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See it if You like cliched musicals with light commentary on acceptance, or if you want to laugh at clever jokes (they are actually clever).
Don't see it if If you want something challenging and new.
See it if You want a different kind of musical. This has a great premise and good music. It's not profound, but it's good.
Don't see it if You are annoyed with accents?
See it if You want to be challenged when you go to the theatre...to tackle difficult issues and come out changed.
Don't see it if You just want basic entertainment. This show is funny and very thought-provoking. Definitely worth the watch.
See it if You love slapstick. They are masters of it.
Don't see it if You get the joke in the first 5min and would like to move on rather than repeating it for the next hour and a half.
See it if You enjoy Sara Bareilles music or you like romantic comedies and light fare.
Don't see it if You don't like musical romances. It's a little typical of "musicals", but very well done.
See it if You loved the movie and you're okay with cliched music, messy staging and over-produced design. (Though there are some funny lyrics in it!)
Don't see it if You expected to see any magic happening on stage, or any sense of cohesiveness in performance.
See it if You like subversive comedies, slapstick, farce, Nathan Lane and Taylor Mac.
Don't see it if You don't like to laugh or think deeply about subtext.
See it if You like formulaic comedies; you enjoy fast-paced singing (a la Sondheim's "Not Getting Married Today"), you enjoyed Kinky Boots.
Don't see it if You're tired of "musically" musicals that are entirely predictable; you understand how out-of-tune TOOTSIE is 40 years later..
See it if You want to watch Annette Benning command that stage! If you like socially conscious work, this is good production of a classic.
Don't see it if You are bored with straight, narrative, classic works, or don't enjoy slow boils.
See it if You really miss the 80s. Or even if you sorta miss the 80s...it's fun to go back in time.
Don't see it if You want a transformative experience. The show is entertaining, but doesn't have the profound themes that Miles for Mary did.
See it if You love the Temptations and want to see some incredible performers with slick moves and voices to die for.
Don't see it if You want any kind of a plot. The book is painfully bland, no story, no depth, nothing to say.
See it if You loved the book, Aaron Sorkin, Jeff Daniels, or Heidi Blickenstaff. Or if you just love a well-written and well-performed play.
Don't see it if You aren't interested in Southern dramas about race, or if you don't like drama in general.
See it if You're 13 years old and enjoy after-school Disney musical specials; or you have a 13 year old and are willing to shell out some cash.
Don't see it if You want any depth to your theatre going experience.
See it if You love Adam Driver, who steals the show.
Don't see it if You want to see a play that is relevant and timely. This piece is older, but doesn't translate any relevant messages to the current times.
See it if You love Ivo van Hove and heavy video in your theatrical experience; you are interested in the genesis of news for cash.
Don't see it if You are more interested in direct narrative; you don't like video or live feeds; you expect them to fix the subplot from the movie.
See it if You are a human. EVERYONE SHOULD SEE THIS SHOW!
Don't see it if You are a statue that is not interested in challenging work or growing as a person.
See it if You love NEW, different musicals; you love New Orleans jazz; you love Greek Mythology; you want catharsis and beauty all in one.
Don't see it if You don't like new music or you don't like love stories.