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See it if you want to laugh and enjoy a thoroughly entertaining play with wonderful characters and exquisite sets and costumes.
Don't see it if you do not appreciate farce.
See it if you enjoy an intimate setting, a superb cast, a creative set that evokes a lighthouse, effective sound and lighting, and wonderful costumes.
Don't see it if you are uncomfortable feeling like you are on stage immersed in the production.
See it if you want to see a powerful and creative production with outstanding acting, especially by Richard III.
Don't see it if you do not care for Shakespeare's historical dramas.
See it if you like George Bernard Shaw and enjoy a creative staging of his well-written and well-acted play.
Don't see it if you prefer elaborate costumes or sets.
See it if you like The Temptations and a high-energy musical with a moving story.
Don't see it if you do not care for Motown.
See it if you want to see an Arthur Miller play that keeps you riveted to outstanding performances.
Don't see it if you want something light, because this play requires attention and thought.
See it if you enjoy a well-acted melodrama (with touches of comedy), creative staging, and wonderful costumes in an intimate setting.
Don't see it if you expect elaborate sets or are uncomfortable sitting close to the actors.
Also The Sunday talk-backs are always enjoyable and educational.
See it if you enjoy a lively and creative production of Shakespeare with great acting by a company who seemed to really enjoy the play.
Don't see it if you expect elaborate sets or would feel uncomfortable in a small space with some eye contact and interaction with the actors.
See it if you like Shakespeare's historical plays or if you are interested in seeing the complete Henry V.
Don't see it if you prefer elaborate staging or can not appreciate an energetic though long production.
See it if you want to learn more about Orson Welles as a creative artist.
Don't see it if you do not appreciate actors playing multiple roles.
Also George Demas is an excellent Orson Welles.
See it if you are interested in seeing a rarely revived Tennessee Williams play.
Don't see it if you want to see something uplifting because the play is rather depressing despite the occasional comedic overtones.
See it if you enjoy one-act plays by A.R. Gurney showcasing great acting. The Love Course is exceptionally clever and funny.
Don't see it if you only like big productions; or will be disappointed if one of the three one-acts is weaker than the other two.
See it if you like creative staging and writing of a family drama in a small intimate theater
Don't see it if you like linear plots or large scale productions; or do not want to experience how a daughter deals with the illness and death of her mother
See it if you enjoy a small yet superb cast in a very thoughtful play. Performances were very believable; timing was perfect.
Don't see it if you only like large productions or do not care for an intimate theater experience.
See it if you like Shakespeare that is refreshing and so well-acted that it is very easy to understand.
Don't see it if you like rigid adherence to the original Shakespeare more than character development.
See it if you want an unusual and exciting theater experience. It helps if you are familiar with Oscar Wilde's The Importance of Being Earnest.
Don't see it if you do not want to be challenged to pay attention, yet still be a bit baffled!
See it if you enjoy a good story told through creative staging and great songs.
Don't see it if you do not care for Disney dazzle and fun.
See it if you enjoy a great small cast, telling an interesting story, with a creative set.
Don't see it if you don't want to think or to be engaged in an intriguing story.
See it if you enjoy a unique theater experience, with constant (sometimes frenetic) activity, a very talented cast, and an absorbing story.
Don't see it if you prefer a traditional musical.
See it if you appreciate a family story that is gripping, intriguing, emotionally raw, and with unexpected twists.
Don't see it if you are disturbed by violence or by loud noises.
See it if you want to experience a powerful drama told in an interesting flashback manner, with creative sets.
Don't see it if you do not want to become engaged in the mystery or do not want to think about different aspects of racism.
See it if you enjoy Andrew Lloyd Webber music, good choreography, and a minimal yet effective set.
Don't see it if you like to hear every word that is sung because some singers were excellent while others were somewhat difficult to understand.
See it if you want to see a powerful drama with excellent performances, creatively staged.
Don't see it if you would only enjoy the play if it mirrored the book or movie.
See it if you like Carole King's music and would like to learn how her life inspired her songs.
Don't see it if you do not enjoy great music and creative sets.
See it if you appreciate four different, short, one-act plays that are well-acted and creatively staged.
Don't see it if you only enjoy a big production rather than a small, intimate theater experience.
See it if you like Shakespeare's comedies and enjoy a fresh interpretation with an excellent cast.
Don't see it if you do not want to laugh!
See it if you like Shakespeare and enjoy adaptations that bring his plays to modern life, with humor.
Don't see it if you expect elaborate costumes or scenery.
See it if you like multimedia plays including music, singing, and puppetry with a unique perspective.
Don't see it if you cannot appreciate an odd mix of creativity, despite being somewhat confusing.
See it if you enjoy well acted, creatively staged older plays that engage the audience; or if you are interested in a non-musical Lindsay and Crouse.
Don't see it if you dislike a small intimate theater experience or a play that requires thoughtful attention.
See it if you like dramas with a moral dilemma or if you want to see a play by Elizabeth Baker.
Don't see it if period pieces are of no interest.
See it if you appreciate a well-choreographed ensemble drama.
Don't see it if you prefer to hear every word. The Irish accent was difficult to understand at times but that did not diminish the impact of the play.
See it if you enjoy Leiber and Stoller music, exciting staging, an energetic and talented cast.
Don't see it if 40 songs, with no intermission, does not interest you.
See it if you are interested in Sarah Bernhardt, appreciate creative staging, or enjoy an entertaining story told through great and expressive acting.
Don't see it if you have no interest in Shakespeare or Bernhardt.
See it if you enjoy a refreshing, clever, riveting, well-crafted play, in a very intimate theater where you feel you are in the room with the actors.
Don't see it if you only enjoy musicals or large productions.
See it if This was the most fun I ever had at a Broadway musical. Bette Midler is showcased at her best. The costumes are very beautiful.
Don't see it if you want something serious because you will laugh through the whole show.
See it if you want to see Idina Menzel in a non-singing role or if you want to see something a bit different that makes you laugh and embarrassed.
Don't see it if you are bothered by sexual situations or language.
See it if you want to be entertained by a clever and creative musical. It enhances the experience if you know a little about the cartoon.
Don't see it if you only enjoy serious plays and do not want to engage your imagination.
See it if you like Shakespeare tragedies. The portrayal of Iago as a master villain was superb.
Don't see it if three hours out-of-doors is too long. Some transitions were a little slow in the first performance.
See it if you like an entertaining musical performed by a talented cast. The female lead is especially a joy.
Don't see it if you want a big production. This is an intimate theater where the actors and story stand out.
See it if you enjoy Shakespeare and appreciate a performance that delights.
Don't see it if You prefer a set/scenery (rather than your imagination).