See it if you like seeing good actors make something out of nothing and if you like political back-stories. Professionally done & at times interesting
Don't see it if you prefer absorbing theatre with a purpose and great insight.
See it if you like your shows to mix joy with ideas, stories with poignancy, stand-up with relevance - a thought-provoking educational romp.
Don't see it if you can't stand solo shows (with 2 more people!), are closed-minded Trump-ites, and don't respect or like women.
See it if you appreciate Shepard dramas of despair with self-indulgent long-ass monologues and a hard-working cast without a pay-off.
Don't see it if you don't appreciate Shepard plays and his take on life as an existence of despair.
See it if you like serious musical fables with little humor but romantic themes told through jazz/folk musical numbers. Good cast commands the stage.
Don't see it if you prefer traditional musical comedy or don't like re-telling of love-themed classical fables.
See it if you like masterful surrealism told with massive doses of social commentary plus lots of technology and of course the great Bryan Cranston.
Don't see it if you're looking for romanticism, upbeat fun. This is a tale of woe with so much irony, it can burn you.
See it if you like a mix of family and political drama and can handle heavy Irish accents over a 3 1/4 hour running time. Good acting & direction.
Don't see it if you prefer your drama to be American contemporary themes and you have a short attention span. And if Irish accents drive you crazy.
See it if you can overlook a simplistic plot/theme a la "Starmites" (Sci-Fi w/no depth). Staging & cast work hard to deliver some humor w/ the angst.
Don't see it if you don't like pop/rock musicals and need multi-levels in character, plot, and theme. This is a one-note pony about teenage angst.
See it if you are willing to forgive the bad and be amazed at the stagecraft. The critics were wrong to slam it but come with low expectations.
Don't see it if the best visuals in history are not enuf to overcome the fact that we all know the story details at every turn.
See it if you are willing to simply enjoy a great office party talent show with 2 worthy voices with 2 great duets in Act 2. Unremarkable but fun.
Don't see it if you cannot get over your jaded, cynical, bah-humbug, NYC self. Very cheesy with 5 smiley backup singers. 2 hrs w/intermission is a bit long
See it if you like good but not great drama with only one relevant message. It gets emotional but it feels like it was written years ago. Good acting.
Don't see it if if you want deep insight into characters and clever perspective on a gay marriage theme without great insights.
See it if you want to feel the reason we all work in theater. Many performers are stand-outs. The show delivers dancing joy. Badly dated sometimes.
Don't see it if you're dead or hate musicals. There are very old references that Bennett would have updated. (Please let someone update it on his behalf!)
See it if you like heavy British accents and snooker (which is more fun than the script). Much of the cast is good, but acting & direction is uneven.
Don't see it if you want a play that makes a point, any point. It fails to be funny enough to make you forget its flaws.
See it if shows like Vietnam War "Sticks and Bones" and "Streamers" with their gay, disabled, family, & race themes (of the 70's era) are for you.
Don't see it if you expect something with brand new perspectives, or don't like to be reminded of Vietnam.
See it if you appreciate the classic musicals and want a solid production with talent, beautiful orchestrations, and good dancing.
Don't see it if you want something profound or contemporary from your Bway musical experience.
See it if you like illusions and magic. Vitaly is likeable but not loveable, and he has a few unique "tricks" worth seeing.
Don't see it if you are looking for theater of any sort. This is a mediocre Vegas act without spectacle and or theatrical style. He's pleasant at best.
See it if you love Eve Ensler writing and don't mind one-person storytelling shows. Her themes are important as a window to a hidden world of women.
Don't see it if you need interaction, you need action, you need more than ideas, and you want more than one person talking "at you" for far too long.
See it if you are a Potter fan, you like a good story, with good actors, but are OK without emotional involvement. A few stage tricks are cool.
Don't see it if you want a brilliant directorial concept with fast-moving Potter-like adventures. The transition music/set move like molasses & stop it all.
See it if you love intense drama with perfect casting, creative direction, an amazing set, and a very contemporary script based on a classic play.
Don't see it if if drama is not your thing, or you have no interest in a woman's absolute dizzying need to have a child beyond all sanity.
See it if you are interested in theatrical history that touches on many contemporary themes but in a old-world way.
Don't see it if you need fast-paced theatrics.
See it if you like slow-moving Pinter-esque theater & meaningless dialog with heavy British accents. I saw a very early preview.
Don't see it if you hate Pinter-style drama and very slow-arriving surprises.
See it if you want factual details regarding behind the grand jury decision not to indict the police in the Ferguson/Michael Brown tragedy.
Don't see it if want dramatic human interaction to gain insight into why the justice system and people make important decisions. You won't get that here.
See it if you love musical numbers and musical history. An upbeat walk down memory lane. I wish there was more info about director/producer Hal Prince
Don't see it if you don't love musicals.
See it if you don't mind that this musical needs focus and editing. The director did not help. The music and cast are often really good.
Don't see it if you want to see a focused, important musical. It is not. It has moments of fun, but the mix of reality and fantasy is very, very messy.
See it if you love to watch two absolutely amazing actors perform a gentle story of injured people learning to share their pain and calling it love.
Don't see it if you expect a play of consequence. This is at most a 'character study' starring 2 great actors (Audra,Shannon) making each moment believable.
See it if you want a pleasant musical with some extremely funny lines and enjoyable musical numbers based on a movie plot.
Don't see it if you want something totally original and full of surprises with spectacle and originality.
See it if you like a clever fun story about older sisters with two wonderful actresses (and a surprisingly good male actor too).
Don't see it if you need purpose or relevance beyond a good surprise and well-thought-out characters.
See it if you have a sense of humor about death, and like refreshing musical comedy numbers with a touch of heart -some fun magic too.
Don't see it if you didn't like the film although it's just different enough from the film to feel "new".
See it if you like Motown era songs, and quality jukebox shows "Jersey Boys" and "Beautiful". Too much narration & not enough dramatic action.
Don't see it if you don't know and like the Motown music (shame on you) or you don't care about pop/R&B music history.
See it if you value long-lost female-written plays from an earlier time but with relevant themes comparing religious fads vs deep conviction. 90 min.
Don't see it if you have no interest in a one-room old-fashioned family drama with only one major concern: dancing as a tool of the devil.
See it if you like solid musicals and you don't mind "reading a musical" (in super-titles). It's in Yiddish. Part gimmic, part authenticity.
Don't see it if you've seen Fiddler too many times, you have trouble reading a script while watching a show, you don't care.
See it if your taste likes a combo of humor and provocation in extraordinary writing. Good cast but the extra-powerful need for love is missing.
Don't see it if you can't sit thru 3 hours of gay-themed family issues, even with lots of laughs. It's a good revival of an extraordinary play.
See it if you like well-written characters, emotional situations told thru a new lens, and a playwright who actually cares about everyone in his play.
Don't see it if you can't handle gay themes even when told with heart and intelligence.
See it if you are open to a weird combination of fun, often very funny and silly, with serious themes of gay acceptance, musical with dancing kids.
Don't see it if you bring hate and homophobia with you and don't like traditional musicals.
See it if you like stand-up about cynical (and funny) family issues
Don't see it if if you want more than a good Netflix comedy special
See it if you're interested in the works of Lillian Hellman. Though this is very uneven and soap-opera-like, it will keep you involved.
Don't see it if you want more than a 1930s story of a small-town strike w/ cliched goons vs union organizers, rich vs poor, & deep personal secrets for all.
See it if you love Donna Summer songs and don't mind a lot of exposition and very little emotional content about an interesting woman.
Don't see it if you want more than superficial mention of abuse, suicide and her famous anti-gay remarks. Warning:Blocked view of downstage from upstairs!
See it if you loved Mamma Mia! and like Go-Go's pop music. Fun choreography, some laughs, and a strong LGBT message.
Don't see it if you want substance, great theater songs, and a meaningful plot. This is just fluff with a twist.
See it if you like Shakespearean spoofs that don't quite make you laugh and music that doesn't quite make you feel with mostly good singer/actors.
Don't see it if you are looking for a musical with more than 2-dimensional characters that you might care about.
See it if you are interested in Tennessee Williams, William Inge, their lives and how they influenced each other. Also if you like gay-oriented shows.
Don't see it if you don't like gay-themed shows about real people.
See it if you like the music of Marisa Michelson and like "experimental" musical theater.
Don't see it if you want a cohesive plot and script and want to care about the characters. It won't happen.
See it if you like extreme satire of both Springer's America and opera itself. A great ensemble, interesting music, and a weird plot.
Don't see it if you don't like being hit over the head with political and social satire set to music.
See it if you can suspend your city cynicism for silly fun, good character performances, tons of props and surprising stagecraft and OK music.
Don't see it if you expect "theater" with a capital T. This is more clever than Aladdin but nowhere near Tennesse Williams.
See it if you like a well-directed, well-acted, well-written play. I can't think of a better cast for this solid drama.
Don't see it if tough language and ideas bother you.
See it if you're intrigued by the financial world that continues to explain and mess up the American economy. Sometimes exciting- always educational.
Don't see it if you want to feel, rather than learn. The people are 2 dimensional. Act 1 is exposition/dry. Act 2 kicks in but left me depressed.
See it if you love musicals that are a bit "different" with a slow dramatic feeling to it, but it is definitely a musical with lots of beautiful songs
Don't see it if you want a brassy big musical like Hello Dolly.
See it if you like folk tales, some charismatic leading actors, sometimes tuneful songs, and an engaging storyline, needing work and editing.
Don't see it if you like fresh stories and ideas.
See it if You can't live without a literal stage version of the book. Some of the music showed promise but there is no character development or depth.
Don't see it if you want to be entertained.
See it if you have the stomach for a really good musical that is about a very rancid subject: pedophilia in Afghanistan. So well done and worth it.
Don't see it if you only like "My Fair Lady" musicals that don't try to open our minds to strong subject material.