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See it if you are intrigued with new musical theater pieces with a contemporary style. You enjoy really listening to spoken words.
Don't see it if you prefer plot driven stories or more tradition musical theater forms. Are dismayed by short running times (65 minutes).
See it if you enjoy rediscovering forgotten musicals that deserve to be remembered. Young, talented cast. Strong story.
Don't see it if you prefer very elaborate productions. Are only interested in rewritten musicals where the director "knows best"
See it if you enjoy thought-provoking fantasy that is surprisingly relevant in today's world. If you enjoy fine acting with amazing concentration.
Don't see it if you get restless at talky plays (it is overlong). You prefer flashier shows.
See it if you love great theater, want to laugh and cry, see a classic musical with fresh details but respectful to the original. Damn, just see it!
Don't see it if you only like contemporary juke box musicals,
See it if you want to see a dramatic, detailed exploration of a divisive period in New York City history. You want to see a brilliant performance.
Don't see it if You prefer lighter fare or more elaborate productions.
See it if you love classic Broadway songs, including some you may not know. You adore discovering some exciting young theater talent.
Don't see it if You prefer dramas, musicals with strong books or only contemporary scores.
See it if you are a fan of musical comedy and enjoy watching a charming, talented cast bring a solid second level musical to life.
Don't see it if you you prefer edgy, modern fare or very elaborate productions.
See it if you are intrigued with the idea of technology-addiction. You appreciate constantly brilliant a cappella vocalizing.
Don't see it if you prefer more traditional plot driven musicals (they're is really no plot here). You don't want to listen/work hard to take in the show.
See it if you enjoy theatrical events, a style of theater rarely seen, and a play you've probably never seen.
Don't see it if you prefer contemporary drama
See it if you treasure musical comedy from the 20s/30s. enjoy excellent dancing/choreography in a variety of styles.
Don't see it if your prefer musicals with strong stories; don't enjoy "silly"
See it if You are a fan of the playwright. If a brilliant performance Zainab Jah is enough to satisfy you. If you have great patience.
Don't see it if You prefer plot driven plays. You prefer lighter, more optimistic fare.
See it if you enjoy historical drama beautifully interpreted with a surprisingly amount of humor.
Don't see it if you prefer light fluffy pieces or elaborate productions.
See it if you enjoy witty plays about strong women in modern settings with some dark edges. You want to see a bravura performance by Cherise Boothe
Don't see it if you prefer either stark drama or frothy musicals. This falls somewhere in between.
See it if you enjoy seeing a bit of a twist on a classic play by GB Shaw. Lovely acting.
Don't see it if you don't enjoy long shows (a bit more trimming in the second act would have been welcome). Want your classic theater without twists.
See it if You have a passion for the theater; enjoy wit and wordplay; want to see one of the great performances of the last five seasons.
Don't see it if You prefer contemporary plays or theater you can back at and just let it wash over you.
See it if you enjoy seeing a traditional story told in nontraditional manner. Enjoy intelligent and compassionate writing.
Don't see it if you prefer flashy shows or those that are very traditional.
See it if you are dazzled by lots of movement, over the top design and very hard working performers
Don't see it if you prefer musicals with a strong plot line, developing characters and a coherent score
See it if you enjoy small, delicate shows with subtle character growth and an off-beat score. Constant surprises.
Don't see it if you prefer big, flashy, traditional musical comedy
See it if you want to see a fine ensemble cast inhabit their roles. Have a sense of gay history.
Don't see it if you have no interest in gay history. You can't accept an important but flawed play.
See it if you enjoy dramas about moral questions mixed with some genuine humor. Admire fine and specific acting.
Don't see it if You are expecting Chris Evans in a super hero movie. Prefer lighter fare.
See it if you enjoy a thrillingly sung version of the Stephen Sondheim/John Weidman masterpiece.
Don't see it if you require a full orchestra and elaborate scenery.
See it if you enjoy a top-notch production of an historic if problematic show. Very well-staged that reflects the style of the original.
Don't see it if You prefer "revivals" that fight against the intent of the creators.
See it if you enjoy wonderful acting and clever writing. New twists on the traditional family comedy-drama
Don't see it if you only enjoy musicals or very dark theater. You aren't interested in plays that focus on older people.
See it if you enjoy traditional realistic plays with a Southern accent. Two brilliant performances by the leads.
Don't see it if you prefer contemporary and less traditional style
See it if you are a fan of Will Eno. Intrigued in seeing a traditional story told in a non-traditional way. Appreciate theatrical language.
Don't see it if You you want stark drama or frothy comedy; this falls between those.
See it if you are a fan of Tracy Letts or interested in a funny, moving exploration of a complication middle-aged character.
Don't see it if You prefer musicals or more experimental work. Also be aware there is a good deal of nudity (male and female) and simulated sex.
See it if you are a fan of either actor or the playwright. Interested in the political underpinnings of the play.
Don't see it if you prefer something more dramatic. impactful.
See it if you enjoy a powerful exploration of what it means to be a gay man in the United States, livened with plenty of humor.
Don't see it if you prefer high tech productions or musicals. This is definitely an old-fashion off-Broadway production with an accent on the acting.
See it if you want to enjoy the tremendously talented Andrea Burns. You want to learn more about the complex and fascinating Judy Holiday.
Don't see it if you have no interest in show business in the mid-20th century. Prefer a lavish Broadway-style production.
See it if you enjoy classic American political plays of the 20th Century well presented with style and wit.
Don't see it if you are only interested in fast moving contemporary plays
See it if you are fascinated by classic Hollywood films and the way they are reinterpreted in later periods. And if you just enjoy wonderful acting.
Don't see it if you prefer plot-driven stories. Don't enjoy period shows.
See it if you are a fan of the Go Gos, have a curiosity about Elizabethan theater that is not Shakespeare or just want a silly good time.
Don't see it if You prefer your musical theater to have more content or a darker view. Have no patience with juke box musicals.
See it if you enjoy intelligent, funny discussion of important political and philosophical issues. You want to see three outstanding performances.
Don't see it if If you prefer either plot driven or fluffy material.
See it if you enjoy classic American theater and a chance to see a rarely performed play by an unrelated playwright.
Don't see it if you prefer contemporary plays or lavish productions.
See it if if you enjoy a well cast, well produced production of an unknown play by a major American playwright.
Don't see it if You are unsatisfied with a flawed, though intriguing play or need major star performance.
See it if you are a fan of A.R. Gurney and enjoy the chance to see one of his less known plays.
Don't see it if You prefer very straightforward plays that don't mix genres. Only expect perfection.
See it if you want to be entertained. Silly, outrageously bad/good jokes, wonderful dancing and a cast that just goes for it.
Don't see it if you don't want to have The Lambeth Walk stuck in your brain for the next week.
See it if You have never seen Carousel, know nothing about the show and are satisfied with some good performances.
Don't see it if You have respect for Rodgers and Hammerstein, Agnes DeMille and Robert Moumillian. This production trashes their work.
See it if You enjoy literate playwriting about intelligent, caring people. And some very fine acting.
Don't see it if You prefer highly dramatic or very silly shows.