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See it if you want an exceptionally-written new play. Don't worry if you know nothing about "Part 1."
Don't see it if you don't want to think about what you're seeing.
See it if you liked One Man Two Guvnors, or just want the most hilarious night of theatre since that show. Don't be put off by the slapstick nature.
Don't see it if you want a musical.
See it if you want to enjoy Shakespeare! Tickets are relatively easy to get, and it's do much fun.
Don't see it if you're looking for a strictly traditional production.
See it if you want a great production of Sweeney with great performances (esp. Carollee Carmello) and staging.
Don't see it if you're expecting true "360" immersion
See it if you can. Everyone I know who's seen it has been wowed by it.
Don't see it if you want to miss one of the best theatrical experiences currently in New York.
See it if you can. This is the best show on Broadway, hands down.
Don't see it if you want to miss out on an incredible theatrical experience.
See it if you want a truly heartwarming, inspiring, and most importantly, hilarious, stand-up show.
Don't see it if you're expecting a one-man play.
See it if you want to see some great staging of Irving Berlin numbers, and a star turn by Corbin Bleu.
Don't see it if you want a good plot or script.
See it if you want to see a breakthrough performance by Ben Platt in an incredible new musical.
Don't see it if you're not a fan of Next to Normal.
See it if you want to see what makes a classic British musical, or just an overall safe show with beautiful music.
Don't see it if you want a refreshing show.
See it if you want to see incredible performances (especially from Cynthia Erivo) and a brilliant reimagining of a relatively recent show.
Don't see it if you want a more traditional musical or comedy.
See it if you have kids, and want to see a show that's entertaining and informative for all!
Don't see it if you don't like puppets
See it if you want a great, fun night at the theatre, with clever songs and staging, and surprisingly poignant moments.
Don't see it if you want to see the movie on stage, or you hated Matilda.
See it if you can eat with a very slow first half to get to the better-written and more interesting second.
Don't see it if you're only going for the violence. It's intense (and loud), but not as graphic as the publicity makes it seem.
See it if you don't mind missing Bette. You can get a great eat for a great price for Donna Murphy, who is absolutely exquisite in the title role.
Don't see it if you're going just for Bette.
See it if you want an all-star cast putting on top notch performances in a wonderfully-written, entertaining night.
Don't see it if you don't like long shows (and are not willing to sit through the somewhat-confusing first act for the wonderful second and third).
See it if you're a Harry Potter fan - not even necessarily a huge one!
Don't see it if you don't know anything about the HP world.
See it if you're a fan of Kroll, Mulaney, or both, or if you just want a fun character-driven comedy bit.
Don't see it if you don't like either (or both) of their comedy styles.
See it if you can get a close or on-stage seat and want to see a great character study from two very talented actors.
Don't see it if you don't like intimate off-Broadway two handers.
See it if you want to see a hugely ambitious (and it pays off) new play, brilliantly directed and acted.
Don't see it if you don't like things without much dialogue.
See it if you like ambitious, entertaining, insightful new work staged masterfully.
Don't see it if you have a hard time hearing overlapping dialogue.
See it if you're a fan of director Rachel Chavkin (Great Comet), or ambitious new musical theatre in general.
Don't see it if you want to miss out on the best new musical of the season.
See it if you want to experience James Monroe Iglehart's can't-miss performance and some really cool staging effects.
Don't see it if you want something thought-provoking or anything but fun.
See it if you enjoy Cyndi Lauper and/or want to see a surprisingly amazing performance by Wayne Brady (while he's in it)
Don't see it if you want to see the *true* best musical of 2013 (Matilda)