Ben S.

See it if You like longform/shortform improv, beatboxing, a show that is literally different each night

Don't see it if You do not like leaving a show up to chance and impromptu creativity, are expecting PG content

Also Our performance included Two-Touch, Jelly Donut, Shockwave, C-Jack (Christopher Jackson), and J-Soul (James Monroe Iglehart). The core cast has a lot of history to their names, and it’s important to understand this group is there to have fun in the excitement of not knowing what is going to happen and what they are going to say - and you as the audience should too! Arthur Lewis was fantastic on background with a velvety singing voice, James Monroe Iglehart had a lot of energy, Chris Jackson with his usual charm, Two-Touch is a great MC managing the audience, Shockwave was impressive (must be tiring beatboxing the entire show), Jelly Donut was great at callbacks. There are about six segments in a fun circular format. Show up early to get your bag locked in a pouch (which you keep with you), and write down word prompts for later in the show. Treat the show like a game you get to play together, and PARTICIPATE when it’s needed!... Read more Read less

See it if You LOVE listening to Motown, biopics, concerts

Don't see it if You are uncomfortable with depictions of abuse (substance, physical, etc.), dislike narration

Also Stellar unique ensemble, extremely loyal portrayals. Typical biopic format, familiar arcs. Truly is reminiscent of Jersey Boys, which I enjoyed, but I liked this better. There were only a few times that seemed faintly self-serving as an autobiography of Otis. Love that it feels like a concert most of the time, hands outstretched to the audience. Let me tell you that ALL the hits are here. Solid vocal and acting abilities on display, not to mention the CHOREOGRAPHY. Sykes and Pope especially - so much charisma on stage. Smooth moving parts. The finale was a big win for me. Gives context to how and why The Temptations are still performing and going strong. No viewing concerns from orchestra rows, even with an overhang, though the closer and farther to the side you are, the wider the stage will feel. Rear mezzanine seating may be spotty. You will enjoy this as a fan, or as someone who has no background on the group whatsoever!... Read more Read less

See it if You are a fan of shows set in ‘30s and 40’s theatre, big & busy choreography, will-they/won’t-they relationships, strong female leads

Don't see it if You need a modern performance or orchestration

Also The show starts without a direct introduction to the characters - you begin as the cast is into their final rehearsals for the show, so unspoken history between the characters slowly presents itself in pieces. O’Hara is hard-working, funny, and so, so, talented in this role. Strong independence plays well into the push/pull of romance that lingers. Amazing chemistry with a hilarious Will Chase, especially when reading between the lines. Pankow & Coadie Williams are such welcome comedic additions as atypical mobsters. Christine Cornish Smith led as understudy for Lois Lane & simply owned the role. Corbin Bleu is given room to display his undisputed talent.

The opening of Act II with “Too Darn Hot” will leave you breathless. All choreography in this show is suave, mesmerizing. I’m also a fan of “Tom, Dick, or Harry” (+all Padua scenes). The coordination & physicality is flawless.

As a revival, Porter’s original voice is very much given justice, not to mention a breath of life.... Read more Read less

See it if You are a parent, enjoy a younger cast, are entertained by “caught-in-a-lie” storylines

Don't see it if You are triggered by discussions of suicide

Also Trensch’s behavioral ticks and vocal variety made Evan an intimately unique character. Brescia played well with the emotions, frustrations, and unconditional love of a mother. Lakota-Lynch’s line delivery seemed canned to me, but Boniello was a solid Connor. Wonderful debut from Bechtel. I will be honest the base subject matter is close to me, and there were moments that were extremely realistic, then others where I questioned how the writing would leverage humor with these stark situations. I was increasingly uncomfortable as “the lie” continued to escalate, and I think that rollercoaster of emotions was wholly essential. There were plot paths that surprised me. I hope this show keeps mental health and perception thereof, on the forefront. I really enjoyed “Waving Through A Window” and “Sincerely, Me.” The layers to the set design provide great opportunities for layers in the arrangements and ample view from any seat in the theater. Clear to see how the original cast took home a Tony!... Read more Read less

See it if You LOVE listening to Motown, biopics, concerts

Don't see it if You are uncomfortable with depictions of abuse (substance, physical, etc.), dislike narration

Also Stellar unique ensemble, extremely loyal portrayals. Typical biopic format, familiar arcs. Truly is reminiscent of Jersey Boys, which I enjoyed, but I liked this better. There were only a few times that seemed faintly self-serving as an autobiography of Otis. Love that it feels like a concert most of the time, hands outstretched to the audience. Let me tell you that ALL the hits are here. Solid vocal and acting abilities on display, not to mention the CHOREOGRAPHY. Sykes and Pope especially - so much charisma on stage. Smooth moving parts. The finale was a big win for me. Gives context to how and why The Temptations are still performing and going strong. No viewing concerns from orchestra rows, even with an overhang, though the closer and farther to the side you are, the wider the stage will feel. Rear mezzanine seating may be spotty. You will enjoy this as a fan, or as someone who has no background on the group whatsoever!... Read more Read less

See it if You like seeing the backing band live on-stage, mythology/fairytales, immersive stage design

Don't see it if You do not enjoy narration, you prefer dialogue to not rhyme, low/high vocal ranges

Also The context of this work serves to heighten its experience and enjoyment. Eva is grippingly out of this world, Amber is charmingly wicked. Carney’s falsetto is unmatched, though I perceived him more as a performer/musician than an actor. In the original with Daunno I think the body language may have translated better. I’m not a fan of bass singing style, but Page did embody a Hades justifiably. The lyrics in some songs left a bit to be desired, and I felt a lull in a few scenes in the second act, but the energy of and the arrangements themselves have a beautiful mesmerizing way about them. The four Broadway cast recording songs that were released first were done so for a reason. The set is immersive, tall, with absolutely perfect ideas of using the live band, worker’s chorus, and Fates in the forefront truly pulling you in further. The intimacy of the small theater is unparalleled on Broadway in my opinion. I walked out forgetting I was in New York!... Read more Read less

See it if you are a casual Office fan, enjoy exagerrated parodies

Don't see it if you do not enjoy the awkward humor of The Office, find eye contact with cast members uncomfortable

Also Every other line of this show is parotting of quotes and critical/favorite moments from the show, and not necessarily in the same sequential order the episodes played them out. This is consistent and at times seems self-serving. But as a parody, the musical makes sense, allowing the audience to see their favorite moments replayed live (and over-the-top). Inside jokes are peppered throughout, with the occasional tongue-in-cheek reference. The characters are depicted so accurately, especially Andrew Wade and Michael Santora, down to the speech and mannerisms. Katie Johantgen does a fantastic job. However, the show REALLY shines in its music arrangements, with delightful lyricism, references, themes, choreography. As with some parodies I’ve seen, I preferred the second part after you’ve settled into the approach and performances. I found myself sad for it to be over at the end. Lots of fun, especially in the intimate space.... Read more Read less

See it if You enjoy the standard repertoire of Rodgers & Hammerstein, are curious about revivals of classics, enjoy contemporary dance.

Don't see it if You prefer modern or fast-paced style, or more dialogue than dance. You have trouble understanding Northeastern accents. Aversion to abuse.

Also The beginning maybe ten minutes of this production consists of dancing and no dialogue, which surprised and honestly confused me in my focus. I was also taken aback by the speaking styles of the characters Billy and Carrie, and with Joshua Henry’s emote/movement choices in general. Eventually, these aspects did blend into familiarity and I understood more from the regional/historical aspects.

Theme in general did feel outdated, and some characters’ motives were questionable, but I enjoyed the return of a classic and the contemporary dance. Singing was masterful. Sets and rigs had that vintage feel also. The chemistry between Jessie Mueller and Joshua Henry becomes extremely palpable. Great talent from the entire cast, including Brittany Pollock. There was a technical error during one scene, requiring a reset, which I had never seen before - but it was handled extremely professionally. We sat in the orchestra, but would recommend all sections, except the boxes or very far left/right.... Read more Read less

See it if You enjoy the songs of the animated film, want a straightforward story.

Don't see it if You are attached to the characters of the animated film, or dislike Russian culture/history.

Also The plot is predictable, though the performances are enjoyable, as are the familiar songs. The beginning reminded me of a classical Russian play, and truly several blocking choices are reminiscent of The Nutcracker, including the turntable transitions. Malleable John Bolton & masterful Vicki Lewis are delightful in their scenes. Christy Altomare surely has more big things coming her way. Our night welcomed a special performance between Christy & Liz Callaway (original voice), & Christy definitely held her own!

Attend knowing Bartok and Rasputin are not present in this stage version. Would not recommend sitting in any of the box seats, as this will surely obstruct your view of scenes that are exclusively far stage right or stage left. I did enjoy the use of digital technology mixed in with classic set design - this proved useful for many flexible transition choices.

Would recommend for casual viewing, especially for families, as the play is currently priced at a great value.... Read more Read less

See it if You enjoy subtle, reserved humour, Israeli music, singing in Arabic, and/or the film adaptation.

Don't see it if You have trouble understanding English with an accent, you expect a fast-paced show, you are uncomfortable during long periods of silence.

Also The higher rating is credit to the actors/band’s talent. Katrina Lenk is mesmerizing - all her songs, as well as “Papi Hears the Ocean,” “Itzik’s Lullaby,” & “Answer Me” are standouts. The instrumentals truly immerse you in the setting. Set transitions are graceful.

However, I felt the storyline came & went. Linear structure, but vignette form leaves character dev. to be desired.

I also attribute my diminished appreciation to the unfit audience during my particular attendance, laughing during parts not set up for humour, or during characters simply hesitating when speaking English. People were unordinarily fidgety as well.

Would not recommend Rear Mezz seating at the Barrymore, as there are rows not as staggered, so views can be obstructed by taller audience members, or slight movement. Center of the theatre is suggested, as many scenes involve space toward the wings.

I recommend supporting this cast & crew’s work on its own terms, but cannot justify the Best Musical award.... Read more Read less

See it if You enjoy Sara Bareilles’ music, you like live bands on stage, you are a fan of pie

Don't see it if You are triggered by depictions of domestic abuse, or infidelity.

Also The songs in this musical are varied and beautifully dynamic, as found in Sara Bareilles’ music, as is the delightful choreography. Set changes and each daydreaming sequence are simply magical. I could watch the swings alone and be mesmerized. Katharine McPhee in her final performance was electric, charming. Katie Lowes is magnificent as Dawn. Adam Shapiro is unforgettable. The story does not stray if you have seen the film, so it runs the risk of being predictable, but these live performances and original songs are worth the experience. Nicolette Robinson as Jenna will be amazing and bring her own charm to the table. In the Brooks Atkinson Theater, choose seats with clear view of stage right, where the diner counter/kitchen is focused, as there is a lot of action there. My seat in the far side of the Mezzaine was obstructed by the edge of the stage. Be sure to stop by the merchandise section in the lobby, for a scent of freshly-cooked pie, and reviews on ticket orders!... Read more Read less

See it if You are a tried & true Spongebob fan (enjoy the call-backs!)

Don't see it if You do not have a goofy sense of humor, want only the most obvious of high-budget sets.

Also Such a diverse, talented cast. This production utilizes the entire stage, so seating in The Palace Theatre with view of stage right & stage left helps take in the entire experience, including the visible live band & foley artist. There are moments as parts of the cast make their way into the audience, & the Maestro’s participation is hilarious.

Honestly enjoyed Act II more than Act I after they got character intros out of the way, & plot is straightforward, but a pleasant underdog story.

Loved that the sets were both elaborate in technology, & also simplified for imagination, harkening back to the show’s roots. Fun seeing the human iterations of these characters we have come to know deeply, & the creative decisions involved. There are certainly call-backs to quotes & episodes, done gracefully vs. pandering to the audience.

The songs? High production value (of course some credit goes to celebrity collaborations), and the choreography is just superb. Ethan Slater is a wonder. See it!... Read more Read less

See it if You are close with your brothers/father, enjoy or are interested in discussions of privilege & mental health, do not need closure.

Don't see it if You are uncomfortable w/ foul language, the LGBTQ community, or don’t often grasp irony or sarcasm. You expect an intermission/set change.

Also Came in curious about the cast’s theatrical display (had only seen them in film/TV). Preshow is energetic, & Ty/Kate’s intro is fantastic for setting the mood. The night we went, I felt Act 1 began with unsteady footing, including unnatural/failed line delivery (possibly attributed to both writing & acting). Some dialogue seemed obvious/cliched, as if marking a checklist of “relevant” topics - nothing profound compared to commonly discussed current events. Dynamics between characters felt forced.

However, by the end of Act 1 & into the 2nd act, I felt the actors develop into their characters & gain a steadier rhythm. Paul in particular really lands his character, Armie puts in a huge effort as always, Josh is a pro.

The balance of conflict & comedy are handled well at this point, & I began seeing parallels in the banter to my own familial experiences, some lines almost straight out of the mouths of people I know. Definitely important topics on perspective, projecting, and purpose.... Read more Read less

See it if You love fresh, and I mean FRESH, takes on creativity (and comedy).

Don't see it if You enjoy linear storylines and dialogue, or hate the color blue.

Also Masterful is a perfect adjective for this group. I feel I need to update this review after every viewing, because each show is slightly different, and especially year to year. The focus on expression and action to convey language, thought, emotion - profound and inspiring. All delivered with an air of musicality and humour!... Read more Read less

See it if You enjoy the 1960’s/1970’s era (fully immersive) and music of The Four Seasons/Frankie Valli.

Don't see it if Dislike period pieces or falsetto singing.

Also Easy to follow the story and get lost in the created world. I had no knowledge of this timeline beforehand, but the biopic is well-rounded, and I have a newfound appreciation of the era and its related sounds!... Read more Read less

See it if You are fond of the animated film and its soundtrack - because this show truly brings all of it to live action and in a RAINBOW of color!

Don't see it if You have no interest in talking animals, or children in the audience.

Also Hard to resist singing along to these songs I grew up with. The costumes and set design are so elaborate and BEAUTIFUL. Even if you have seen the movie 1000’s of times, this show is worth the visual experience alone.... Read more Read less

See it if Like Cyndi Lauper’s music, and enjoy fun choreography.

Don't see it if You are uncomfortable with men in drag, or hate songs that will get stuck in your head.

Also J Harrison Ghee is a SHOW-STOPPER, and everyone knows it. This current cast is remarkably talented, and each Charlie or Lola is as lucky and perfect as the last. Each high kick, each falsetto, each cape flick fuels the audience with strength and fulfillment. Cyndi Lauper has found a perfect fit in this unique tale. One of few shows I’ve seen the viewers immediately engage by clapping along and cheering the whole way through, which the blocking creatively encourages during several scenes. Good balance of brevity and humour, fun sets. The Al Hirschfeld theater was more intimate than I thought it would be, and I saw no obstructed views. Come see this one!... Read more Read less

See it if You enjoy old school hip hop infused with history! Or maybe the other way around? Detail stage design and choreography for multiple viewings

Don't see it if You cannot appreciate or focus during a play that is completely sung thru.

Also Hamilton has become its own universe - just take a look at the store across the street from Richard Rodgers! One of those shows that REQUIRES more than one viewing to truly appreciate every aspect of the lyrics, blocking, character actions, and set design. Timeless.... Read more Read less

See it if You are a big fan of the film/quotes, relish lavish lifestyles, are looking for a rags to riches story

Don't see it if You want unpredictable twists in plot, lyrics or concepts with depth

Also At its core, this is the movie, but with songs. However, I felt it left much to be desired. With all the talent on stage, I did not witness anyone commit to the strength of their voices & elevate the arrangements. Some felt like they were simply going through the motions, and I did not perceive any chemistry between the actors. The set design is not much, but meets the base goal of setting a scene/mood. The quotes and costumes are there, Banks has potential, Andy Carl does charming justice, Eric Anderson and Orfeh do their job, and Tommy Bracco is welcome comedic relief. However, I hope their next project gives them a better fit.... Read more Read less

See it if You are intrigued by modern retellings, have enjoyed other performances at Circle in the Square, love immersive or experimental theatre

Don't see it if You are a purist of the source material, are uncomfortable with breaking of the 4th wall, are easily startled/anxious

Also I had no background on the original. Watching how this performance used the material, I was extremely curious to seek out the source. Daniel Fish stands by the claim the themes modernized here were always present.

The chemistry of this cast is familial, & what a stunning ensemble effort it is. Damon’s singing is so dynamic, accentuated by the acoustics of the theater walls & wood floors. It feels rural. This spirit also exists in the staging/blocking as a whole. Since much of the cast is consistently present on stage, seating is available on both sides at stage level, the band are characters, & lighting illuminates the audience the majority of the time - you are pulled in as part of the performance, & never truly let go. Stroker deserves all the praise she has received. Davis & Brill have great timing. Vaill is masterful at projecting unease & tension. Rebecca Naomi Jones gave me goosebumps at the end.

Post-intermission is on par, but long. Get in line for chili fast (calm)!... Read more Read less

See it if You are a longtime follower of Broadway (divas), promote LGBTQ rights, are a parent of teenagers

Don't see it if You disagree with gay values, interracial relationships

Also This show was delightful, and given the fairly straightforward storyline, I was pleasantly surprised by certain plot directions, and realistic musings (among over-the-top or blatant stereotypes eg. conservative parents, washed-up Broadway actors). The set design leaves some to be desired, but I love the connection you feel to this group by the end of the show. Though part of me was turned off by the predictable flamboyancy of Glickman, Brooks carries the character with such charisma. Christopher Sieber is hilarious, Angie Schworer fiesty, Beth Leavel can do no wrong. “The Lady’s Improving, “The Acceptance Song,” and “Unruly Heart” were the standouts to me, but each song is punched up by a fun ensemble effort. Caitlin Kinnunen plays her part with such candid, natural poignancy and her relationship with McCalla felt genuine. I don’t think there was a bad spot in the theater. There are important, accessible messages for all audiences here, asking the essential questions. Must watch!... Read more Read less

See it if You would like insight into the history of media, enjoy period pieces of the ‘60s and ‘70s, detailed stage design

Don't see it if You have an irritation toward cigarette smoke, cannot understand British accents, have an aversion to swearing or lewdness

Also Intriguing story on its own - then Jonny and Bernie commit so much. Veins popping out of the forehead and all. I think Jonny deserved a Tony nomination just as much. Tense, quiet moments had the audience on the edge of their seats, with several moments of humor. Very relevant and thought-provoking subject matter. I did not perceive a positively biased portrayal of Murdoch as other reviewers did - if anything, context is more eye-opening and strengthens existing perception. Small musical transitions surprised me. The set design is a sight to behold, detailed, and allows a surreal overlay to the storytelling format. Fantastic lighting from the get-go. Good breaking of the 4th wall, immersive displays, versatile cast. Beware of the real cigarette smoke heavily present throughout the show.... Read more Read less

See it if You are curious about how the film is honored, are an actor, enjoy “caught-in-a-lie” plots

Don't see it if You are uncomfortable with cross-dressing, swearing

Also Scenes and themes obviously mirror the movie exactly, but there are some changes/twists, and I feel this cast embodied a collective chemistry more than I felt with Pretty Woman: The Musical. “What’s Gonna Happen” and “Gone, Gone, Gone” were standouts to me. Grotelueschen and Stiles have impeccable comedic timing, Reg Rogers is basically his character from “Friends” (masterfully fun to watch), and Behlmann gives the usual dumb guy trope some extra oomph. With all my love for Santino, there are moments where speaking casually still sounds like he’s putting on a show, but perhaps that’s a choice to link Michael to Dorothy - and she’s never looked better. Talent oozes in this cast, with genuine laughs. The show within a show is hilarious. Final bow is wonderful. Do not be late to this one - you will need to find the right door and escalator/elevator as part of the hotel before getting your tickets scanned.... Read more Read less

See it if you understand the appeal of the Beetlejuice movie, are a fan of Alex Brightman, are fascinated with set design

Don't see it if you are uncomfortable with the macabre, have young kids susceptible to humor that may be considered crass or vulgar

Also This show is so FUN. From the first curtain, set design, Alex Brightman’s work ethic/physicality, breaking the fourth wall (very much on-brand), and choreography, to the varied lyricism. Kerry Butler is a delight to watch. Rob McClure is a perfect counterpart. Leslie Kritzer truly does it all. Sophia Anne Caruso will simply make you say “wow.” There is great charisma across the entire cast. The humor comes naturally (comedic timing on point), and while there are scenes/lines from the movie, this is a twist on the classic. “No Reason” and “That Beautiful Sound” were standout numbers to me, as well as “Running Away” and of course, *that song.* You may have an obstructed view sitting stage left in a rare scene or two, but the Winter Garden seating is wide and thus fairly close wherever you sit, even in mezzanine. Go see it with this hard-working original cast!... Read more Read less

See it if You are a lifelong follower of Harry Potter and its fanbase. You’d enjoy a UCB-style of off-broadway. You enjoy intimate theaters.

Don't see it if You have not read/seen Harry Potter. You are bringing kids to the evening performance (separate fam-friendly matinee). Want elaborate sets.

Also In all, this felt to me like a 90-minute UCB sketch, which I am all in for. May not be everyone’s cup of tea, but as a participant in the HP fanbase, the do-it-yourself nature of costume/set design, and inside jokes landed big time for me. The packed house was laughing uproariously, often lingering long past the joke present.

I do not believe there are any bad seats in this intimate space, and the hilarious cast often strays from the stage. Be sure to take note of the letters by owl fixed to the back wall of the theater. Be aware New World Stages hosts several stages within the building for other shows.

Please do not bring your children to the evening performance - there is a family-friendly matinee offered, that likely does not include the expletive-ridden raunch-fest of the other. Non-Harry Potter fans will likely be incredibly confused either way.

Overall, there is some great tongue-in-cheek attention to detail here, while leveraging typical low-brow humor/puns.... Read more Read less

See it if You have an opinion on “truth” in journalism, enjoy Bobby Cannavale’s performances, fan of Cherry Jones, Daniel Radcliffe, want relevance.

Don't see it if You have a sensitivity to obscenities, tense moments, mentions of death/suicide.

Also Love when you forget actors are on stage, and watch the characters simply come alive instead. Cherry Jones is perfect, commands the space masterfully, heartfelt. Bobby Cannavale nails it as a creative, and a bit of an asshole. Daniel Radcliffe shines leveraging naivity and dedication with no inhibition. Comedic timing was surprisingly effective, and sets were fittingly modest. The subject matter, and dialogue presented (especially toward the latter half), are so ASTOUNDINGLY pointed, that I think everyone should watch this play and think on its themes with effort. Incredibly relevant debate of trust, purpose, and credibility in today’s world. This being the third week of previews, I could maybe sense some timing or line order adjustments to be made, and Daniel was visibly nervous in the opening scene of this particular performance, but that’s the magic of live theatre. Apparently no stage door for this matinee, but present during night-time shows. This should be on your MUST-SEE list.... Read more Read less

See it if You are curious how an immersive world is created. You love magic/illusions. (Obviously) you are a Harry Potter fan!

Don't see it if You cannot enjoy fantasy/suspended reality, do not know the general story lines of the Harry Potter series, dislike hints of the macabre.

Also Secrets of this play MUST be kept. The Showbill will have a brief catch-up on main plot points/characters for the uninformed (yes, you do get a Showbill for each part). I’ve heard recommendations on seeing both parts the same day, but I saw this in two consecutive days & felt no negative effects. Orchestra seats were SUPERB.

Whether you have read the play or not, this live representation on stage is BEYOND imagination. J.K. Rowling has always excelled in attention-to-detail. From the merchandise to the graceful nostalgia, to the set, and the structure of each act - just wow. Several scenes may leave you scratching your head wondering “How did they DO that?” Anthony Boyle as Scorpius spits too much for my taste, but gives a charismatic performance. Paul Thornley is a perfect Ron. Hard-working cast!

J.K. Rowling is known for her witty phrasing, so humour comes naturally, leveraged with many dramatic moments of silence/awe.

(Lottery entries are available online every Friday!)... Read more Read less

See it if You enjoy opera, classic musicals, a light atmosphere of fantasy

Don't see it if You need your musicals to be modern in delivery and content, you need extreme realism in story

Also The moment the first Act begins, and you notice each actor’s masterful precision in movement and delivery, you understand why this show is the longest running on Broadway, and why it is a CLASSIC. I had to suspend my belief for a few scenes, but soon became enveloped in this world created as the fog rolled off the stage. Gripping in its imagery. Elaborate in its sets. It truly is enchanting, and I still have the songs stuck in my head two weeks later. Best seats at The Majestic Theater would include a full vertical view of the stage and above!... Read more Read less

See it if You are bringing children who enjoy live theater and the songs from Aladdin. If you like a progressive theme about independence.

Don't see it if You are expecting the caliber of The Lion King or Frozen on Broadway, or a serious emotional aspect. You don’t like predictability.

Also Aladdin is my favorite Disney movie, a step above The Lion King. But this production does not compare to the other Disney undertakings on Broadway.

Most sets are basic, fight scenes not believable, choreography unsynchronized, blocking simple, special effects underwhelming. Line delivery in general felt unnatural, with no perceived chemistry between actors. I left feeling it would have been more fulfilling if they owned their characters more, really displayed POWER behind those verses.

This approach was surprising, & I’m not sure if the cartoony, over-the-top nature is dated, or intentional. Storyline does not deviate from the movie plot, so singing along to your favorite songs from the animated feature is enjoyable, but the additional songs did not seem to add much value.

That said, I believe kids under 15 may enjoy this wholly. The genie & his entries are delightful at times. Costumes are awesome. Magic carpet is cool. The New Amsterdam is beautiful & historic. Choose orchestra!... Read more Read less

See it if You are a fan of songs from the movie, enjoy fairytales, are bringing children.

Don't see it if You feel the songs from the movie are overplayed, hope for unpredictable plots.

Also I was skeptical the musical would bring anything more than the movie has already delivered. I will say the additional songs do support the story well, and there was a delightful display of puppetry/creature work. As many times as you have heard ‘Let It Go,’ hearing it live during Elsa’s spectacular release is one-of-a-kind. Alyssa Fox (Elsa) and Kevin Del Aguila (Oaken) were standouts to me, as well as the sultry smooth voice of Jelani Alladin (Kristoff). Young Elsa and Young Anna were also very talented. There are interesting blocking choices throughout, and set design was more elaborate than I expected. Children will enjoy, and adults have an opportunity to find the production fun as well.... Read more Read less

See it if You love a great beat to toe-tap to! You’re musically inclined and want a display of creativity.

Don't see it if You are looking for more dialogue and story than sound and ambience.

Also Not much may be expected from a long-running staple such as this, but there is still fresh, engaging originality here!... Read more Read less

See it if You enjoy twists/reworks of known or traditional stories, and love OUT-OF-THIS-WORLD singing!

Don't see it if Dislike fantasy/musicals, or hate the color green.

Also Wish I had seen the original cast, because the bar the current cast set is HIGH. Emotion is captured so well in the verses, and the escalation of scenes will keep you on the edge of your seat! Great pacing and development!... Read more Read less

See it if You are familiar with Matt Stone & Trey Parker’s work, and love sarcastic, ironic double-entendres.

Don't see it if You are worried about politcal correctness, or raunchiness, or are devout/religious.

Also Each song, each choice for each character, is so nuanced and clever - Matt & Trey have a wonderful, proven gift of injecting that wisdom into each hilarious interaction.... Read more Read less

See it if You watch Mean Girls (the movie) every day, or at the very least love everything Tina Fey has ever touched. Listen to a positive message.

Don't see it if You don’t have a desire to understand the current generation, or do not wish to have a mature conversation with any children you bring with.

Also Really love the nostalgia, with an updated twist. Some jokes are hit-or-miss, but the message is important, and the show overall is HILARIOUS. The cast really shines in each mannerism and each note.... Read more Read less