See it if you like special effects and the music well performed, but don't care about whether or not the story comes through.
Don't see it if you expect to get a story ... or expect to believe anything on stage. You leave aware of the special effects, but not the musical.
See it if you like a review without a plot and great songs well performed. Beautifully acted songs with singers who know what the songs are about.
Don't see it if you demand extremely produced musicals. Sound is okay, but not great.
See it if you are interested in what Tracy Letts has done next and enjoy sitcom performances of real issues.
Don't see it if you like anything profound with your comedy. Or if the audience screaming laughter at obvious jokes makes you crazy.
See it if you're interested in what a genius writer/director is experimenting with at the moment. It's fascinating to see him at this time of life.
Don't see it if you like a linear, traditional piece of theatre. This is definitely not that.
See it if you enjoy getting in on the ground floor of new, talented song writers. Much of it is extremely inventive.
Don't see it if you can't take on board some rough patches that come from the work of new writers.
See it if you are able to see through mediocre acting and find a strong play.
Don't see it if you expect for actors to come up to the quality of the writing or you expect New York actors to be solid performers.
See it if you like extremely inventive, creative reimagining of Chekhov. Very alive and engaging. Great evening in the theater.
Don't see it if you want something traditional
See it if you enjoy really brave, fun theatre that pushes the edge of the envelope. Extremely inventive with some wonderful performances.
Don't see it if If you're looking for something extremely traditional. This is slightly off-the-wall, as one would expect from the genius of Kurt Vonnegut.
See it if You like hearing the words repeated with intelligence. Like visiting an old friend.
Don't see it if you're expected some kind of revelation. There's no relationship between the characters. Form without content. "Clever" line readings only.
See it if you can handle both a brilliant performance and a couple of indulgent performances. The play shines through, even with spotty acting.
Don't see it if you demand a flawless production. I'm not sure it's possible to do this play. I saw Olivier and he missed it. But damn what a play!
See it if you love brilliant theatre, genius writing and a stunning production. A rare treat.
Don't see it if you like to think. This play is not fluff entertainment.
See it if you can sense great writing, even though the acting and directing don't service the play.
Don't see it if you want to see a definitive production of these two great plays.
See it if you're okay with mixed quality of acting for a really strong script. Overall a very respectable rendering of the play.
Don't see it if you saw the play when it first opened and you are expecting a similar experience.
See it if you like male nudity. Solid acting for fairly uninspired writing.
Don't see it if you are looking for an unexpected revelation about a 3-way relationship. There is nothing you don't know or haven't guessed.
See it if You want to see an actress soar with a part. Well paced and the play comes through. Really smart play.
Don't see it if You're unforgiving about directors who like you to notice their directorial hand. The younger actors miss the pain behind the lines.
See it if you're thrilled with the idea of epic theater. Genuinely inventive directorial contribution to a great play.
Don't see it if you like more conventional theater.
See it if you are looking for a great, inventive version of this brilliant piece of theater. A true revelation and a once in a lifetime opportunity.
Don't see it if it makes you nervous having actors near the audience.
See it if you get joy out of watching wonderful shows destroyed.
Don't see it if you have wonderful memories of your past when life was slow and oh so mellow. Left at intermission, trying to hold onto a sliver of old joy.
See it if you want an evening of extraordinary theater. Powerful play, beautifully acted.
Don't see it if you're looking for mindless entertainment.
See it if the play is disturbing. So often plays have a happy family and shows the lies beneath the appearance. Nothing is going well from the outset.
Don't see it if you go to the theater to be merely entertained. This one shocks you because it's beautifully written comedy and then hopelessness sets in.
See it if you want to see an important play in theater history done with great clarity. And still it manages to be a wonderful evening in the theater.
Don't see it if being intellectually stimulated bothers you.
See it if Rupert Everett gives a masterful performance. A couple of the other actors are quite strong as well. Interesting idea to explore, but ...
Don't see it if you're expecting an in depth exploration of Oscar Wilde and his obsession with his lover. Impossible task to approximate dialogue of Wilde.
See it if you don't mind having an important subject trivialized or if you don't mind swimming through a ridiculous premise to get to some good acting
Don't see it if are hopeful that there will be a revelation of some kind.
See it if you want a complete theater experience. It's the sort of piece that comes along almost never. Overwhelming.
Don't see it if if you like mindless theater.
See it if you like solid, confident acting from two old pros who love being on stage together. Makes you happy to go to the theatre.
Don't see it if you are expecting a revelatory play. It's not that. It shares the same world as "The Other Place" and "Woman in Mind," but it's not either.
See it if you're happy to revisit a meaningful show, but only want to hear the songs.
Don't see it if you expect fantastic voice and a revelation about the piece. Orchestrations are not great and the sound balance is off.
See it if you have the ability to look beyond a production and see the play. I think it's a good play, but the actors have basically earned nothing.
Don't see it if you want to see a good and satisfying evening of theater. This was really frustrating. It's probably a good play, but the actors don't help.
See it if you're fascinated with the mental state of someone who is charming and dangerous. Because it's imagined, it has genuine bite. Not a bio-play
Don't see it if you like theater that doesn't force you to be mentally engaged – or makes you think.
See it if you like theatre that is stimulating and forces you to pay attention. Beautifully realized production.
Don't see it if you go to the theatre to escape. This one keeps you thinking.
See it if you'll see anything from Russia.
Don't see it if you have memories of the Maly Theatre Company's Brothers and Sisters. I have no idea why they did this. Wonderful actors with no play.
See it if you want to see a riveting 7-1/2 hours of theater. Andrew gets performanc-y in Part 2, but what a play! Once in a lifetime opportunity.
Don't see it if you ... actually there's no reason not to see it. We don't really do epic theater that often, especially theater with this kind of content.
See it if you like British accents and enjoy form over content.
Don't see it if you are expecting an in-depth exploration of the Lorca source material. It's fairly predictable. The acting is earnest British histrionic.
See it if You love to see a great actor flexing his chops. Mark Rylance is a treasure and shouldn't be missed.
Don't see it if I can't think of a reason not to see it.
See it if like theater that's stimulating and requires an audience to think. Also, if you love Stoppard's brilliant use of language.
Don't see it if you don't like to think when you go to a play or if you just go to the theater to be entertained. Very entertaining, but you must think.
See it if you love a total theater experience. One of the most inventive plays I've seen in the past ten years. Stunning theater.
Don't see it if you are anti-semitic or homophobic.
See it if you can see smart writing behind performances that don't service the play. It's a better play than is on the stage.
Don't see it if you go nuts when actors play the comedy and entertain the audience, rather than get the pain behind the funny lines.
See it if love great writing and extremely smart acting. Never thought this idea would work and I was thrilled with the evening.
Don't see it if can't think of a reason not to see it. Laurie Metcalf is a treasure and Jayne Houdyshell should be in a play as often as possible.
See it if you see everything Sondheim and are happy to hear it live.
Don't see it if you saw the original and are expecting a revelation. Jake is a generous actor, but twitchy and no Mandy. She's fine, but no Bernadette.
See it if you've never seen a production or if you can forgive bad production concepts. Miss Foster, however, is wonderful as is the rest of the cast.
Don't see it if you're expecting to see an inventive reimagined concept. It's really pretty tacky - and replacing the Fosse choreography was a huge mistake.
See it if you see everything and don't make demands that a play is extraordinary. Very mediocre. Director and actors didn't understand it.
Don't see it if you expect the actors and director to bring more to a play than intelligent line readings. Not a great play, but not helped by director.
See it if beautifully paced theater with depth and great acting. I took 6 college students, their first Bway play. They, too, were thrilled.
Don't see it if you would rather not have to think when you go to the theater. Although the play is quite funny, it's not a play for sitting back uninvolved
See it if Thrilling theater. In a world drowning in war and misunderstanding, Oslo offers no solution, but throws in our faces exactly the problem.
Don't see it if you like to sit back in the theater and not think, just be entertained. Not for you.
See it if interesting directorial concepts are your thing. If you know the original and are curious how to make it work with seven actors and no set.
Don't see it if you're expecting a revelation of this overwhelming Ibsen work. The production mostly just reminds you what the plot is.
See it if you're open to a play slowly taking hold of you. First act is slightly disjoined, probably because of film, but second act takes off.
Don't see it if you want to see a remake of the film.