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See it if you like dramas with a moral dilemma or if you want to see a play by Elizabeth Baker.
Don't see it if period pieces are of no interest.
See it if you appreciate a well-choreographed ensemble drama.
Don't see it if you prefer to hear every word. The Irish accent was difficult to understand at times but that did not diminish the impact of the play.
See it if you enjoy Leiber and Stoller music, exciting staging, an energetic and talented cast.
Don't see it if 40 songs, with no intermission, does not interest you.
See it if you are interested in Sarah Bernhardt, appreciate creative staging, or enjoy an entertaining story told through great and expressive acting.
Don't see it if you have no interest in Shakespeare or Bernhardt.
See it if you enjoy a refreshing, clever, riveting, well-crafted play, in a very intimate theater where you feel you are in the room with the actors.
Don't see it if you only enjoy musicals or large productions.
See it if This was the most fun I ever had at a Broadway musical. Bette Midler is showcased at her best. The costumes are very beautiful.
Don't see it if you want something serious because you will laugh through the whole show.
See it if you want to see Idina Menzel in a non-singing role or if you want to see something a bit different that makes you laugh and embarrassed.
Don't see it if you are bothered by sexual situations or language.
See it if you want to be entertained by a clever and creative musical. It enhances the experience if you know a little about the cartoon.
Don't see it if you only enjoy serious plays and do not want to engage your imagination.
See it if you like Shakespeare tragedies. The portrayal of Iago as a master villain was superb.
Don't see it if three hours out-of-doors is too long. Some transitions were a little slow in the first performance.
See it if you like an entertaining musical performed by a talented cast. The female lead is especially a joy.
Don't see it if you want a big production. This is an intimate theater where the actors and story stand out.
See it if you want to be immersed in a play and emotionally connected to the drama's characters.
Don't see it if you want a large-scale production or cannot appreciate a modern updating of a Greek tragedy.
See it if you like Shakespeare performed by an enthusiastic cast who bring the characters to life.
Don't see it if you only like pure Shakespeare or do not like an intimate setting.
See it if you like Cole Porter songs enunciated with expression, wonderful energetic tap dancing, beautiful costumes, and a good-looking engaging cast
Don't see it if you expect a lavish set or do not like a small intimate theater
See it if you want to learn more about Orson Welles as a creative artist.
Don't see it if you do not appreciate actors playing multiple roles.
Also George Demas is an excellent Orson Welles.
See it if you are interested in seeing a rarely revived Tennessee Williams play.
Don't see it if you want to see something uplifting because the play is rather depressing despite the occasional comedic overtones.
See it if you enjoy one-act plays by A.R. Gurney showcasing great acting. The Love Course is exceptionally clever and funny.
Don't see it if you only like big productions; or will be disappointed if one of the three one-acts is weaker than the other two.
See it if you like creative staging and writing of a family drama in a small intimate theater
Don't see it if you like linear plots or large scale productions; or do not want to experience how a daughter deals with the illness and death of her mother
See it if you enjoy a small yet superb cast in a very thoughtful play. Performances were very believable; timing was perfect.
Don't see it if you only like large productions or do not care for an intimate theater experience.
See it if you like Shakespeare that is refreshing and so well-acted that it is very easy to understand.
Don't see it if you like rigid adherence to the original Shakespeare more than character development.
See it if you want an unusual and exciting theater experience. It helps if you are familiar with Oscar Wilde's The Importance of Being Earnest.
Don't see it if you do not want to be challenged to pay attention, yet still be a bit baffled!
See it if you enjoy a great small cast, telling an interesting story, with a creative set.
Don't see it if you don't want to think or to be engaged in an intriguing story.
See it if you enjoy a unique theater experience, with constant (sometimes frenetic) activity, a very talented cast, and an absorbing story.
Don't see it if you prefer a traditional musical.
See it if you appreciate a family story that is gripping, intriguing, emotionally raw, and with unexpected twists.
Don't see it if you are disturbed by violence or by loud noises.
See it if you like Shakespeare and can appreciate a two hour (half length) version of Cymbeline that hits all of the highlights in a cohesive story.
Don't see it if you only like big productions.
See it if you enjoy a thoughtful play with characters and family situations you can relate to.
Don't see it if you just want to be entertained or you do not want to hear anything disturbing about the Holocaust.
See it if you would enjoy a delightful, yet little-known, Irving Berlin musical well-acted by a talented cast who seemed to really enjoy themselves.
Don't see it if you only like big productions. (The set is minimal but effective.)
See it if you enjoy a musical spotlighting several cast members with incredible voices and a talented orchestra - and an entertaining story.
Don't see it if you only like shows with big staging.