See it if you appreciate great acting ensemble work - especially the great Maryann Plunkett and Jay O. Sanders and don't demand an exciting plot.
Don't see it if you dislike Richard Nelson's slice of life expressions of the importance of every moment, focusing on simple daily tasks, especially cooking
Also GET THE HEARING ASSIST DEVICES OR YOU WILL NOT HEAR IT!!!
See it if you want to see a brilliant performance by Jeffrey Bean as well as superb supporting cast. Usual first rate direction by Ciaran O'Reilly.
Don't see it if you prefer light entertainment and you especially don't like plays about alcoholism and lifetime regrets.
See it if you are willing to put up with being confused about exactly what is being said as a trade-off with some nice songs and entertaining moments.
Don't see it if you want shows with a completely clear narrative, especially when they clearly have a "message".
See it if you love over-produced Broadway shows filled with dozens of old pop music hits. If the performers are skilled, you don't need content.
Don't see it if you want a plot that isn't predictable and hackneyed. You don't like LONG shows!
See it if you enjoy seeing innovative staging concepts (this is as spare as I've ever seen!) and good actors, even if you're not a real Pinter fan.
Don't see it if you know that you absolutely hate Pinter or any play in which there is no real "action".
See it if you think you will enjoy interlocking monologues that tell the story of 3 generations of women in the same family. Marsha Mason delightful.
Don't see it if you want action or if you can't cope with Irish accents that are sometimes hard to understand.
See it if you love Audra McDonald and Michael Shannon, who are both wonderful! This is not top drawer McNally, but there are some great moments.
Don't see it if you are uncomfortable with nudity. Also, this is not for anyone who is impatient. The play is too long and too slow.
See it if you love Shakespeare and you don't mind updated versions as long as they are true to the spirit of the original.
Don't see it if you don't like Shakespeare OR you don't like Shakespeare if it is updated or has any changes in time and place.
See it if you want to see a delightful actress in a deliciously written true story with creative staging and actors skillfully playing multiple roles
Don't see it if you hate baseball and don't like race as even secondary subject matter.
See it if you know "Little Women" and consider it hopelessly dated and in need of re-writing.
Don't see it if you know "Little Women" , love it, and think it is a classic because it has characters and situations that are universal & timeless.
See it if you enjoy the Mint Theater's usual level of fine acting and you love Irish plays, even when the play is uneven and the outcome a letdown.
Don't see it if you only like upbeat plays and happy endings!
See it if you want an evening of sheer entertainment, constant laughs, and a sublimely talented cast just doing old fashioned musical comedy!
Don't see it if you hate slapstick even when brilliantly executed or if you only like serious, profound plays.
See it if you love Irish writers in general and O'Casey in particular, especially with a spectacularly skillful cast of actors.
Don't see it if you only like musicals or comedies and you don't like Irish accents.
See it if you are so into our Me Too moment that it overrides all other rights & if you believe forbidding male misbehavior on paper will stop it cold
Don't see it if you understand that at this moment our "antiquated" Constitution is the only thing standing between us and chaos!
See it if you want to see a splendid performance by Santino Fontana and a reasonably funny entertaining musical version of the much superior film.
Don't see it if you don't like musicals or you only like musicals with melodic old-fashioned songs or if you have a low threshold for far-fetched events.
See it if a brilliant performance by Michael Stuhlbarg plus an intelligent take on the methods of Socrates can make up for excessive length.
Don't see it if you don't want to see a slow, very long play that is totally cerebral and requires intense listening.
See it if you are willing to suspend all of your usual expectations and just enjoy something incredibly "off the wall".
Don't see it if you're not able to appreciate the sheer audacity of something wildly original .
See it if if you want to see some of the most brilliant performances of the decade in an absolutely stunning directorial conception.
Don't see it if you don't like long plays no matter how good.
See it if you like John Guare and John Larroquette and are willing to stay with the play through confusing sections to see where it's going.
Don't see it if you don't like confusing plays and don't have the patience to sit through scenes that seem meaningless.
See it if you want to see everything Glenda Jackson does (or the great John Douglas Thompson) or you like to see EVERY version of "King Lear".
Don't see it if you don't want to endure an endless evening filled with many tasteless, tacky directorial choices.
See it if you love Fugard and want to see everything he wrote and you can appreciate great acting even in a play that is "lesser Fugard".
Don't see it if you don't want to be depressed. This play is absolutely a relentless "downer"!
See it if you want to see two fabulous actors demonstrate their extraordinary technique in two different monologues that fit together perfectly.
Don't see it if you only like happy plays and don't like depressing material.
See it if you enjoy seeing old plays brought to new life in beautiful productions, with fine acting and direction, though seemingly dated issues
Don't see it if you only like contemporary plays and are not interested in issues of another period that MIGHT actually have relevance to our own.
See it if you enjoy seeing two fine actors in relentless. and yet frequently hilarious conflict with each other.
Don't see it if you don't like being confused some of the time or you don't like Sam Shepard even in this, the least baffling of his plays.
See it if you love Sondheim & the amazing Fiasco Theater! The skill level of this cast is dazzling, as is the imagination of this version.
Don't see it if you don't like Sondheim, musicals in general, or new production ideas.
Also Fabulous set!
See it if seeing two great actors in brilliant performances can make up for a confusing, muddled plot.
Don't see it if you are irritated by a confused story line that doesn't seem to make sense.
See it if you love Mary Louise Parker and don't really care whether the play has anything to say. Smooth staging by David Cromer.
Don't see it if a story about two weird people, without any particular point, will not be balanced out by the presence of Mary Louise Parker.
See it if you would enjoy very talented, high energy performers do their best to turn a mildly diverting comedy riff on Macbeth into something more.
Don't see it if you expect anything of substance or songs that are at all memorable.
See it if you want an evening that's completely different with astonishing and seemingly inexplicable outcomes and lots of audience participation.
Don't see it if you don't like mentalism, psychic experiments, or audience participation.
See it if you love KT Sullivan, Steve Ross and/or Noel Coward. And if you don't know any of them, then you DEFINITELY should go!
Don't see it if you don't like Noel Coward, cabaret in general, KT Sullivan or Steve Ross.
See it if you always enjoy Shakespeare if the cast knows how to "speak the speech" as these actors do & you want to see a play that is rarely done.
Don't see it if you are not willing to put some effort into understanding the plot. This is a difficult play. Unfortunate choice of depressing setting.
See it if you enjoy seeing a musical that breaks all the molds, wonderfully performed. Different from the off-Broadway version, which I also liked.
Don't see it if you only like traditional musicals or standard rock or pop scores.
See it if you think it's important to continually foment antagonism between races, pretending that it serves a positive purpose to "tell the truth".
Don't see it if you are genuinely striving to help create a world as free from racism as possible, and you believe that "loving your neighbor" is the way.
See it if you adore Adam Driver and/or Keri Russell. Driver is charismatic but has anti-sex appeal in a character should be sex personified.
Don't see it if you expect one of Lanford Wilson's best. The play hangs on overwhelming physical attraction between the leads and these two don't have it.
See it if you hate musicals, especially Rodgers and Hammerstein, and want to see a travesty of the original .
Don't see it if you love the original "Oklahoma!" and don't want to see an agenda-driven version, changing the ending significantly while pretending not to.
See it if you love O'Casey and Irish writers in general and you would enjoy seeing an outstanding cast bring their work to life.
Don't see it if you don't like serious plays or Irish accents.
See it if you love Laurie Metcalf and John Lithgow and enjoy anything they do. Without them, this play would be even more pointless than it is now.
Don't see it if you think you're going to get some great new insight into the Clinton relationship.
See it if you enjoy seeing a true story, enriched by terrific actors and creative staging, which is entertaining even while sounding an alarm.
Don't see it if you can't stay with a fairly long narrative with complications and ambiguities.
See it if you want to see a superb cast in a classic play by a great American writer dealing with moral issues that are always relevant!
Don't see it if you don't like serious, intense plays or if you find anything set in 1947 "dated"
See it if for you, two or three excellent performances (especially Tony Yazbeck) can make up for ho-hum staging, stereotypes and one DREADFUL actor.
Don't see it if you have low tolerance for agit-prop and obvious, dated political observations.
See it if you love Cole Porter, Kelli O'Hara's singing, energetic dancing. Add to that a committed talented ensemble plus Corbin Bleu, who is great
Don't see it if you need a convincing book. This one has always been sub-par, and extensive re-writing hasn't fixed it!
See it if you want to see a play dealing with relevant issues, anchored by a delightful lead performance, & giving voice to conflicting viewpoints.
Don't see it if you aren't open to opinions contrary to your own.
See it if you love musicals (especially this one) and you want to see a fresh take on it that is in many ways the most delightful production EVER!
Don't see it if you hate all musicals, especially "Fiddler", and know that you will hate it even more in Yiddish!
See it if you love old-fashioned musical comedy with song and dance numbers full of energy and joy adding up to a HAPPY evening at the theater.
Don't see it if don't like musicals and you want your theater serious and profound.
See it if you can steel yourself for an evening with the most unpleasant people you have probably ever met. It is certainly never boring!
Don't see it if you like light, uplifting fare with a happy ending.
See it if you appreciate good acting & don't mind a version that changes the time & place significantly, with accents that are often incomprehensible.
Don't see it if you will be embarrassed by extremely explicit onstage sex .
See it if you like Nottage's writing and enjoy plays that deal with important issues, in this case the changing history of African American artists.
Don't see it if you don't want to engage with a satirical treatment of prejudice in American society and especially in Hollywood.
See it if you love Irish writing and Irish actors because this play is sensational in both - in spite of an unbelievable plot.
Don't see it if you only like light entertainment.