See it if you have used Twitter regularly.
Don't see it if you struggle with accents and youthful internet lingo.
See it if you are up for an acting masterclass in a heavy script.
Don't see it if you are sensitive to descriptions of violence.
See it if the subject matter fascinates you or you have a deep appreciation for stage aesthetics/are an aspiring director.
Don't see it if you have a short attention span.
See it if you love Arbery’s work and are open to experimentation with the bounds of realism.
Don't see it if you have to be able to draw neat lines through linear narratives.
See it if you feel comfortable with challenging works.
Don't see it if you feel that the content will be too difficult to engage with. Very valid concern for this play.
See it if you like engrossing plots.
Don't see it if you only see musicals.
Also Henderson is sensational.
See it if you can.
Don't see it if you aren’t interested and know someone who would love to.
Also it’s about as good as it possibly can be.
See it if the premise intrigues you.
Don't see it if you struggle with long scenes.
Also the script was middling. Jue, was the highlight, as he always is.
See it if you have a gotta-catch-em-all mentality towards site-specific theater.
Don't see it if you want to see a de facto Great Gatsby.
See it if you like poignant, small stories.
Don't see it if you hate narration.
See it if you've wanted to see a new "classic" Broadway musical.
Don't see it if you're pretty sure you're not here for what the bookwriters are trying to do.
Also it mostly works!
See it if you like ghost stories/thrillers.
Don't see it if a repeated jump scare will send you over the edge.
See it if you like daring writing, inventive staging, good acting, and out-of-the-box storytelling.
Don't see it if you only like straightforward theater.
See it if the premise intrigues you.
Don't see it if the premise sounds dull to you.
Also beautifully staged, though dialects were distractingly bad.
See it if you love stories that feel real or transportive music.
Don't see it if you need plot-heavy.
Also works great in this space.
See it if Glee and/or alcohol are hallmarks of your personality.
Don't see it if you don’t jive with a massively over the top musical revue.
See it if you love melodic scores and campy everything.
Don't see it if you are looking for the definitive, in-depth, humanization of Tammy Faye Baker.
Also GREAR score.
See it if you love Icke’s aesthetic and point of view.
Don't see it if you’re easily triggered.
See it if you can.
Don't see it if no reason not to.
Also absolute mastery of craft to maximum effect.
See it if you want to see a VERY out of the box adaptaion.
Don't see it if you have no imagination.
See it if you love this score and/or the attached cast.
Don't see it if you expect to be swept away by an unearthed perfect piece.
Also well it's certainly a melodrama.
See it if you love the cast or are looking to complete the Wilson canon.
Don't see it if you struggle with plays. Advertised as 2:40, was 2:50 on the dot.
See it if you can find a group who loves both Stranger Things and musical theatre and are well lubricated.
Don't see it if you don't like parody musicals
See it if you like ensemble plays.
Don't see it if maybe if you are in the middle of life-threatening medical treatment.
See it if you love the material/seeking a very camp outing.
Don't see it if you don't care for the material or high camp.
See it if you want to support anyone involved.
Don't see it if you have better things to do.
Also no characters elicit a response. Feels like a very stagnant painting.
See it if you like classic theater, spectacle, and theory.
Don't see it if you are extremely sensitive to the themes.
Also gloriously staged and dizzyingly acted.
See it if you enjoy solo performance.
Don't see it if you don't enjoy storytelling.
See it if you love the source material.
Don't see it if you don't want to see something heavy.