Christopher Bonanos

Christopher Bonanos is a critic with New York Magazine / Vulture. This account has been auto-generated, and does not indicate that this person is an active member of Show-Score.com. That said, if you "follow" this member, you will automatically be updated whenever s/he writes a new review.

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Reviews (5)
The Rose Tattoo
Midtown W
New York Magazine / Vulture

"Trying to Locate 'The Rose Tattoo'" Full Review

Marvin's Room
Midtown W
New York Magazine / Vulture

"The actual interplay between the siblings should be, and is, timeless. But something a little hard to quantify has, in the intervening 25 years, flattened and attenuated this play’s power...Especially in the first act, the play’s emotional grip repeatedly slips away while the banter plays out. The actors are doing a hell of a job trying to hang onto it, though...Even when the jokes go on too long, Taylor, Garofalo, and Celia Weston, as their goofy aunt, absolutely know how to deliver them." Full Review

New York Magazine / Vulture

"By 8:05 p.m., you can pretty much devise not only the storyline but how all the secondary characters and B plots are going to fit into it. These shoes come already broken in. Kinky Boots is a well-fitted, well-staged toe-tapper in the contemporary big-Broadway idiom. It’s never boring; it’s never shocking; you are likely to leave entirely entertained and satisfied." Full Review

New York Magazine / Vulture

"This revival of 'Three Tall Women' really is a staggering example of precisely what a dramatic actor does onstage. Actually three examples...Since there’s very little action, the play is exceptionally dependent on the expressiveness of the three actors...Jackson has done a lot of smart comedy as well as classical dramatic roles, and she makes the most of the laugh lines that Albee sprinkles throughout the dialogue." Full Review

1984 (Broadway)
Midtown W
New York Magazine / Vulture

“Though it’s a little off-putting to see perhaps 20 percent of a play mediated on a big TV, it’s a legitimate idea for theater-making, inventively and thoughtfully deployed. What’s weak, astonishingly enough, is the script, at least for the first hour…But then comes the arrest, and the whole thing starts to snap together. The torture scenes are visceral, ghastly, and hair-raisingly vivid...Birney is just about perfect in the role.” Full Review