See it if You want a small show about self, aging, family dynamics, and the loss of one’s ability to care for themselves. It’s a nice small play.
Don't see it if You don’t care about the above, don’t know the actors, or want a lot of activity and cast. It’s a small, enjoyable, two-person show.
See it if You want an ambitious play that asks a lot of questions, but doesn’t dole out the answers for an easy night. That also entertains easily.
Don't see it if You like everything clear cut, wrapped neatly, or have your opinions clear. This touched on race in a tricky time, but is still timely.
See it if I was bored. Admittedly, I went to see Harry Hamlin and Stephanie Powers. They did not disappoint. But they were given little to work with.
Don't see it if You want plot, coherence, or meaning. If you’re going for the two stars, you’ll be satisfied, if not enthralled. But you could do worse.
See it if You loved Once, Dirty Dancing, and Next to Normal. I was reminded of each of them throughout. Completely enjoyable, yet disappointing.
Don't see it if You want a fully realized show. It’s in there—just not developed yet. Everyone had a “tag”, just not explored. Brother, agoraphobic, etc.
See it if You like Guirgis. This wasn’t his strongest, but kept me really entertained for 3 hours. The ending was phenomenal. It made up for missteps
Don't see it if You don’t like profanity, nudity, drug use, and the myriad of emotions you’d expect in a halfway house. Entertaining, without greatness.
See it if You like solid theater, at great prices, that is somehow slightly dated, and very relevant. This kept me interested, if not enthralled.
Don't see it if You want a contemporary play, with “current” themes, big staging, clear answers to many of the play's questions, and moral clarity.
See it if You love MacBeth, love Adam Gwon, or don’t care about a story or a book that is absorbing. The talent is wonderful.
Don't see it if You need a full book, or any absorbing songs. It’s entertaining, but nothing that moves forward, or engages current audiences. Disappointing
See it if You love theater, with it’s spotlight on topical subjects, with unflinching recoil from topical subjects, and themes that need explored.
Don't see it if You have issues with nudity, sexual violence, or theater in its raw form—this is a tough visual to experience, but worthy if you’re able.
See it if You’re a fan of Anna Deveare Smith. Her shows always surprise, in what a one-person show can achieve. This was a little long, but compelling
Don't see it if You need a lot going on, or a large, diverse cast. The lead was exceptional, and played multiple characters, which is usual for ADS. Bravo.
See it if You like plays that are just incoherent, like to see a cast of great actors with nothing to do, and badly equate Hitler/Reagan/Trump.
Don't see it if You like Tony Kushner, and hold him to the standards of Angels in America. This felt like him finding a story he wrote in grade school...
See it if You don’t need linear, well-explained plot. I can’t tell you what this is about with any certainty, but came out wanting to see it again.
Don't see it if You don’t like wordy plays, need clear explanations and tidy endings. This takes place all over the place, in the best way, and is amazing.
See it if You want a fresh take on race, identity, and the state of current musicals. It shoots for the moon, and occasionally gets there.
Don't see it if You’re looking for a fully finished, polished musical. I could see where this might end up, and enjoyed it, but it still needs work.
See it if You love Shakespeare, or the actors. The acting was uneven, they were all wearing distracting, unexplained bolts of cloth...
Don't see it if You love Shakespeare, or the actors. It just didn’t work, though the actors tried hard—they appeared to just be in different productions.
See it if You have an open mind, don’t get angry when others don’t share your viewpoint, are curious and open with political discourse, and like plays
Don't see it if You’re rigidly anti-conservative, can’t view theater as diverse and as art, want some big shocking events to happen, or need a big theater.
See it if You love Tracy Letts—his voice is so clear in the writing. The acting is uniformly good, but the ending just lands with a thud.
Don't see it if You don’t like equal opportunity gratuitous nudity, discussions about relationships, bad behaviors, or want a show with a happy ending.
See it if You have no preconceived notions, like dysfunction, want to see how lives change after challenging events, and like deep drama. A surprise.
Don't see it if You don’t like child actors, don’t like family drama, need a very linear storyline, and need characters you like and want to root for.
See it if You care what people you don’t like have to say. The characters are (mostly) unlikable, so their bickering is, at best, annoying.
Don't see it if You think that group dances are appropriate and artistic segues between scenes. It’s not common, but this was a disappointing Atlantic show.
See it if You like comedy and farce, don’t hold a great love of Chekhov, and like to see things reinvented. The cast works hard, and entertains.
Don't see it if You’re not in the mood. It can feel forced, or hilarious, depending on your mood. You’re all in or done with the first scene. We loved it.
See it if You like great acting/writing/staging, with a fast-paced script. The action is funny, serious, and all the more relevant because it is true.
Don't see it if You don’t care about the news, Rupert Murdoch, or plots that can seem to veer in to farce. Otherwise, it’s brilliantly done, and impeccable
See it if You want a well written show, well acted by all 4 leads, in a well done revival. There is no reason not to see this show. Very entertaining
Don't see it if You’re looking to feel/see the chemistry between Adam Driver and Keri Russell, that should drive the show. It’s sadly just not there.
See it if You want something different. The leads are good (it’s Eva Noblezada!), but it’s about Patrick Page and Amber Gray, which is weird, but good
Don't see it if You need light comedy, don’t like mythology, need catchy pop tunes, or I JUST DON’T KNOW. The music, story, and staging are gorgeous.
See it if You’re a big fan of Sophia Anne Caruso. She’s 17, was extraordinary in the Nether, Lazarus, Blackbird, and is the only worthwhile thing here
Don't see it if You liked the movie, are a fan of ALL the wasted talent here, or just want a fun night at the theater. It’s just not good.
See it if You’re okay with the Arthur Miller meandering that gets you to the exquisite 3rd act. The cast is exceptional, especially the 3 leads.
Don't see it if You don’t like long shows, need comedy or lighter dramas, don’t like period pieces, or want a clear person or idea to root for.
See it if You’re socially aware at all. It rocks your preconceived and safe notions, and walks you out the door shaken. I didn’t know how to feel.
Don't see it if You want a light show, have rigid belief systems, think social inequality has been fully examined, or want a light fun musical. Brilliant.
See it if You’re a fan of Isabelle Huppert. She’s a force of nature in the show, whether you like the show, her character, or the central premise.
Don't see it if You want a linear plot line. It dissolves, twists, repeats...you’re uncomfortable with the idea of incest, mental illness, or dementia.
See it if You want to see theater on a massive scale. Park Avenue Armory is a space that needs a huge story. Some may disagree that this story fits.
Don't see it if You want an action paced story. This is a small story, as allegory, and ebbs and flows with what you make of it. I found it filled the space
See it if You love Tina Turner, or want to see a jukebox musical that avoids most of the mistakes of the genre. Ike and Tina were extraordinary.
Don't see it if You don’t like Tina, are tired of the genre, want an original musical, or prefer songs that fit the story, and don’t feel shoehorned in.
See it if You’re a fan of Lucas Hnath. I am. This was not his strongest cohesively, but he’s always so entertaining. Funny, suspenseful, wonderful.
Don't see it if You need a big theater with big staging. You need a steady theme—you never quite know where this is going, even when you think you do.
See it if You are curious about HIV, specifics related to the African American community (hence the title), or relevant theater, even if it misses...
Don't see it if You want a complete story. It’s alluded to in the play, but it’s worrisome when the ushers come back (twice!) to tell the audience it’s over
See it if I knew absolutely nothing about this going in, and I wish that for you as well. If you want something revelatory, see this. If not, don’t go
Don't see it if You like a ton of action, neat bows on all your questions, and lots of people doing lots of things. This is a two person show, but much more
Also Don’t read anything before you see this. Let it be a surprise!
See it if You want a superbly acted, brilliantly staged, play. It’s Pinter, which can often be slow and stodgy, and I found myself leaning forward...
Don't see it if You don’t like Pinter. The joy of this was being pulled in to the action, but in Pinter, there’s not a lot. If you want linear story lines.
See it if You want to be entertained, challenged, and absorbed in a lot of hours of theater—it’s long but worth it.
Don't see it if You don’t want to see gay themed entertainment, nudity, topics of acceptance and theater, or just want a big happy musical.
See it if You want to see a good idea, with little result. There is a story here, but not fully fleshed out. It’s disappointing.
Don't see it if You want a big show, with big theatrics, and a full story.
See it if You want a well-acted dramedy that is funny, touching, and real. A true ensemble, with great acting from the quartet, and a great story.
Don't see it if You need a big show with special effects. This was a small show about real people and emotions, and was exceptional because of that.
See it if You like historical theater, politics, or the huge theatrical experience that Lincoln center always provides. The large cast gives their all
Don't see it if You were expecting, or hoping for, All The Way. It’s unfair to compare them, except that’s how it’s being marketed. It was just boring.
See it if You’re not looking for a real play, with exposition, and a plot. This is a reading of transcripts of a real interrogation, with no winners.
Don't see it if You want a clear resolution. Or an ending to a thrilling play. The acting is good, the story real, but not interesting, esp. the redactions.
See it if You think Tennessee Williams should be done as a Carol Burnett skit. I never associated TW as broad comedy. Marissa Tomei was funny, sadly.
Don't see it if You like Tennessee Williams. He’s NOT A comedy writer. This was so misguided, I can’t believe this is taking up Broadway space.
See it if Wow. Wow. A simple concept encompasses in the title, and totally sung-through—this should not have been as astonishing as it was. Breathless
Don't see it if You need a big plot-driven story, can’t be amazed by a simple story that spellbinds, don’t like these actors, or want a big musical. Wow.
Also This was a simple story that kept us enthralled. Not to be missed.
See it if You’re fine sitting around a kitchen table, and not hearing much of the conversation. What I did hear was okay, and certainly not bad.
Don't see it if You’re waiting for something big to happen, don’t like modern dance, or need a big rip-roaring musical. Nothing at the Public is bad...
See it if You want broad comedy, female bonding, very good performances, and what felt like sketch comedy from Carol Burnett. Unevenly entertaining.
Don't see it if You want a tonal consistency. The final scene was so jarring from the rest. This isn’t wrong—I just hated it. There is comedy, drama...
See it if You have a connection to St. Vincents, to the AIDS epidemic, like experimental theater, or want to see a show that reaches beyond boundaries
Don't see it if You want a tidy plot line, a neat ending, a linear story, or just don’t like the subject matter. There was a lot to like, but incoherent.
See it if You want to see the show in a new way. I loved that Tammy Blanchard didn’t mimic Ellen Greene, but sought to make Audrey her own. Wonderful.
Don't see it if You’re just looking for the show you’ve seen before. They make different choices, and it’s only in previews. There was HUGE audience love.
See it if You love Lynn Nottage, Duncan Sheik, the novel, or LaChanze. It’s an excellent production. Nottage’s book was spectacular, Sheik’s score ok.
Don't see it if You’re looking for the book and score to come together into something mesmerizing. Very watchable—my husband was crying at the end.
See it if You want an intelligently written show (a Pulitzer finalist). It’s well acted, and intriguing. Second Stage is always better than average.
Don't see it if There was about 1/2 the stage that wasn’t used except for a 10 second moment for the ending. Distracting. The scene changes were distracting
See it if You like Lucas Hnath. He’s brilliant. Or, if you like the cast. You can’t take your eyes off of them. The show is not political—just true.
Don't see it if You don’t like politics—it’s a hot button topic these days, and people see what they want to see. I can’t think of another reason not to go.
See it if You love anyone involved. IMO, Ruth Wilson stoke the show. Glenda Jackson ACTED, and never let you forget it. The sisters were excellent.
Don't see it if You’re looking for a definitive Lear. This was definitely a piece where the parts were greater than the sum whole. Not bad, just not great.
See it if You love great music, well done. You’ll want to sing, dance, and shout. Unfortunately it’s Broadway, and you shouldn’t/can’t do that.
Don't see it if You want a story, or more than just music. There’s not much going on besides that.
See it if You enjoy heavy themes of grief, loss, and despair, but don’t want to be weighted down by them. Even in its affecting moments, it was trite.
Don't see it if You want to be moved by theater. (Disclaimer—all those around us were shouting “Bravo” and giving a standing ovation. I just didn’t see that
See it if You love Tony Yazbeck (like I do). He’s a true ensemble player instead of taking a star turn. The show is laborious, dated, yet relevant.
Don't see it if You’re looking for evenness of tone. Some actors were serious, some were in a farce. CSC is never bad—this was just one of their weaker ones
See it if You want to feel that you’re exploring edgy topics without really doing so. Very funny lead by Rupp, but ultimately doesn’t challenge much.
Don't see it if You have rigid beliefs. The topics are still there—religion, same-sex marriage, etc—just really as entertainment more than good theater.