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See it if you like ambitious, original, thought-provoking theatre.
Don't see it if you don't like nontraditional theatre or have trouble sitting for almost two hours.
See it if you want to see a flawed but beautiful presentation of an amazing composing team's earliest work.
Don't see it if you'd rather see the more polished later collaborations of Menken and Ashman, or you're not open to something a bit surreal and quirky.
See it if you want to see a fairly thoughtful and intelligent discussion of sexual assault and the media reaction to and handling of it.
Don't see it if you're uncomfortable with frank discussions of rape or don't want a serious show in general.
See it if you want to see a smart, interesting ensemble play with tight direction and clear acting.
Don't see it if you want a bigger, flashier show or were hoping for something deeply revelatory.
See it if you want to see a remarkable, original musical with a gorgeous score and wonderful staging and performances.
Don't see it if you're strongly opposed to child leads or you have extreme difficulty with British accents.
See it if You want to see remarkable performances take on some uncomfortable subject matter. It's truly an actor's play.
Don't see it if You don't like the weird, affected thing Michelle Williams is doing with her voice.
See it if A lush, masterful production of a musical theatre classic.
Don't see it if You don't like Rodgers & Hammerstein or classical musical theatre from that era.
See it if You want to see the best goddamn portrayal of someone on a skiff by an actor who's on solid ground.
Don't see it if You want a play that offers anything worthwhile as far as story or message.
See it if You like classic musicals that are smart and clever. 1776 has one of the best books of a musical ever written.
Don't see it if You don't like longer shows, or you want your musicals a bit flashier.
See it if You like vivid, natural acting and plays that are like watching the pieces of a puzzle be put together.
Don't see it if You want a more linear story or a flashier production.
See it if You want to see Ben Platt giving next year's Tony-winning performance before it transfers.
Don't see it if You don't like the contemporary pop musical theatre style.
See it if You enjoy offbeat musicals with unconventional, antihero protagonists. (Sweeney Todd, anyone?) Particularly if you love thrilling lighting.
Don't see it if You can't stomach gore or violence, as it's quite bloody, or the overall mystique of the horrifically immoral leading character.
See it if You like vivid, theatrical imagery. Whatever else you want to say, it's beautiful to look at.
Don't see it if You're looking for good pacing and emotional build of a great play. It really falls short in building the basic emotional arcs.
See it if you love truly original theatre that uses technology in new and exciting ways.
Don't see it if you're uncomfortable with loud sound effects and flashing lights. Some moments are definitely startling.
See it if you open-minded about a unique theatrical experience and engaging with a play in a new way.
Don't see it if you hate the idea of pulling out your cell phone or don't like to much infodumping.
See it if you want to see powerhouse vocals and performances in a sharply-directed musical.
Don't see it if you don't want to see a more minimalist production of a show that was produced a lot bigger originally.
See it if you like extravagant stagecraft and talented actresses belting as high as they can.
Don't see it if you want a show as intelligent, thoughtful, or subtle as the novel it's based on.
See it if you want a beautiful musical about difficult family relationships and exploration of accepting sexuality.
Don't see it if you're homophobic. Or just don't like heavier shows that will leave you crying.
See it if You love bluegrass and musical theatre and want to see a delightful marriage of the two.
Don't see it if You hate bluegrass or don't like Alex Timbers' style from previous shows he's done.
See it if You want to see how hedge fund drama can actually be kind of accessible and funny.
Don't see it if You want something actually original said about the nature of greed and wealth.
See it if You like thoughtful, enigmatic plays with strong performances.
Don't see it if You want a more cohesive story. The play never quite seems sure what it wants to be doing.
See it if You want to see a truly remarkable leading performance by Bobby Steggert and an incredibly strong supporting cast.
Don't see it if You're uncomfortable with issues surrounding sex and gender.
See it if You want to see some masterful tap choreography and fantastic performances.
Don't see it if You want a flawlessly constructed book. You'll either be swept away enough to ignore the flaws and fall in love or -- you won't.
See it if You enjoy stories exploring relationships between women with a moderately fresh score.
Don't see it if You're hoping for the whole score to live up to the brilliance of "She Used To Be Mine."
See it if You like really strong performances and direction by talented actors in a sharply-written play about an important subject.
Don't see it if You don't enjoy depressing or heavy material. While the show overall isn't depressing, the subject matter is quite dark.
See it if You enjoy great acting and taut, engrossing scene work.
Don't see it if You don't enjoy small, intimate plays or are uncomfortable with sexual content or references to BDSM.