See it if you're a fan of Miller's work and want to see a very well crafted production or are into stories that reflect the American Dream
Don't see it if you simply don't like family dramas that deal with major American themes.
See it if you like dramas about loss and generational divides.
Don't see it if you don't like stories of queerness across generations.
See it if you like meditations on history and what generations owe to each other
Don't see it if you don't like political speeches about the middle east, don't like 3 hour plays.
See it if you're a complete Sex and the City obsessed person and feel the need to out of sheer obligation.
Don't see it if you're expecting something modern, smart, and funny. If you know nothing about Sex and the City
See it if you're a fan of the show, Sondheim, or want to see a funny but blistering take on the darkness in people in dark times.
Don't see it if you're not a fan of Doyle's minimalism or don't enjoy dark humor.
See it if you want a conversation about the history of the portrayal of people of color in theatre and the struggles and issues therein.
Don't see it if you don't like comedies to have a strong message.
See it if you want an understanding of a long struggle that has not improved in 3 decades.
Don't see it if If you don't like documentary theatre or do not believe the criminal justice system is steeped in over a century of racism.
See it if you like smaller stories of human connections or are a fan of David Hyde Pierce.
Don't see it if you're expecting a traditionally heavy-handed story of immigration or it's a sensitive subject for you.
See it if you want to see what the art form of musical theatre can truly achieve including some amazing performances.
Don't see it if you need a musical to be fluffy.
See it if you like one-person shows presented by mega conglomerates telling you that the society you're participating in is toxic
Don't see it if you're expecting something funny, streamlined, or entertaining.
See it if you want to see a humorously told story told through a very good one-man performance.
Don't see it if you need sets, linear story, and a full cast. One person shows aren't your thing.
See it if You like epistolary plays and or monologues. An interesting web of a story linking people closely even if they've never met.
Don't see it if you need more of a straight-forward plot.
See it if themes of reckoning with American History done with a Gilmore Girls-type small town appeals to you.
Don't see it if you only enjoy naturalistic drama.
See it if you're interested in LGBTQ stories of black women in the American south.
Don't see it if you don't like true black box inexpensive theater or themes of lesbianism.
See it if you enjoy documentary theatre of true accounts of tragedy brought on by negligence on the part of millionaire CEOs.
Don't see it if you are triggered by accounts of deaths, don't enjoy documentary theatre, or hate bluegrass music.
See it if you enjoy stories of siblings struggling under an alcoholic mother.
Don't see it if you're expecting something new in the "abused child has a fantasy live to escape" narrative.
See it if you want a more traditional Michael Friedman musical about lost love.
Don't see it if romances involving time/amnesia and confusing narratives don't interest you.
See it if you want a tragic and modern immigration story that's not on the extreme end, but still emotional and well done.
Don't see it if you're opposed to stories of those trying and failing to legally come into this country to be with family.
See it if you want to see Beth Malone giving it her all.
Don't see it if you're expecting the classic show. This is an entirely new show with an almost entirely "new" score.
See it if you want an updated telling of the classic tale done in a humorous way to bring out a modern statement against the patriarchy.
Don't see it if you prefer a straight-forward serious adaptation and do not like zanier comedy.
See it if you have a desire to have the Prometheus myth underlined while someone tunes instruments.
Don't see it if you're expecting a plot-driven production instead of someone narrating a story.