David Hurst

David Hurst is a critic with NY Arts Review. This account has been auto-generated, and does not indicate that this person is an active member of Show-Score.com. That said, if you "follow" this member, you will automatically be updated whenever s/he writes a new review.

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Reviews (82)
Talkin' Broadway

"'Which Way to the Stage,' written with penetrating insight by Ana Nogueira, blessed with a superb cast, and swiftly directed by Mike Donahue, is a treat that has a lot to say about frustration, friendship, and fan-worship. But be warned, the quips fly by at a furious pace, and the dialogue practically requires a doctorate in musical theatre trivia to catch all the references." Full Review

Talkin' Broadway

"As Sara, a critical role in 'Poet', Belle Aykroyd Is uncomfortably miscast...Fortunately, the rest of the 'Poet' cast is superb. As Con's wife Nora, Kate Forbes gives a luminous, riveting performance which becomes the heart of this revival...Interestingly, the director of this production, Ciarán O'Reilly, appeared as Dan Roche in the 2005 Roundabout revival, so he knows the play well. His direction here is tight and focused, but it can't correct the uneven performances of Cuccioli and Aykroy... Full Review

sandblasted
Gramercy
Talkin' Broadway

"The world premiere of Charly Evon Simpson's 'sandblasted' shows an ambitious play that wants to be groundbreaking. Unfortunately, despite a game cast and a jaw-dropping set, the Vineyard Theatre and Women's Project Theater's 100-minute, intermission-less co-production quickly wears out its welcome and tests its audience's patience for an absurdist comedy that ultimately has very little to say." Full Review

Made by God
Chelsea
Talkin' Broadway

"Though it's a bit rough around the edges, Ciara Ní Chuirc's 'Made by God' is a compelling drama whose subject matter couldn't be timelier...also boasts a handful of thoughtful performances which make this 90-minute, intermission-less staging a provocative evening of societal and political theatre...Economically and cleanly directed by Olivia Songer, this Irish Rep production makes a strong case for 'Made by God' as a jumping off point for further refinement and polishing." Full Review

Kimberly Akimbo
Chelsea
Talkin' Broadway

"If you didn't see the play, also by Lindsay-Abaire, you'll probably be delighted by Kimberly Akimbo's wacky story and tuneful score. But if you remember the original, you may be surprised by what you see onstage. Granted, it was almost twenty years ago that Marylouise Burke's hilarious and heartbreaking portrait of Kim won rave reviews and the play was heralded as one of the best of the season, despite its off-Broadway pedigree. But, while the Atlantic's new incarnation of Kimberly Akimbo ha... Full Review

Dana H.
Gramercy
Talkin' Broadway

"Making her Vineyard Theatre debut in what can only be described as a theatrical tour-de-force, Obie and Drama Desk-winner Deirdre O'Connell is giving the kind of bravura performance people will talk about for decades. " Full Review

Incantata
Chelsea
Talkin' Broadway

"'Incantata' is a passionate exploration of the complexities of a relationship between two artists. It is a vivid onstage testament to their art, lives, love and loss. And who can't relate to that?" Full Review

Talkin' Broadway

"Birch offers no insight into possible treatment and, more importantly, she offers no hope for the future. The result is a play that's brutally depressing and, with its overlapping stories and dialogue, irritatingly tedious to watch." Full Review

Dracula (CSC)
East Village
Talkin' Broadway

"Imposing a 'feminist revenge fantasy' on a property as tried and tired as 'Dracula' cannot justify its inclusion in Classic Stage Company's season. This is a slip-shod, bargain-basement production devoid of any serious stagecraft that squanders its cast's talent and its audience's time." Full Review

Talkin' Broadway

"Booth clearly has talent as a writer, but Paris needs another draft to be the hard-hitting drama it has the potential to be." Full Review

Talkin' Broadway

"To be sure, Boucicault's comedy isn't a masterpiece, but it's silly fun, especially with a cast that's having a good time, which the Rep's company certainly is. And although the production could use a little tightening...this 'London Assurance' is a holiday treat the whole family can enjoy." Full Review

Slava's Snowshow
Midtown W
Talkin' Broadway

"If children's laughter is the barometer of a show's success, then 'Slava's Snowshow' at the Stephen Sondheim Theatre is a certified hit...The ability to make children (and adults) smile with delight can't be underestimated and there are smiles aplenty in this silly show the whole family can enjoy." Full Review

Seared
Midtown W
Talkin' Broadway

"Originally commissioned and produced by San Francisco Playhouse in 2016, Theresa Rebeck's whip-smart restaurant comedy, Seared, is making its Off-Broadway debut at MCC Theater in a terrific production starring a sensational Raúl Esparza as a gifted chef who may be his own worst enemy. " Full Review

Dublin Carol
Chelsea
Talkin' Broadway

"A small gem of a drama...its success depends on optimal casting and a director, Ciarán O'Reilly, who keeps things simple. Luckily, the Rep's Dublin Carol has both, and boasts what could be a career-making performance by Jeffrey Bean in the lead role." Full Review

Talkin' Broadway

"Strikingly handsome and resembling a young Horst Buccholz, King impresses with both his intensity and his physical stillness when he's listening to the priest. It's a tricky role and if there's a reason to see 'Kingfishers Catch Fire' it's to see King and wish him another plum role in a better play soon." Full Review

Talkin' Broadway

“There's so much that's wonderful about this gorgeous new musical, including its stellar cast, it would be a shame if the writers don't make the changes the show needs to cohere and soar...Under Gold's clean direction, the first act...unfolds with a charm that's thrilling...The storytelling in the second act, on the other hand, isn't as assured or integrated as the first act...Fingers crossed the production team makes some tweaks to the second act.” Full Review

Talkin' Broadway

“This moving revival is the perfect capstone to O'Casey's heartbreaking examination of struggling, tenement families...A solid cast with outstanding supporting performances...‘The Plough and the Stars’ takes a dim view of Irish nationalism, is contemptuous of any sentimentalizing of war and is rightfully scornful of the misery brought on by the curse of poverty. Many consider it O'Casey's masterpiece so do yourself a favor and see it in this timeless and heartfelt production.” Full Review

Talkin' Broadway

“A cringe-making, absurdist comedy about a debt collection agency that hires an empathy coach to help them...takes a shocking turn in its final scenes that's as compelling as it is unearned...There is no subtlety or nuance in Nelson-Greenberg's absurdism so her desire to illuminate is dimmed before it can take flight. She may aspire to Ionesco or Pirandello, but ‘Do You Feel Anger?’ lands like an extended, and painful, Saturday Night Live skit." Full Review

Alice By Heart
Midtown W
Talkin' Broadway

"It seems incomprehensible a new musical with a score by Sheik and Sater could be a tedious, incoherent mess, but, sadly, 'Alice By Heart' is such a musical...The pieces simply don't fit...Nelson and Sater's libretto mistakenly assumes a high degree of familiarity with Carroll's work...Its dense and complicated storytelling, and it flies by at a rapid pace...Sheik and Sater's songs, all 20 of them, are tuneful, but they're also surprisingly repetitive and, unfortunately, derivative." Full Review

Talkin' Broadway

"''The Shadow of a Gunman,' is an uneven misfire...Directed with a lack of cohesive tone by O'Reilly, the biggest problem with this revival is the actors aren't working in the same style...Both James Russell and Meg Hennessy are on the right wavelength with regards to O'Casey's taught style...Their tenement neighbors, on the other hand, are too over-the-top and overwrought in their characterizations. The contrast is jarring and the play's overall impact is severely lessened." Full Review

Eddie and Dave
Chelsea
Talkin' Broadway

“Staats' new play may prove a pleasant diversion...Or you can stay home and watch Netflix...The spin Staats and Bordelon put on this story...Is that the men...are all portrayed by women...What's the point? It's a valid question that's only partially answered...which wears out its welcome...Casting women to play these men is...A fresh sensibility that allows us to see those characters in a new light. One just wishes Staats' characters were more interesting that they are in ‘Eddie and Dave’.” Full Review

Slave Play
East Village
Talkin' Broadway

“A production as provocative as it is uneven...Harris has laid out an interested premise, but he and O'Hara don't have the courage of the writing's convictions...Here's the problem. The actors in this production are so good it feels wrong to laugh at their attempts to make sense of what they've gone through and are feeling...He undercuts his message by failing to address the issue with the seriousness it deserves." Full Review

Talkin' Broadway

"Unfortunately, there's little to cheer in the uneven revival Doyle has mounted...Despite a hard-working cast, and a terrific performance by Esparza as the title character, Doyle's production, which he directed and designed, feels flat and tedious...Sadly, audiences don't need Brecht's play to point out that our current truth is not only stranger than fiction, it's also a hell of a lot scarier, too." Full Review

Fireflies
Chelsea
Talkin' Broadway

“The second offering in 'The Love Plays'...‘Fireflies’ is a powerful exploration of a marriage filled with secrets...It packs a wallop in its oblique allusions to the life of Dr. Martin Luther King, Jr., and boasts two superb performances...Love's skillful script uncovers secrets the way a great chef peels an onion, and Ali directs with subtlety and understatement...The two plays come thrillingly together. It will be exciting to see Love's conclusion to the trilogy." Full Review

Talkin' Broadway

for a previous production “A thrilling performance piece; as provocative as it is political...What Schreck goes on to reveal in her explanation of how her viewpoint on the Constitution has matured involves her family's dark history...all of which Schreck neatly and tidily connects to the rights not afforded to women...A searing and compelling argument, told to us in a non-threatening matter-of-factness that's stunning for its abundance of clarity and reason.” Full Review

Two by Synge
Chelsea
Talkin' Broadway

-"The cast are pros and deliver Synge's biting dialogue with just the right amount of blarney and pathos, while Moore keeps the action moving with crisp, simple direction over the course of the two one-act's 75-minute running time. The physical production, with set design by Daniel Geggatt, costume design by David Toser, and lighting by Michael O'Connor, is especially strong for a show in the Rep's downstairs studio space." Full Review

On Sugarland
East Village
Talkin' Broadway

"A big, sprawling, imaginative, ambitious, messy, over-written kaleidoscope of heartache that's as riveting as it is exhausting...The only serious problem with 'On Sugarland' is that it needs another edit to trim another 20-30 minutes...Special praise must be lavished on the principal cast of 'On Sugarland,' all of whom are uniformly superb, as well as Harris for writing so many fantastic roles for women, particularly older women who are too frequently overlooked by playwrights of all colors ... Full Review

English
Chelsea
Talkin' Broadway

"Beautifully directed by Knud Adams with welcome touches of levity and cultural humor...Despite a handful of contrivances in Toossi's writing, as well as a couple of head-scratching eleven o'clock revelations, the cast is uniformly superb, with rich portraits of complex characters created by everyone on stage. Adams' adroit direction gets out of the way of his talented actors, providing a showcase for their exceptional gifts." Full Review

Space Dogs
Midtown W
Talkin' Broadway

"Despite being given a lavish production totally unworthy of its source material, the kindest thing that can be said about this 90-minute, intermission-less show is that Hughes and Blaemire, best friends who wrote and star in 'Space Dogs,' appear to be having fun...Musically, the 'Space Dogs' score is rudimentary at best and uninspired at worst." Full Review

Endlings
East Village
Talkin' Broadway

"Since this is ultimately a play about real estate, where we should live. But you'll be thinking about Song's ocean-diving women long after you've stopped worrying about whether her integrity's intact. What a shame she didn't dig a little deeper into the play that actually means something." Full Review

Talkin' Broadway

"A raw, blistering play that's as hopeful as it is devastating. Directed with alacrity and an eye for subtlety by Kate Whoriskey,..Beautifully realized by a superb cast led by incandescent Kara Young as Keyonna." Full Review

Talkin' Broadway

"The show could use a bit of trimming, but everyone's heart is in the right place and, ultimately, 'Lady G: Plays and Whisperings of Lady Gregory' shines a warm glow on an overlooked playwright, producer, and nurturer of the greatest writers of the Irish Renaissance." Full Review

Frankenstein (CSC)
East Village
Talkin' Broadway

"A tedious and uninvolving slog. Directed with lackluster inspiration by Timothy Douglas and running 80 minutes without an intermission, Shelley's story about man's inhumanity to man is now a story about a theatre company's inhumanity to its audience." Full Review

The Scourge
Chelsea
Talkin' Broadway

"Mahon's voice seldom rises above a mezzo forte and she frequently delivers entire passages in a voice barely louder than a whisper. But she doesn't need volume to make her point. It's with her words that she heals herself and, by extension, she heals us too." Full Review

Sing Street
East Village
Talkin' Broadway

"Even if you missed the 2016 film version, you'll love New York Theatre Workshop's joyous, new stage-musical version of 'Sing Street'...Overflowing with charm and heart, 'Sing Street' is about the thrill of first love and the power of music." Full Review

Talkin' Broadway

"Their stories are so compellingly portrayed by an extraordinary cast of actors that your resistance to any minor flaws will melt away...'Halfway Bitches Go Straight to Heaven' is as hilarious as it is heartbreaking. It is also a master-class in acting and not to be missed." Full Review

Talkin' Broadway

"Corey Stoll begins well but, approximately 30-40 minutes into the piece, he lapses into a contemporary delivery of his lines that's soon followed by anachronistic gestures and body language. One suspects Stoll, who's a talented actor, has a Macbeth within him, but it's not this misguided production." Full Review

The Wrong Man
Midtown W
Talkin' Broadway

"Are the hype and comparisons to 'Hamilton' warranted? The short answer is 'The Wrong Man' is an entertaining, politically correct, song-cycle that provides a showcase for the myriad talents of Joshua Henry and two of his co-stars, but it's not 'Hamilton.' The long answer is, of course, more nuanced." Full Review

runboyrun & IN OLD AGE
East Village
Talkin' Broadway

"'Plays shouldn't be hard to sit through, they should inspire us or thrill us or challenge us to think, but they shouldn't tax our physical endurance. The acting and production values of both runboyrun and In Old Age are excellent; there's just too much of both of them." Full Review

Love, Noel
Chelsea
Talkin' Broadway

"There are many ways to spend a sweltering, summer evening in New York City, but few of them will be as debonair, as delicious or as droll as 'Love, Noël: The Songs and Letters of Noël Coward' at the Irish Repertory Theatre." Full Review

BLKS
Midtown W
Talkin' Broadway

"Deliciously outrageous, and utterly hilarious...'BLKS' a play by Black people for Black people...and you're going to love it whatever race and sexual orientation you may be...The dialogue is brutally honest and we immediately care about all of them, despite the fact each is deeply flawed and has serious emotional issues...Barnes' play is raunchy and heartbreaking and unmissable." Full Review

The Cradle Will Rock
East Village
Talkin' Broadway

“A lifeless production which, despite an abundance of talent at his disposal, never explodes with rage under Doyle's flaccid direction...Not even the mighty, triple-threat Yazbeck can save this revival...There's no energy or vitality propelling the storytelling of Doyle's production and, as a result, the audience's interest and attention-span flags. The pieces just don't fit...’The Cradle Will Rock’ deserves better than its current mounting at Classic Stage.” Full Review

The Mother
Chelsea
Talkin' Broadway

"It's a grim, 85 intermission-less minutes...Effortlessly chic and captivating to watch, Huppert is a wonderful actress. But when she speaks rapidly, which she does frequently, she becomes almost impossible to understand...Aging mothers whose children ignore them have been fodder for writers and dramatists for hundreds of years. 'The Mother' puts a fresh spin on it but I'm not convinced it's a spin that adds anything new to the conversation." Full Review

Hurricane Diane
East Village
Talkin' Broadway

"A breezy, frequently hilarious, romp....George doesn't know how to end the piece and the last 15 minutes go off the proverbial cliff...It's hard to know what Silverman is thinking but the strange, abortive ending quickly undoes the goodwill the piece has meticulously wrought. There is an imbalance in the production between the sensational chemistry between the four women and the relative staid delivery of Blackwell as Diane...It's just a shame the play is still searching for an ending." Full Review

The Light
Midtown W
Talkin' Broadway

"A compelling play receiving a superb production with excellent actors makes it something of a minor miracle...Logan Vaughn has directed a taught, rollercoaster of a love story...'The Light' is ten minutes too long and Webb needs to tighten the ending....Belcher & Masden's interactions are painfully real and there are moments you'll want to look away for fear of voyeuristically eavesdropping on such personal conversations. But don't. You won't want to miss a second." Full Review

Blue Ridge
Chelsea
Talkin' Broadway

"Economically directed with the steady hand of Taibi Magar and performed by a superb cast led by the incandescent Marin Ireland...It's easy to recommend 'Blue Ridge' because the performances, particularly Ireland's, are so strong. And it's easy to imagine more forgiving audiences overlooking the lapses in common sense Rosebrock either neglects to recognize or chooses to ignore in her writing...In 'Blue Ridge' the theatricality is unearned. " Full Review

Talkin' Broadway

“If you prefer your holiday cheer tuneful, sweet and short, you'll do no better than the Irish Repertory Theatre's latest revival...Key to the success...is the sensitive piano accompaniment...Bell plays with a light and delicate touch that signals he understands that less is frequently more...He never covers the singers or overwhelms the song with unnecessary flourishes...Blessed with a lush and festive set...’A Child's Christmas in Wales’ is the perfect anecdote for your inner Grinch.” Full Review

Good Grief
Gramercy
Talkin' Broadway

“A distinctly unconventional exploration of loss and bereavement...The magic in Anyanwu's writing is her ability to craft dialogue that sounds natural, while at the same time working in a vernacular that's distinctly her own...Beautifully directed by Awoye Timpo...Making sense of our mortality is one of life's inevitable riddles and Anyanwu's lyrical and heartfelt attempt to dramatize one young woman's search for an answer is as poignant as it is moving.” Full Review

On Beckett
Chelsea
Talkin' Broadway

"Thoroughly enjoyable...At a tight 90-minutes it's just the right length, allowing audiences the time to immerse themselves in Beckett's existentialist musings without becoming mentally overloaded by his syntax and subtext...Irwin gives a master class in both performing and interpreting Beckett that young actors and lovers of literature won't want to miss." Full Review

Talkin' Broadway

"'Collective Rage' looks at the intersection of race, class, gender identity, and sexual politics through the prism of five women named Betty. They've got a lot to say and watching them meet and compare notes is a hilarious delight...Cleverly directed by Mike Donahue...Granted, Silverman's play needs some fine-tuning and fleshing out. It's easy to enjoy it in Donahue's inventive production with a strong cast, but one suspects it would pale in lesser hands. Full Review