If you like this person's taste, follow him!
See it if you would like a play about baseball or a superstar baseball player who comes out.
Don't see it if you are not interested in a lot of discussion of why many people are obsessed with baseball. Or if you are offended by male nudity.
See it if you are interested in six teenagers of color trapped in a Waiting for Godot-like after school detention.
Don't see it if you are not interested in a play unsuccessfully trying to convey serious concerns about youth culture.
See it if you are interested in seeing great performances by Mary-Louise Parker and David Morse in a disturbing play about pedophilia.
Don't see it if you are not interested in pedophilia. I am not.
See it if you would enjoy a well written and well acted play about women's relationships in Iran over several decades.
Don't see it if you are not interested in women's relationships or are offended by somewhat graphic words referring to female anatomy.
See it if you want to see a really well written play with outstanding performances.
Don't see it if you are not interested in a play with just two actors in a confined space that lasts 90 minutes with no intermission.
Also I would now see anything written by Samuel D. Hunter.
See it if you enjoy seeing stars in a Broadway show or if you still enjoy Neil Simon.
Don't see it if you are not interested in a pretty dated play in a production which has not figured out a way to make it more relevant.
See it if you would like a creatively staged version of an older play which I am not even sure is that good.
Don't see it if you do not like straining to understand difficult accents which are overamplified. Also, a lot of the dialogue is delivered as rap.
See it if you want to see a very serious play about complicated politics in the Middle East.
Don't see it if you do not want to sit for 3 hours and 30 plus minutes with a mask on watching a difficult play. Also lots of fake cigarette smoke.
See it if you enjoy a group of very talented actresses performing a play centered on rauchy lines. Supposedly a farce.
Don't see it if you would prefer to see such talent utilized in a better vehicle.
See it if you really like Debra Messing. Which I do but that still wasn't enough to overlook the over the top sentimentality of the play.
Don't see it if you do not enjoy theater that overtly attempt to play with your heartstrings. A little too Hallmarkish.
See it if you are interested in Boys in the Band for millenials. Although everyone describes it in this way, it is accurate and prepares you.
Don't see it if you do not want to see 4 (and sometimes more) gay men yelling at each other for over 95 minutes.
See it if you are interested in a long musical about the fight to win the right to vote for women.
Don't see it if you do not like musicals in which many of the songs seem similar and there is a lot of history with which you may not be familiar.
See it if you want to see the big musical that won some Tonys several years ago. Though I can not understand why.
Don't see it if you do not want to see an overblown musical coasting on its awards and maybe previous cast enthusiasm which has now waned.
See it if you are interested in a traditional musical about New York City during the Civil War. Joaquina Kalukango is the lead and is a true star.
Don't see it if you are not interested a lot of history in your musicals.
See it if you are interested in the role of Black women in America. Dominique Morisseau provides compelling insight into so many current issues.
Don't see it if I can't really think of any reason not to see this play. It isn't perfect but is rather remarkable.
See it if you want to see an unusual musical totally revamped by Billy Porter into a commentary on a variety of current social issues.
Don't see it if do not like "classic" plays being tampered with. Especially for political reasons.
See it if you are interested an outdated and very loud commentary on technology.
Don't see it if you are not interested a confusing and excruciating presentation on complicated ideas unfortunately reduced to a semi Luddite level.
See it if you are interested in a moving exploration of discrimination against Asian Americans with a historical context.
Don't see it if you do not enjoy rather static plays with only two cast members.
Also Shannon Tyo gave an amazing performance.
See it if you are interested in a refreshing play about the interrelationship of language and your perception of self.
Don't see it if you would not like to see a play that repeats the same classroom scene over and over with variations.
See it if you would enjoy a play with dialogue and realistic characters - as opposed to didactic lectures and characters that make no sense.
Don't see it if you are interested in edgier contemporary theater.
See it if you would like to see a play that actually delves into issues of race and gender in unexpected ways. And has some great tap dancing.
Don't see it if you are not interested in an old fashioned musical which is not perfect but has a cast trying hard. Or if you do not like tap dancing.
See it if you are interested in theater exploring women's roles - especially sexual roles - in today's society. But I just didn't get much out of it.
Don't see it if you do not want to see but mostly hear graphic descriptions of unpleasant and disturbing situations.
See it if you want to see a musical based upon stereotypical characters who sing decent songs.
Don't see it if you are not interested in a simplistic view of NYC society from the 1830's to the 1850's.
See it if you would like to see a work by Sonheim that isn't among his best but with a great cast and great performances.
Don't see it if you are not interested in seeing a not so successful piece of theater with a very unusual premise.
See it if you want to see one of the most bizarre musicals to open recently.
Don't see it if you do not want to see a huge amount of talent and money expended on a questionable enterprise.
See it if you are interested in the latest work by Lynn Nottage. Otherwise, not so interesting.
Don't see it if do not want to see a play about five people who are superficially portrayed although their stories ought to have been more compelling.
See it if you would enjoy an amazing solo performance by an actress. Otherwise, I cannot think of a reason to see this.
Don't see it if are not interested in an extremely disturbing portrayal of a very damaged person.
See it if you like absurdist Beckett type theater. The entire cast was excellent.
Don't see it if you do not like to feel like you have been kidnapped and forced to sit through visual and sonic torture.
See it if you would be interested in a period piece that explores race relations that is as relevant today as it was when first performed in 1955.
Don't see it if the unfamiliar way of talking in a period piece irritate you.
See it if you are interested in an intergenerational story of three women. Solid performances and Blair Brown was great.
Don't see it if you do not like very fast verbal plays. The three actresses play multiple characters which are constantly shifting.
See it if you want to see a new musical with lots of excellent performances, smart lyrics and interesting music.
Don't see it if you are not interested in a peculiarly plotted musical.
See it if you enjoy an amazing ensemble cast performing an old fashioned play. The play is dated but the actors appear to be having a great time.
Don't see it if you do not enjoy older plays being performed without any glitz - other than the performers.
See it if you would be interested in the reenactment of an FBI interview of a person who leaked a confidential document. A long 70 minutes.
Don't see it if you would not be interested in the above.
See it if you are interested in seeing a very flawed musical in a big production with a huge talented cast.
Don't see it if you cannot let the flaws of a play be outweighed by the talent on display.
See it if Ruben Santiago-Hudson was amazing. This was a charming mesmerizing show. Best thing that I have seen since theaters reopened.
Don't see it if you do not like one person shows. Otherwise, I cannot think of a reason not to see this show.
See it if you are in the mood for a big Broadway musical that isn't really old school except for its enthusiasm.
Don't see it if you have no interest in a new take on old myths.
See it if Ostensibly, 10 audience members learn a sonnet by Shakespeare. It's actually about censorship and how literature lives in our souls.
Don't see it if You will be bored by the repetition of a sonnet as 10 people memorize it.
See it if It was so great to see a new intelligent musical. However, this play needs some work.
Don't see it if The play addresses serious issues related to American immigration laws but comes across a bit like hectoring.
See it if It is very difficult to describe this performance that - as explained by the production - is presented for Black people. Heart rending.
Don't see it if The beginning is interactive and participatory.
See it if you are concerned about the status of people of color in today's society which is controlled by white people.
Don't see it if you do not like Beckett.
See it if you like beautifully crafted and thought provoking plays.
Don't see it if you do not like plays without much plot that are driven by monologues by characters who do not actually interact with each other.
See it if you are interested in current trends in contemporary theater.
Don't see it if you are not interested in somewhat hyperbolic monologues or a very loud staging.
See it if you would be interested in a very slow moving play about a recent coal mining disaster in West Virginia with slightly evocative songs.
Don't see it if you are looking for some explanation of how a union state like West Virginia became completely right wing in the most extreme sense.