time Out New York. This account has been auto-generated, and does not indicate that this person is an active member of Show-Score.com. That said, if you "follow" this member, you will automatically be updated whenever s/he writes a new review.
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“Some of the jokes land nicely, especially the pop-culture references, and Bouillion handles his millennial-Mamet dialogue well. But Leslie’s rashness and aggression seem weakly motivated…‘The Princemaker’ has an interesting premise that would benefit from greater psychological depth. For now, at least, it doesn’t get my vote.” Full Review
for a previous production “Broad puns, corny references to Rodgers & Hammerstein and an obscure yet relevant allusion to Marvel's Red Skull are all in the mix. But Bergh doesn’t just crank out meta jokes...The dramatic stakes help move 'The Radicalization of Rolfe' beyond mere spoof, and offer characters of some depth (feelingly acted by a strong cast)...To be sure, Bergh’s humor caters to a distinct niche—camp-loving History Channel and Broadway buffs—but the Players Theatre was alive with the sound of laughter.” Full Review
for a previous production "A powerful piece…'Mother Emanuel' honors their memories by bringing them to life...The sterling ensemble includes the comical Branch and the charismatic Marquis D. Gibson; Lauren Shaye provides dynamic character acting, and Nicole Stacie has vocal cords of steel. Though appropriately weighty, the play doesn’t forget to entertain, and the audience is even encouraged to join the cast in song. Such moments of joy make the tragedy even harder to accept." Full Review
for a previous production "The show is both educational and entertaining. Mixing whimsy and information, Caporale makes the story of our relationship with alcohol remarkably compelling. And the show's lessons can be washed down with complimentary, thematically appropriate beverages...A must-see for anyone who enjoys free booze, which is probably nearly everyone." Full Review