Imogen Crabb

See it if you are curious as to what all the hype is about, if you are a parent to a teen, or love contemporary musical theatre

Don't see it if you are sensitive to loud shows (this one is very loud) or prefer traditional musical theatre to contemporary pop/rock shows

Also Having read the book it was based on (a disappointing insight into an incel-ish teenage male), I was hoping the musical would take the story and transform it into something better. And in some ways, it succeeds. But a tiger can’t entirely change its stripes, and despite a somewhat endearing performance by Will Roland, the lead character of Jeremy is still as unappealing as he was in the pages of Vizzini’s novel. I did enjoy the score. It’s too bad that it has to be paired with a clunky book and confusing direction. I personally didn’t find it too loud, but there were times that the sound balance got a little too much for the theatre. There wasn’t a lot that felt honest and organic about the acting, save for Stephanie Hsu as Christine who was nothing short of delightful. Others stood out (Smith, Canonico, Tam), but on a whole the ensemble seemed to be phoning it in. Not that the rabid fan base seemed to care - and pleasing them seems to be the only thing the show cares about. Shame.... Read more Read less

See it if you want a beautiful evening of theatre, don't mind moments of silence, or like short but impactful shows

Don't see it if you like your musicals big and flashy or you have a short attention span (show is 90 min but there are lots of quiet moments)

Also I can't remember the last time I went to see a Broadway musical and listened so much. The entire audience was in rapt attention for 90 min - rare for a show with so many quiet moments. It's beautifully staged, acted, and sung. Such a strong ensemble and the musicians are fantastic. Nothing terribly important happens, but there are touching moments and performances I will be thinking about for a while. Not to be missed.... Read more Read less

See it if you are a fan of the TV show, want to see something that doesn’t require thought, or want a nice family outing that adults can enjoy too

Don't see it if you want to see something serious or TV show adaptations genuinely don’t interest you

Also I was worried going into this that I wouldn’t be able to connect to it in any way, given that I have never seen a single episode of the animated series. And I found that to be true somewhat. I felt excluded from a lot of the humour, and that kept me from getting seriously invested in the established characters. That being said, what drew me in was the theatre artistry set in place by the masterful Tina Landau. The staging is superb. The production design is an utter delight. Those sets and costumes are divine. The musical numbers are for the most part forgettable, but Squidward’s tap number and the pirate song were favourites of mine (I loved the pirates so much). And the band was wonderful! (Special shout out to the conductor and the sound effects man). I had a lot of fun, more than I expected to have. A pleasant surprise!... Read more Read less

See it if you want to see strong women (and men) playing authentically written adolescents, or you are a fan of Dance Moms satire

Don't see it if you prefer your plays to be less abstract or you are easily grossed out by topics like periods

Also I added the tag "disappointing dancing" not because I was expecting SYTYCD level moves, but because the dance that the whole story centers around (the Ghandi number) just felt so anticlimactic. By contrast, the edgy number where all the young dancers were expressing their sexuality was so full of life. I wish that same energy had transferred into the Ghandi number.

Clare Barron has written a mostly-powerful play. I will be thinking about Ashley's "math" monologue for a very long time, but I could have done without the moments where the characters suddenly jump to speaking from their older perspectives - I'm a little tired of that dramatic choice. The raw-ness of the changing room scene and the first period scene was greatly appreciated. Grittiness like that from "teenage girls" hasn't been seen on stage that often, and I'm thankful that this play went there.... Read more Read less

See it if you are a fan of any of the creatives, are interested in plays that make you think, and like theatre that centers around complicated women

Don't see it if you are easily confused by out-of-order plots or are looking for something uplifting

Also Tracy Letts does a fine job at presenting the story of this seemingly ordinary woman. The plot happens non-chronologically, but isn't difficult to piece together. I think it almost makes it more fun to learn Mary Page's secrets when you hear them out of order. Lila Neugebauer once again does a superb job at directing this tight ensemble. Superb performances by Tatiana Maslany and Blair Brown. It's almost remarkable how they were able to fit so much into 90 minutes. Not sure I was sold on the ending, but I did appreciate how there wasn't a "button" to wrap it all up.... Read more Read less

See it if you are interested in international productions, like movement-driven pieces, or like shows that fully utilize the given space

Don't see it if you have a hard time with subtitles or are opposed to nudity

Also There were some nice moments of theatre magic (the gigantic light-up globe being passed around and the life-size bird) but it felt mostly disorganized. They utilized the whole of St Ann's nicely with the trees and bird-calls - I really felt the energy of this mystical avian paradise in the space. The nudity wasn't necessary, some of the treatment of the women was incredibly uncomfortable, and for heaven's sake can we stop infusing pieces of theatre with references to the current president? I go to the theatre to escape this political nightmare - not to be confronted with a bunch of Greek actors chanting "grab her by the _____". That moment took me out of the piece and made me want to leave. I genuinely loved some aspects of this performance but was overall disappointed.... Read more Read less

See it if you want to support new plays, want to see something 90 min long, and aren’t bothered by plays about topical issues

Don't see it if you are sensitive to the topic of school shootings or would prefer to see a musical or a less heavy play

Also I was wildly disappointed by this play. The title intrigued me. I’m a huge fan of Rebecca Taichman’s direction. I love Playwrights Horizons. And this play fell “flat” for me, for lack of a better word. I totally get why they felt it necessary to cast true-to-age kids as Julie and Xander, but these two (more so Ms Kennedy Davis than Mr Saint-Germain) were not suited for the show or the caliber of Off Broadway theatre. I had issues understanding their diction, and I was in the 5th row. Because I wasn’t a fan of Ms Kennedy Davis, and she was the protagonist, I had no one to rally behind. She was never believable for me, not for one moment. Maybe it’s the jaded times we’re living in, but I have a seriously hard time believing that a 13 year old in this day and age has never heard of a school shooting happening before. It didn’t ring true. The one saving grace for me was the work of the always wonderful Cassie Beck. Her performance alone saved this show for me. But overall, meh.... Read more Read less

See it if You love good theatre. This is darn good theatre. Also if you love ensemble pieces and plays featuring strong and messy women.

Don't see it if You aren’t interested in plays centered around women or you prefer comedies. This has comedic moments but ends in a gut punch.

Also 100 is almost too low to rate this phenomenal piece of theatre. This is a top rate ensemble, and Billie Piper is giving a performance that you will never forget. It’s a play about connection and obsession, and it’s heartbreakingly devastating. There is no bad seat in the house. This is expertly staged with beautiful sets/scene changes (how do they do them so seamlessly in the dark?) The translation feels fresh and timeless. The direction is wonderful. And I must again mention Billie Piper because she is the heart of this piece and her performance is outstanding. It’s profound, it’s powerful, and it’s almost inexcusable to miss it if you are in town during the run. An absolute must see.... Read more Read less

See it if you are a fan of any of the name actors, love the play, or are curious about the hype

Don't see it if you can’t commit to almost 8 hours of theatre over two days or the themes don’t interest you

Also I think it’s a poor representation of the piece as a whole. If you know Angels, maybe only go see Part Two. If you are unfamiliar, skip it and rent the HBO miniseries. Despite some lovely work from Pace, Lane, and Stewart-Jarrett, it’s too messy and uneven for that much of a time commitment. Andrew Garfield is dripping in pretension and Denise Gough is one note. I was honestly ready to write it off after Part One. It was overwhelmingly clunky and those sets were some of the worst I have ever seen on a Broadway stage. Stupid, creaky turntables. Thankfully they were gone in Part Two. I greatly preferred Part Two to Part One, mainly because of the lack of sets, but also because the stakes somehow were much higher. The play suddenly got relevant in Part Two. In Part One it felt severely dated. The relationships made more sense in Part Two and the desperation was much more palpable. It’s both a hit and a miss.... Read more Read less

See it if you love the music, are fans of the lead actors

Don't see it if you prefer musicals with scripts that match the quality of the music, you want something more contemporary

Also This revival feels like it has been placed in a spacebag - all of the air and heart has been sucked out. Act one speeds by, only breaking its pace for what feels like a 5 hour dance break by the male ensemble. Act two isn’t quite as quick but still feels rushed.

The music is gorgeous and the actors find some nice moments, but overall it’s just a little “meh.” Hated the angel costumes and the angel balletic opening (didn’t care for most of the choreography, really, apart from the act two pas de deux - that was beautiful). The book is incredibly dated and so terrible in comparison to the gorgeous music. Why was “give it to them good, Carrie” cut? Did we really need an extended whaler dance number? My main criticism lies in the first point I brought up - it just speeds by far too quickly for any emotion to set in. Didn’t buy the relationships. Joshua Henry and Renee Fleming sound great. The acting is sub par. It’s mostly a miss, not a hit. I’d skip it, honestly.... Read more Read less

See it if you appreciate great storytelling and are looking for a unique experience

Don't see it if you are claustrophobic and want a night of "proper" theatre

Also It's hard to score this like a regular show because it's far from it. It's definitely not theatre, but its very theatrical and the storytelling is superb. I never once lost focus. It's not for everyone, but if you enjoy expanding your theatre/art boundaries, I suggest taking it in.... Read more Read less

See it if you are a fan of Enda Walsh, tortured teen romance, or bleak comedies

Don't see it if you can’t understand Irish accents (extremely thick in this piece), are offended by vulgar language and imagery, or want a happy ending.

Also A quirky and devastating portrait of teen romance. I love the writing in this play. The chemistry between Evanna and Colin was believable and palpable. They work nicely together and feed off each other much like their severely codependent characters. I had slight volume issues with Evanna though. It’s hard enough understanding Pig and Runt with their thick accents and clever and unusual verbosity, so straining to hear her took me out of the action. The energy was uneven - I wish it had been more consistent. Because of this I guessed the ending early in the action, which was disappointing. Not mad I saw it, just wished it could have been a little better.... Read more Read less

See it if you want to see great story-telling, avant-garde theatre that isn't theatre but is also theatre, great musicians, and want a unique evening

Don't see it if you are claustrophobic and hate complete darkness (15 min in the pitch black - you are warned several times), want a traditional evening out

Also I have sat through many shows on the quirkier side that have pitch-black moments. This was the first time I ever had a panic attack in the darkness. Perhaps it was the length of the blackout, maybe it was the intensity of the music during the darkness...who knows. That being said, Heather Christian has created a truly stimulating evening with Animal Wisdom. Her stories and the characters from her life are fascinating, and her voice is stupid fantastic. She has assembled a fine group of musician actors. It's a show steeped in religion, but never feels preachy. It's accepting and inviting. There's also a massive choir of assorted people that enters near the end...I almost felt cheated out of the intimacy that had been established for 3/4 of the evening. That and the darkness were my only negatives. I feel lucky to have caught this piece and certain moments will haunt me forever (in a good way)... Read more Read less

See it if you like productions from the Globe, classical arias, masterful acting, or Mark Rylance

Don't see it if you like modern plays only, dislike classically staged plays, or if you are looking for an overly dramatic piece of theatre

Also Mark Rylance once again is giving a masterclass in acting. He's worth the price of admission alone, but I strongly recommend seeing this because of it's heart and simplicity. The language is modern so there should be no translation issues. The music is gorgeous (that countertenor!) and the whole ensemble shines. Not to be missed for fans of superb acting.... Read more Read less

See it if you like supporting new work/small theatre companies

Don't see it if you aren’t a fan of edgy subjects, drug use, nudity, or foul language

Also PROS: superb set design, a mostly-talented ensemble, great music soundscape, funny, messy, and beautiful script

CONS: excessive nudity (is the nudity even necessary?) and the length (3 hours is too long. too too long).

MINOR QUIBBLE: when you have so much nudity and other graphic elements but decide to mime food and have no fake blood, it seems inconsistent? maybe that’s just me, but it was offputting to have a stark contrast of real and fake elements in such an intimate space.

Do the pros outweigh the cons? Ultimately they do. It’s worth seeing. Less Than Rent is an exciting theatre company that is doing daring work. And despite my quibbles, it’s a beautiful piece. Messy, but beautiful.... Read more Read less

See it if you crave honest portrayals of those on the spectrum, don't mind ugly-truthful moments onstage, like theatre that thinks outside the box

Don't see it if you aren't interested in seeing a play about people who aren't neurotypical, prefer more straight-forward dramas

Also It's clunky at times, and I felt the ending needed a bit of a "button," but there's some beautiful work being done at the Sheen Center. There's some true moments of theatre magic (I won't give them away), and it's surprisingly funny! It's also informative about the different ways autism presents itself in various people without being too preachy. And you can't beat a 90 min run time. Definitely worth seeing.... Read more Read less

See it if you want to support NYC's oldest LGBTQ+ theatre company, you like plays with stock characters, you're looking for an entertaining evening

Don't see it if you're not interested in LGBTQ+ history, you don't find drag queens funny, you don't want to visit a leather bar for your theatre

Also Uneven performances. A mostly entertaining evening. The script has its moments, but some of the bits dragged on a bit too long. Longer than the run-time that was provided. I'm not sure I'm the target audience for this show (and that's ok), but I don't regret seeing it and supporting a small theatre company.... Read more Read less

See it if you love immersive theatre, want a completely unique theatrical experience, like "choose-your-own-adventure" stories, and enjoy Macbeth.

Don't see it if you want a traditional night out, don't want to walk around or potentially run up stairs for 3hrs, don't like nudity, or are claustrophobic.

Also It's a must-see for theatre-lovers unless any of the "don'ts" above apply to you. Definitely be brave and venture out on your own. The one negative was when huge groups would form around some of the action, it began to feel less comfortable and special - the best moments I had were when I found myself completely isolated in the rooms, or when I would discover an actor at random and begin to follow them. The actors/dancers are remarkable. They take their movement and storytelling to great heights (literally) and push boundaries. I could have done without the full-frontal nudity given that we were so close, but it was justified. I will definitely be back to have a brand new adventure - it's something I don't think I could ever tire of.... Read more Read less

See it if you are a fan of the show or any member of this superb cast, and if you like theatre that makes you think.

Don't see it if you prefer classic, happy musicals, you prefer your theatre less politically-charged

Also A near-flawless concert production with a stellar cast (exception: Ethan Lipton. He is woefully miscast as the Proprietor). Unfortunately there were multiple sound issues tonight, taking the power away from a few emotionally-charged moments and weakening the vocal mixes. The concert staging works nicely for this play - although I feel like there could have been more consistency with the choices of when to use the binders and when not to. And there is a directorial choice near the end that left a sour taste in my mouth.

All of that being said, the chance to hear this material done this well should not be passed up. Chilling, thought-provoking, humorous, and moving. If you can score a ticket, go.... Read more Read less

See it if you are a Shakespeare lover, want to see a production of this particular play

Don't see it if 2hrs and 45 min is too long for you, you want to see a less sexist Shakespeare play

Also Every pull quote for this production references the staging. "Innovative staging," "exciting staging." Well, I don't know about that. The staging was nothing exciting or innovative. Fine acting. A few pacing issues. Also, the volume of the intermission concert was far too high with the acoustics of the Polonsky. And while I liked the way they tied the concert into act two, it felt clunky. That combined with the brothel pre-show (over hyped and incredibly tame, there was little to no purpose for it) and the flag fanfare near the end of the show made me wonder what my role as audience member was. Was I supposed to be involved? Was I merely a specator to the drama? It's as if the director couldn't make up his mind about whether or not he wanted it to be immersive. And it's never fun when things are even unintentionally halfassed.... Read more Read less

See it if you are a tourist, you love the show, want to see terrific dancers, and just want to enjoy yourself at the theatre without thinking too hard

Don't see it if you hate the show, you aren't a fan of ALW, and you want to be entertained by more than just great dancing.

Also This revival is a little overwrought. As someone who grew up on the original (and loves it, don't come for me), I felt the revamped choreography and added choreography was unnecessary. There is such a thing as too much dancing. However, it's executed flawlessly by the ensemble. Not all the voices are stellar. Christopher Gurr and Mamie Parris are superb as Bustopher Jones/Gus and Grizabella.
My biggest complaint is the exclusion of Growltiger's Last Stand. Yes, it is an epic diversion from the plot (Cats does have a plot), but it just adds so much to Gus's story, and without it, the name Griddlebone looses meaning when it is mentioned later in Macavity. Giving Gus the Rumpus Cat to act out is an ok substitution, but then what does Munkenstrap have to offer as his "audition" for the heavyside layer? These are things the creatives should have thought about, because those of us who actually like the show care about the characters. But overall it's very entertaining.... Read more Read less

See it if you like this play, are a fan of the actors, and want to see Shakespeare performed in an intimate setting

Don't see it if you like truncated versions of plays (it is 4 hours. the 3 1/2 hour run time is a lie), and prefer seeing proper sets and costumes

Also PROS: Oscar Isaac, Oscar Isaac, Oscar Isaac. He is a terrific Hamlet. The rest of the ensemble is good (Ophelia is a tad bizarre but not terrible), but Oscar rightfully stands out. Also, Roberta Colindrez, Keegan-Michael Key, and Matthew Saldívar deliver the best play-within-a-play I've ever seen.
CONS: volume issues. The LENGTH - I don't think it has been cut that much, and you feel the length of this show. There is a lot of dead air. The choice to set the opening night scenes in total darkness was unnecessary and frankly, pretty pretentious. I could have done without the live music for most of the production. It was incredibly distracting. The choice to have little to no set and street clothes costumes was odd - made me feel like I was watching a rehearsal. Albeit a very good rehearsal, but it was pedestrian and brought down the show quality for me.
In summary, go for the acting. But be aware that you may zone out due to distracting elements. Also, it was freezing. Turn down the AC!... Read more Read less

See it if you are a fan of the playwright/the source material and you love new plays

Don't see it if you aren't a fan of the source material, you don't like plays with very little action, or you can't sit still for 90 min straight.

Also The thing I appreciated the most about this show is I never knew whose team I was on. I thought I was going to be Team Nora, but as the play went on I found myself struggling to pick a side. I still don't know whose team I'm on. And I think that's ok. Terrific performances by all four actors. And you can't beat that 90 min length.... Read more Read less

See it if you like modern adaptations of classic stories and/or supporting small theatre companies and new plays

Don't see it if you aren’t fond of Chekov in any format or are expecting a play about the actual Beyoncé

Also Eliza Bent has done a fine job at adapting and modernising this Chekov short story. It’s a quirky tale with a relatable and strong heroine at its center (a delightful Regan Sims). I also particularly liked Roger Manix and Maggie Low. It’s a mostly strong ensemble, with two woefully miscast exceptions, but they all function well together to tell this 75 min tale. The Beyoncé references are cute, and the Russian folk-a-fied versions of her songs provide charming accompaniment. It’s an uneven evening, but an ultimately humerous and thoughtful one. Worth taking a chance on.... Read more Read less

See it if you want to see an original musical and/or are looking for a fun night out

Don't see it if you are expecting something deep/life-changing or are easily offended (very mild dirty jokes)

Also What a pleasant surprise! The set and costume design immediately sets up the world of the show, and the cartoonish acting style fits the material well. There’s definitely still problems (act one finale a hot mess/please don’t have the lead producer make the curtain speech anymore - a little creeped out by that), but the rough parts pale in comparison to the strong comedy work being done by this talented and hilarious ensemble. I rarely audibly laugh at the theatre - and this show prompted more than the occasional chuckle from me. I wouldn’t say it’s the most memorable new musical I’ve seen in years, but I left feeling surprisingly happy and thoroughly entertained. A lot of laughs, and a lot of heart. I wouldn’t miss it!... Read more Read less

See it if you like the music of the Go-Gos, silly stories with a lot of heart, and shows that celebrate the LGBTQ community

Don't see it if you are easily offended by queer themes or raunchiness, can’t understand Shakespearean language, or are looking for something deep

Also Head Over Heels is entertaining, silly, and ultimately a happy evening out. Andrew Durand and Bonnie Milligan are doing fantastic work. Their comedy skills are off the charts. I also particularly enjoyed Peppermint, Rachel York, and Jeremy Kushnier. It’s a mostly strong ensemble.

I added the tag of “disappointing” because I just think that such a unique, happy, relevant story deserves an original score. I found the go-go’s music to be slightly stupid and a little boring, even with the great orchestrations and strong acting. I also found the story to be a little all over the place, I think it may need more focus? There’s a lot of wonderful factors at play here that somehow don’t come together to make a strong show. (And maybe, if you’re going to use Shakespearean-esque language, make sure all your actors are trained in that style? It makes a difference). You’ll have a good time, but don’t go in expecting brilliance.... Read more Read less

See it if you like retellings of Shakespeare and dark comedies

Don't see it if you prefer your Shakespeare pure or want something feel-good

Also Teenage Dick is full of surprises. I know the plot of Richard III well, but I think you could walk into this knowing very little of its source material and still get something out of it. It takes you on an emotional journey, cycling between hysterical laughter and feeling flinchingly uncomfortable. The small ensemble of 6 is incredibly strong. And without spoilers, the final moments will leave you breathless. Run to this one.... Read more Read less

See it if you are a fan of The Civilians/Michael Friedman, you appreciate the Encores! series, or you want a short but touching evening of theatre

Don't see it if you aren't a fan of the Encores! format (script in hand), or you're looking for a traditional storyline instead of small vignettes

Also A perfect example of "less is more." Simple, fun choreography and staging. Memorable scenes in-between. Terrific performances by all 6 cast members - I was especially choked up by Taylor Mac singing "Lost Horizon." The piece takes on a new meaning near the end when you remember the unfortunate passing of Michael Friedman. It also oddly fits on the vast City Center stage. It's a small show, but it's spirit is big.... Read more Read less

See it if you are a Sondheim fan or a fan of the show itself

Don't see it if you prefer seeing quality performances

Also Follies is a criminally underproduced show. For such a low ticket price, I suppose it’s worth it to see APAC’s production...but only if you truly love the music and maybe if you know someone in the show and feel obligated to support them. You can barely hear the performers over the messy orchestra, and there’s very little quality work being done on the stage. Off-key singing, hammy acting...I found almost none of the performers to be truthful or believable. There were a few ensemble ladies and a couple of the secondary principals who had nice moments, but the biggest standout was LaDonna Burns, whose Stella was delightful and stole act one. Overall though, uneven performances and bad acoustics left this theatregoer unsatisfied. Honestly, unless you’re a die hard Follies fan, skip this one.... Read more Read less

See it if you enjoy black box productions, shows that honestly portray those on the autism spectrum, and small but mighty ensembles

Don't see it if you aren't interested in truthful portrayals of those with autism or you want to see a big-budget production

Also Pure theatre magic is happening in Theatre B at 59E59. The entire ensemble + musicians have crafted a tale that informs without preaching, and breaks your heart without emotional manipulation. Alex Brain's portrayal of Katy is raw and endearing. You usually only see autistic behavior like this with young men in plays/movies/tv, so to watch a young woman go through this is refreshing and much needed. The fact that they accomplish so much in the 90 min run time is remarkable. Don't sleep on this one.... Read more Read less

See it if you enjoy non-traditional theatre, multi-genre scores, and raw, honest storytelling performed by a terrific ensemble

Don't see it if you are only a fan of traditional theatre or prefer standard showtunes to folk-rock

Also You truly are one of the lucky ones to get to experience this story. The Connelly feels like it was designed for this piece. Abigail and Shaun Bengson have crafted a tale that may or may not be entirely based on truth, but it is a fascinating story of family nonetheless. You are taken on an emotional journey without overindulging in the sentiment. The performances are electric. Standouts include the Bengsons and the always-wonderful Damon Daunno, but the entire ensemble works together beautifully. Another triumph from Ars Nova.... Read more Read less

See it if you want a one-of-a-kind theatrical experience, don't mind participation, and feel comfortable with sexual topics

Don't see it if you want a traditional sit-down experience, are intensely uncomfortable participating, or don't like plays with sexual themes

Also Prurience isn't for everyone. Admittedly I'm not the fondest of participating verbally in any kind of performance, but I was happy to silently participate. The beauty about it is that you don't have to if you don't want to, you just have to have an open mind. I found Chris Green's process and writing to be fascinating, and his portrayal of the group leader was the perfect balance of acceptance and come-drink-the-koolaid. The other actor plants were less successful. The second the one woman started to talk I could tell she was acting, which although we knew there were actor plants going into it, made it feel less sincere and effective. Go if you want a truly unique evening out, and maybe go alone instead of with friends. It adds something to the experience.... Read more Read less

See it if you are a fan of McDonagh’s plays, like plays with strong ensemble, and don’t mind a bit of gallows humour (pardon the pun)

Don't see it if you have difficulty with Irish accents or prefer your comedies to be on the lighter side

Also Superb writing and performances all around. It’s such an ensemble piece, but if you have to pick someone out, then Johnny Flynn would be that person. His portrayal of Mooney is one of the most magnetic performances I have seen to date. The set change in act one is stunning. If you can get a ticket, do go. Its not to be missed.... Read more Read less

See it if you want to see brilliant writing performed by top notch actors who have been expertly directed

Don't see it if you aren’t an Albee fan or if you want to see something that’s more of a spectacle

Also This is Albee performed brilliantly. Lila Neugebauer‘s direction is superb. All three actors are brilliant in their simplicity. The set is stunning. There’s really nothing bad to say about this 2 hour evening. Get a ticket if you can.... Read more Read less

See it if you appreciate shows that shock you/entertain you, then make you think, you want to hear truly great singers tackle a brilliant score

Don't see it if you are easily offended

Also I would have rated this higher, given the talent of the performers and my passion for this show (I saw the original UK production and have been a fan ever since) but I found this iteration with its updated references and new musical numbers to be not as impactful. The direction is sloppy - certain dramaturgical details are blatantly overlooked, and I just wasn't a fan of staging such a big show in a tiny space like the Linney. I don't think it works to have the ensemble be as tiny as it was - it loses the magic when I saw certain people creep out of the "studio audience" to become their featured roles and then reappear in those costumes. The sound balance in that space was atrocious.

I realize, of course, that a majority of my complaints come from my familiarity and love for this show. And despite them, I still had a good time. The piece holds up for anyone not familiar, and I do recommend seeing it because it's a perfect piece for the times we are in... Read more Read less

See it if you are a fan of Enda Walsh, plays with abstract settings, or plays that make you think

Don't see it if you are looking for something straight forward or with a happy ending, or if you can’t understand Irish accents.

Also I was so surprised at how funny it was. Ballyturk took me on an emotional roller coaster. I loved the comedic antics of One and Two that were beautifully executed with the 80s pop soundscape (stellar music choices). The set was stunning when it opened up, and Three’s entrance into the space was something I will never forget. Powerful and gorgeous. It probably could have been a little shorter, but it never felt long. Really glad to have caught this one.... Read more Read less

See it if you are a fan of the original story, enjoyed Kate Hamill's previous adaptations, like superb physical comedy and ensemble-driven productions

Don't see it if Austen stories aren't your thing or you dislike quirky adaptations of classic works

Also Most of the positive points I gave this productions are credit to two ensemble members: Mark Bedard and John Tufts. Disclaimer: I have been a fan of their work for many years having seen them both up at OSF, so it's only natural that I would gravitate towards them in any show. In this case, my praise for their work in this show is well deserved and bias-free. Mark Bedard has one of the funniest physical comedy bits I have seen in a while onstage, and John Tufts steals the show in his alternating roles of Mary and Bingley.
I have always thought of Pride and Prejudice as a very feminist story. Despite being trapped in a very-antifeminist time, Lizzie is one of those characters that modern women identify with, and the women in the original tale radiate. After seeing this production however, I walked away only remembering the men. Was it the way Kate Hamill played Lizzie? (I was not a fan) Was this the director? Was this the result of fine male performances? A combination? Who knows.... Read more Read less

See it if you are a fan of the avante garde and enjoy extremely non-traditional theatre

Don't see it if you are scared of anything non-traditional, don’t like being in total darkness or flashing lights, or prefer standard melodies

Also Thomas Paine in Violence is unlike anything I have ever seen. I am not sure I understood a word or the point of the piece, but that didn’t take away from my enjoyment! It’s defintely quirky and in your face - and not for the straight-laced theatre goer. But there’s something special about watching several talented performers (especially the man chorus) utilise their skills to create art. I saw specificity and dedication on that stage, and I’ll take that over a traditional piece where the actors phone it in any day. It’s worth checking out.... Read more Read less

See it if you want to see a tour-de-force performance by a strong, powerful woman, edgy stories don’t scare you, and you like epic new plays

Don't see it if you are sensitive to stories about addiction, don’t like foul language, or are irritated by loud noises and flashing lights

Also The hype is real. Denise Gough is giving a performance for the ages. The entire ensemble works seamlessly to tell a story that will keep you on your toes from beginning to end. I had read the script prior to seeing it, and I was still surprised by the twists and turns. Don’t miss this necessary production.... Read more Read less

See it if you are a Dave Malloy fan, appreciate non-traditional storytelling and a superb score

Don't see it if you have issues being in complete darkness, want a more linear story

Also I only took one point off for the floor cushions - they weren’t the comfiest. However, I’m glad I decided to sit there as it provided a great view of the action - and I got to play an instrument!
Ghost Quartet is not meant to make complete sense. It is a circular story, and keeping track of who is who at every moment can be befuddling at first. But you forget all of this as each of the four performers work their musical magic. Dave Malloy and Brent Arnold are skilled musicians and performers, but it’s the ladies who shine the brightest. Gelsey Bell and Brittain Ashford demonstrate astonishing vocals and musicianship, and break your heart at the same time.
This was my third time seeing it (caught it twice at the McKittrick two years ago), and this incarnation is not to be missed. For those Great Comet devotees - don’t expect a similar experience, but you won’t be disappointed. Nab a ticket if you can.... Read more Read less

See it if you have kids, want fun for the entire family, enjoy short and quirky shows, and if you loved the cartoon short film

Don't see it if you aren't a fan of kid shows or Carole King music, you like more traditional musicals, or you want a thought-provoking evening.

Also It's always tricky when you have shows that mostly or only contain children. Children, even if they have a few Broadway credits, are still children. They don't articulate well (I had major issues understanding many of the performers). And children's unbroken voices don't always sound so harmonious when singing notes that are pushing the top of their ranges. The only two performers who escape this criticism are Taylor Caldwell in the title role, commanding the stage brilliantly, and Anthony Rosenthal, a standout in the star-studded Falsettos, again proving he is mature beyond his years. This Rosie feels long - are all those scenes necessary? Tempos could be picked up, and some dance breaks could have been shorter. Leigh Silverman's direction is messy, sloppy, and difficult to follow. It may have worked in a smaller theatre, but on such a wide stage it was distracting. It was delightful to see so many families at the theatre, but I wish this had been cleaner.... Read more Read less

See it if you want a non-traditional theatre experience, like immersive theatre, or are savvy to the interworkings of a theatre company.

Don't see it if you want a traditional theatre experience, hate immersive theatre, don't want to walk around, or aren't interested in movement-based theatre

Also Ghost Light is a love letter to all aspects of working in the theatre, from the actors to the stagehands to the ushers. There are some beautiful moments of theatre . Not all of the vignettes are perfect (the one involving a tech rehearsal was particularly frustrating to watch), but there is an infectious magic that runs through this piece. All of the actors work skilfully together. The events of the evening seem to flow effortlessly - they never let you see the work. It's been a day or two and I'm still thinking about some of the scenes, particularly the one in the costume shop and the file cabinet ballet about cut lines. Those who have worked in even the most basic community theatres will recognise the in-jokes, but I don't think it's a requirement for enjoyment. What is required is a good attitude and a willingness to go with the flow - I had one man in my group who was a curmudgeon and it wasn't fun. TIP: try to score a 10pm ticket - its extra spooky in the best way possible.... Read more Read less

See it if you want to see a stellar production of this show, you are a Sondheim fan, you want to hear Jake sing live (exceptionally well)

Don't see it if you aren't a Sondheim fan, want a happy ending, prefer seeing shows with full sets and staging

Also Less is more. This simply staged production succeeds because of its focus on the artistry. That chromolume was magical (sit in the balcony for this!). Jake Gyllenhaal has a surprisingly superb voice. Annaleigh's Dot takes some getting used to (odd choices) but her comedic talents come out when she plays the old woman. Great ensemble. Even better orchestra. I left with tears brimming in my eyes. There's nothing like hearing this beautiful score performed well.... Read more Read less

See it if you have sentimental memories of this show, love classic Broadway musicals, or are intrigued by the star power

Don't see it if you want a plot that is less fluff and more heart, you don't like the classics

Also I saw this show when Donna Murphy was on, who was simply wonderful as Dolly Levi. She brought both comedy and a dramatic arc, and her voice sounds fantastic. I found the supporting cast to be strong singers and very funny (can we please give Jennifer Simard her Tony now, please?) and the ensemble was tight. But I wasn't moved by anything I saw. It was comedy without any heart. The costumes were blinding. The staging was fun but expected (except the horse. I loved the horse). I had many moments of levity but no overwhelming joy. I struggle to see why people are raving about how happy they feel upon leaving this show. Perhaps you need a prior attachment to the material, which I don't have, and you shouldn't have to have to like it. I give it a solid "meh" with notable exceptions, and wonder how it snagged the Tony from the superior Falsettos. Sorry, Zachary Stewart of Theatermania, this jaded theatregoer found no trouble resisting this show.... Read more Read less

See it if you like terrific ensembles, masterful playwrighting, and are interested in the subject material.

Don't see it if you like plays based on fiction, not history

Also It was unexpectedly funny! I did not anticipate feeling a wave of emotions while watching this play. The direction and staging is wonderful. It flows, and you don't feel the length of the play at all. Terrific performances from all members of the ensemble. The Tony was deserved.... Read more Read less

See it if you want to be moved, you like fantastic ensemble performances

Don't see it if you don't like plays with Jewish history or LGBTQ+ content, you want a more traditional style play, or you don't want to be moved

Also Indecent was lovely Off-Broadway and it is even lovelier on Broadway. This story deserves to be told, and Paula Vogel and Rebecca Taichman have done a terrific job doing so. Beautiful, touching performances. I'll never forget the staging of the rain scene.... Read more Read less

See it if you like your Shakespeare easy to understand (this production is extremely easy to follow)

Don't see it if you are sick of the current political climate and are going to the theatre to escape it all.

Also This was the first time I've seen a production of this play when I had no trouble interpreting the language. It could have been because of the very clear (not at all subtle) interpretation, but I felt that nothing was lost in translation.

My minor critique was that it seemed to lag after *spoiler* Caesar dies, but I also wasn't sure if that was because of the quality of the production or because of who Caesar is supposed to represent, if you catch my drift.... Read more Read less

See it if you love drag queens and fierce choreography

Don't see it if you want a quality music with a good book to match (I'm sorry, how this won over Matilda is BEYOND me)

Also I felt like I was getting preached at. The music is bland and the accent work is atrocious. I had no fun at all - how could I when the material was just so blah? Talented performers in a barely ok show. I'd rather just stay in and watch the original film - which I loved. Waste of money.... Read more Read less