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See it if You appreciate a thought-provoking re-telling of an ancient myth that contains themes that resonate profoundly today.
Don't see it if Don’t see it if you don’t like non-traditional musical theatre and jazz and blues musical scores.
See it if If you enjoy a clever and powerful story of one young man's life and how race plays a role in it.
Don't see it if If you don't like real-life discussions about race in this country RIGHT NOW
See it if you like heartfelt, funny musicals with beautiful music and impressive effects, as well as excellent singers and actors.
Don't see it if you have a prejudice against the major money involved in the Disney franchise.
See it if You appreciate a creative hypothesis as to what life was like for Shakespeare’s wife, Anne Hathaway.
Don't see it if You don’t like one-person, intimate pieces without a lot of bells and whistles.
See it if You are a fan of musicals and political comedy.
Don't see it if You have high expectations of snappy commentary. Actors have skills and great message, but I'm sad to say show fell flat; wanted to like it
See it if You are curious about a beautiful old theatre space very far east on the lower east side.
Don't see it if You're interested in theatre that crackles with life, action, and characters with whom you can really connect.
See it if You like gritty, male-oriented, intense drama with a good dose of humor and violence thrown in and excellent acting.
Don't see it if You are sensitive to a story involving loan-sharking and questionable moral activity.
See it if You like sleek, creative design and staging and juggernaut acting that packs a powerful wallop.
Don't see it if You are offended by contemporary language and situations...things that are "rough." Or if you are only interested in happy stories.
See it if You like John Doyle's method of direction wherein actors seamlessly accompany the action with musical instruments.
Don't see it if You're not interested in non-linear, experimental, or musical theatre.
See it if You are interested in exploring the challenges of relationships between deaf and hearing individuals.
Don't see it if You have a hard time with sur-titles or having one actor both act and "translate" for the non-speaking actor onstage.
See it if You like the idea of someone embodying the strangeness of Tilda Swinton in drag, and if you are up for a silly evening with ultimate heart.
Don't see it if You don’t like camp or drag, or are looking for a serious evening out.
See it if You are inspired by seeing a true story about a young artist prevailing against all odds.
Don't see it if You don’t like one-person shows in intimate spaces with challenging, real, contemporary subject matter.
See it if You are interested in seeing one of the first plays to share how it felt at the dawning of the AIDS epidemic - especially for a gay man.
Don't see it if You want crisp, swift direction and period-appropriate costumes or are offended by gay-themed plays
See it if You're interested in New York Theatre history and cataloging.
Don't see it if You are expecting an exciting, dynamic exhibit.
See it if You like cleverly-written, thoughtful one-person shows.
Don't see it if You go to theatre for razzle-dazzle spectacle or over-the-top comedy.
See it if You are interested in inventive choreography.
Don't see it if You are only interested in contemporary rock musicals or just straight plays