Scott Stiffler is a critic with The Villager. This account has been auto-generated, and does not indicate that this person is an active member of Show-Score.com. That said, if you "follow" this member, you will automatically be updated whenever s/he writes a new review.
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"This production unspools at a breakneck pace that captures the urgency of one’s teen years, with a physical and emotional intensity that’s both exhausting and exhilarating to watch. Kudus to the athletic, kinetic, two-person cast, brimming with sexy/dangerous chemistry and equally compelling in the vulnerability they display during telling soliloquies that are as memorable as they are pivotal to the changing relationship." Full Review
"An all-too-rare success story within the realm of multi-media endeavors...This communal experience (which includes a communion of sorts) is worth the trip...Beyond the impressive physical presentation are those sparse, cerebral, and, it turns out, disturbingly predictive scenarios of the playwright...This triple 'Fi' is one blast from the past you’ll be chewing on long into the future." Full Review
for a previous production "This musical parody suits up a cast of dudes in their best horrendous 80s fashions for a breezy, bawdy romp. Across-the-board-funny, each member of the faux foursome comes to the table with a loopy, exaggerated take on the icon they’re tasked with playing...A premise as thin as the set’s two-dimensional wicker furniture...High culture it ain’t, folks — but for lovers of the cult TV show who like a little good, clean, gay-friendly raunch, this one’s a Hump Day must." Full Review
“A sharply crafted piece of comedic, supernatural, existential puzzle work…To the writing duo’s credit, the lack of clarity only serves to deepen the mystery…It’s worth noting this novel production value never approaches, or even flirts with, cheesy contrivance…Effectively staged by Aeed, whose direction is especially crisp in moments of tense confrontation, the uniformly strong cast doesn’t seem phased by shifts in status bestowed upon them by the random attention of a flashlight.” Full Review
for a previous production “An often silly, occasionally searing, ultimately affectionate send-up of solo theater performances, interpersonal communication, and the bendable nature of truth…Marino was in chess master mode: absorbing the many plot points he’d just commissioned, then orchestrating those wildly disparate moving parts toward a logical end...Marino made each sip of water seem like a breath of fresh air.” Full Review