Michael Andor Brodeur

Michael Andor Brodeur is a critic with The Washington Post. This account has been auto-generated, and does not indicate that this person is an active member of Show-Score.com. That said, if you "follow" this member, you will automatically be updated whenever s/he writes a new review.

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Reviews (3)
The Hours
Upper W Side
The Washington Post

"At the end of “The Hours,” you will find yourself energized by Puts’s splendid shape-shifting score, or the triple threat of its leads, or the richness of this multilayered narrative." Full Review

Don Carlo
Upper W Side
The Washington Post

for a previous production "Restored to full form, with most of the many cuts made in the opera’s early stage to make it more portable and palatable, 'Don Carlos' attains a grandest-of-grand level of spectacle and force almost immediately, and scarcely ever lets up...Strangely, the chemistry between the lovers was far less crackling than in the opera’s other love story...Mezzo-soprano Jamie Barton was a revelation in an eyepatch as Eboli, magnificently steeped in the princess’s desperation and inspiring chills when her... Full Review

Lucia di Lammermoor
Upper W Side
The Washington Post

"Although its surfaces may seem familiar at first, over the course of three meticulously modernized acts, this blighted, unidentified patch of dystopia reveals itself as a far more unforgiving landscape. It’s an amalgam of Lucia’s internal and external terrain, a hybrid of a hardscrabble life and an unruly dream." Full Review