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See it if if you are interested in Jewish women's experiences from different countries and gender discrimination within the Jewish community
Don't see it if you aren't interested in a contemporary take on women's connection to their Jewish heritage
See it if you like one-person shows about the contemporary life and experiences of young people of color.
Don't see it if you are not interesting in themes of social justice and the difficulties of life in today's urban centers. '
See it if You are interested in Dominican history and literature and in the role of women in the nineteenth century and early 20th century.
Don't see it if You are not interested in Spanish language plays ( or plays with subtitles) or dramas that constantly move back and forth in time.
See it if You are interested in race relations, the Catholic Church, and convent life in 1964 in NYC.
Don't see it if You have no interest in seeing how nuns in NYC in 1964 dealt with racism in their own convent.
See it if You are interested in current day issues like immigration, international economic issues, and China.
Don't see it if You are not interested in Asian American issues, family comedy/dramas, and political and economic issues.
See it if You enjoy one-actor shows and themes about diversity in the U.S. Zenobia Shroff (recently in The Big Sick) is wonderful.
Don't see it if You don't enjoy one- actor plays with plain sets and few props or plays that explore issues of discrimination.
See it if You are interested in issues of disability and care-giving, very human relationships and non-linear narratives.
Don't see it if you feel uncomfortable with frank discussions about adults with disabilities and narratives that are not straightforward,
See it if You enjoy one-actor plays focusing on family memories (good times and bad) and enjoy the use of Spanish.
Don't see it if You are uncomfortable with plays that use many words in other languages than your own and like to see a larger cast.
See it if You are interested in Yidddish literature, the history of the theater, and the historical treatment of gay and lesbian characters
Don't see it if You don't like unusual staging, the theme about lesbian characters in plays, or historical Yiddish drama and music.
See it if You want to explore another take on The Seagull, a classic play by Chekov and see fresh young actors trying very hard.
Don't see it if You like plays with a strong plot.
See it if You like to keep up with the new playwrights from other countries (Ireland) and you are interested in dystopian drama and modern dance.
Don't see it if You enjoy conventional drama with a direct narrative line,
See it if you are a fan of the original Ibsen and you want to see how a writer creates a play true to the original and cognizant of feminism today.
Don't see it if You're not interested in women's issues.
See it if If you are interested in today’s issues surrounding undocumented immigrants and mother- daughter relationships, as told in a musical.
Don't see it if You are not interested in a contemporary musical about a Latina mother and her half Latina-half white daughter traveling across the country.
See it if You are interested in changing relationships, strong women following their own career path, and media issues related to war and refugees.
Don't see it if Talky plays about couples and controversies about journalists and photographers in international hotspots are not to your taste.
See it if You are interested in the ordinary, yet extraordinary, lives of two African American centenarians who lived through the late 19th-20th cent.
Don't see it if You are not interested n African American and U.S. history as viewed by two sisters who both lived for over 100 years.
See it if You are interested in the lives of contemporary women and their attitudes about aging, relationships (gay and straight), work, and family.
Don't see it if You are looking for great drama. These are four comfortable East Coast women reaching age 65, facing crossroads, but not hardships.
See it if You are interested in the history of racism in the U.S., plots about family secrets, and Black and Cherokee communities.
Don't see it if You are not interested in exploring ideas about racism and white supremacy at the beginning of the 20th century.
See it if You enjoy excellent writing and acting by all four cast members, plays about family relationships, dramas that concern mental illness.
Don't see it if You don't like nonlinear plays, plays that are about mental illness, or academic settings,
See it if You are interested in classic plays that continue to have relevant social and political themes.
Don't see it if You don't like overly didactic or purposive drama or uneven acting ( the lead, Dr. Stockmann, was passionate; others were very stiff).
See it if You are interested in a contemporary couple's relationship and difficulty in conceiving a child and like witty dialogue, and simple staging.
Don't see it if You have no interest in parenthood, the problems of infertility and its treatments, and adoption; you don't like sparse set design.
See it if You enjoy plays adapted from classic Russian novels, injected with some humor.
Don't see it if You don't like plays staged in community centers (it was difficult to see the actors when they sat down).
See it if You like updated classics with humor and satire. Not quite as original as the playwright's Sense and Sensibility, this is still a romp!
Don't see it if You prefer Masterpiece Classic style English costume dramas.
See it if You like Bobby Canavale and want to see how relevant a play about the working class can be, many years later. Very imaginative staging.
Don't see it if You are not interested in exploring class differences in a different way.