Glenda Frank

Glenda Frank is a critic with New York Theatre Wire. This account has been auto-generated, and does not indicate that this person is an active member of Show-Score.com. That said, if you "follow" this member, you will automatically be updated whenever s/he writes a new review.

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Reviews (4)
90
New York Theatre Wire

for a previous production “Based on the stories of the incomparable Sholem Aleichem...At times, rollickingly hilarious, at times almost heartbreakingly sad...'Tevye Served Raw' is far from a museum piece. The acting is always spirited, the script and innovated direction are clever...Crafted with love for Yiddish traditions. It not only entertains, but may also motivate you to learn Yiddish...The comedy is enhanced by the acting – which is filled with comic excess and surprise choices. The staging is inspired.” Full Review

65
New York Theatre Wire

"The medium (Laura Johnston), an intriguing mixture of fringe occult with pragmatism, is a hoot...The songs are lovely. Director Katie McHugh had fun with the silences, with actors who open their eyes wide with surprise, go into violent spasms of spiritual possession, or cross their legs in unison. The pace was lively, the segues between direct address and perky dialogue were seamless. But the casting was curious and uneven, a disappointment in New York with its large pool of talent." Full Review

75
New York Theatre Wire

"'Conflict' gets off to a slow start but once Smith returns, tensions escalate...'Conflict' is not quite believable, but like 'Misalliance', it is exciting...The production can boast an adept cast, especially Jessie Shelton who creates a living portrait. Director Jenn Thompson understands dramatic intersections and allows the actors to play out subtext and nuance...A special thanks to Jonathan Bank and the Mint for reviving works by this intriguing artist." Full Review

100
New York Theatre Wire

"A dark dance-theatre exploration of love, loss and transformation...The production is a piece of theatre magic, woven from movement, sound design, lighting, props and the delicate accompaniment of violin. The puppets are magnificent...Directors James Ortiz and Claire Karpen breathed life into everything...Every detail of the production receives careful attention...'The Woodsman' offers us the best of several worlds plus puppets as interesting as those in 'War Horse' at Lincoln Center." Full Review