Clive Barnes is a critic with New York Post. This account has been auto-generated, and does not indicate that this person is an active member of Show-Score.com. That said, if you "follow" this member, you will automatically be updated whenever s/he writes a new review.
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"What is spectacular about the show is the spectacle. That old Emerald City has never had it so good, with flying monkeys and giant Munchkins with extendable necks. Kids will love it, even if they don’t quite understand it. But this yellow brick road is also paved with oppressive music and banal, if sometimes pretentiously amusing, lyrics and a complex, if foolish, book." Full Review
“Harold Prince’s powerful operatic-style staging is terrific, remaining taut and shipshape, while the show still acquires just the right style, ornate but quaint, from the late Maria Bjornson’s wonderful production design. Add to this Andrew Lloyd Webber’s sweeping and lush pastiche of a score, and you’ve got a blockbuster…This is not simply one of the longest-running Broadway musicals – it is, more important, one of the all-time best Broadway musicals. It delivers." Full Review
"Mamma Mia! offers one of those nights when you sit back and let a nutty kind of joy just sweep over you. The score is a nostalgic parade of 22 songs from the alphabetically challenged Swedish pop group of the ’70s. And when you get to the coda finale keep your seats, it ain’t over till it’s over, you’ll be so happy you’ll think you’ve just become a grandparent." Full Review