Billy McEntee

Billy McEntee is a critic with Theatre is Easy. This account has been auto-generated, and does not indicate that this person is an active member of Show-Score.com. That said, if you "follow" this member, you will automatically be updated whenever s/he writes a new review.

If you are this critic, please see the instructions on how to add reviews, update your profile, or make changes to your excerpts and scores.

Reviews (8)
Broadway Blog

"It is a profoundly resonant, personal, and tragicomic exploration of a document that likely affects every person in the audience, treating some in the house better than others...'Constitution' has lost neither its intimacy nor its immediacy...Schreck imbues her script and performance with specificity and resounding humor. Director Oliver Butler’s pacing helps laughs land, as does a winningly stiff performance from Mike Iveson who plays a debate moderator." Full Review

Tuck Everlasting
Midtown W
Theatre is Easy

“‘An imaginative and faithful adaptation...Director Nicholaw shows no tiredness: his current Broadway endeavor is just as inspired...Chris Miller and Nathan Tysen's score only features a few stand-out songs or melodies...A nonverbal finale so enchanting, the only sounds heard over the fluttering of feet and the swells of the orchestra were the creaks of seats as patrons collectively leaned in to find more wonder, more dance, more life.” Full Review

Gluten!
Midtown E
Theatre is Easy

"The plot is not always as compelling as its witty, stylized dialogue, but that’s okay. Laughs abound at the futuristic terms, and the five memorable performances buoy the delightful show...Kaliski’s satire is successful in reminding audiences of what we lose when we protect ourselves from all...He may be preaching to the choir by presenting this to theater folk, but that doesn’t make 'Gluten!' any less effective." Full Review

Theatre is Easy

for a previous production "It’s possible Comfort presented too many characters for them to viscerally stick with the audience. By the show’s end, Comfort is the person we care for—the multitude of others seem too underdeveloped to warrant emotional investment...Moments where time and space are jostled in order to show Comfort’s more personal experiences, show lovely theatricality, and more of these would have unleashed the story’s potential." Full Review

Alligator
Midtown W
Theatre is Easy

"A bold and fresh new play…The payoff...is rewarding, but Bettis may have bitten off more than she could chew in giving almost every character a secret to unearth. With so many interconnecting characters, it can be muddy to flesh out each character’s demon. This setback does not derail an otherwise mighty production directed by Araoz. And Bettis ambitiously and wondrously succeeds in taking her audience to a part of America seldom seen on the stage, screen, or page." Full Review

Skeleton Crew
Chelsea
Theatre is Easy

for a previous production "'Skeleton Crew' is a poignant and effective conclusion to Dominique Morisseau's Detroit trilogy thanks to its smart script and tremendous actors...Big-hearted and quietly moving...Morisseau's drama is a testament to the ordinary lives that shaped the city's mechanical golden age that must now cope with its hastening degradation. The way each of the four characters handle this shift—eeking out their lives through an assembly line's minute tasks—is where Skeleton Crew finds its greatest life." Full Review

Theatre is Easy

for a previous production "The scenes range from sit com-y exchanges at holiday meals to comically uncomfortable and erotic dances in elf garb. There is no through-line; Christmas is the garland stringing the show together, and for the most part it works. While many of the scenes are amusing there are also soliloquies performed by the six men sharing their favorite Yuletide memories. Most are not as poignant as perhaps intended, which tends to disrupt the otherwise smooth rhythm." Full Review

Barbecue
East Village
Theatre is Easy

"'Barbecue' shines with equal doses of comedic gold and intellectual stimulation...Despite murkiness, O’Hara succeeds in planting some questions that linger long after the play’s celebratory ending. He is once again preoccupied with who gets to tell our stories, and luckily in this case it is O’Hara who has the pen." Full Review