See it if you're interested in shows about the feeling / fear of being stuck somewhere and how that can eat away at you and turn you into someone else
Don't see it if you are frustrated when a character's motivations aren't spelled out clearly, or if you need your minority characters to be above reproach
See it if you're fond of Irish monologue plays and would like to see a clever take on that genre, focused on the lives of three generations of women
Don't see it if you dislike monologue-based shows: though there are 3 cast members, they mostly orbit around each other in their monologues & don't interact
See it if you're interested in seeing five powerhouse performances of a script that should repulse and frustrate you, but instead challenges you
Don't see it if you are unwilling to sit through Yet Another Play About the White People Obama's America Forgot (this is that, but also this is not that)
See it if you're interested in one of the smartest, sharpest examinations of race currently happening on the American stage.
Don't see it if you're unwilling to engage with issues of race or to be made to feel uncomfortable/awkward by art -- this show is not playing around.
See it if you want to enjoy some wonderful singing and a relatively loyal adaptation of a beloved book
Don't see it if you find insipid lyrics/elementary rhymes distracting—there are some smart lyrics about race happening elsewhere off-Broadway, but not here.
See it if you liked Slave Play and/or are interested in conversations about the bearing history still has on interracial dynamics in modern America.
Don't see it if you’re uncomfortable with onstage nudity/sexual situations/violence, or you disliked the gimmick of Slave Play (they have a LOT in common).
See it if you like stories about stories, and about loss/change/letting go, and don’t mind that it’s currently a bit slow and unpolished
Don't see it if you want slapstick comedy of the variety of Hamill’s previous adaptations, or disagree with a slightly stronger take on Jo/gender than usual
See it if you want an interpretation that digs into the heart of the script to expose a toxic portrayal of masculinity and American expansionism.
Don't see it if you want your classics left alone, where you can pretend Oklahoma! is still the same, saccharine romance you thought it was in high school.
See it if you want a unique theatrical exploration of racism in America & the intersection of the legacy of slavery w/ white guilt & white nationalism
Don't see it if you dislike gimmicks, and you're uncomfortable with frank / provocative / at times purposefully unrealistic talk about the legacy of slavery
See it if you're a writer who finds writing The Most Important Thing & want to watch a show about writers who think writing's The Most Important Thing
Don't see it if you value your time / shows where good actors have good material to work with. If this had had an intermission, I would have left then.
See it if you're interested in a smart, respectful take on BDSM, queerness, & sexuality -- & the ways those can, but also sometimes don't, intersect.
Don't see it if you would be uncomfortable with frank discussions of sexual dynamics and with acted-out depictions even of non-sexualized BDSM.
See it if you want to see Alan Cumming in a role that was basically written for him and you like provocative pieces that leave you lingering over them
Don't see it if you like a playwright's message to be clear to the audience or you dislike onstage nudity (also, note the first few rows are a splash zone!)
See it if you're interested in comic books and superhero themes, or if Bryce Pinkham's voice gives you chills (that solo at the beginning of Act II!)
Don't see it if you expect brilliant songs, or have recently lost someone & are not yet ready for a show about the ways loss can reverberate thru the years
See it if you like realism & plays with slow builds, where no one is necessarily right & it's up to you to decide if you think anyone is wrong.
Don't see it if you only enjoy lighthearted musicals & comedies (though there are moments of lightness & comedy in this!) or dislike plays about addiction.
See it if you like shows that challenge you to keep up (you don't have to have a strong grasp of Irish history, but just know you won't be spoon-fed!)
Don't see it if you're unwilling to tune your ear to Irish accents for a night, you don't have the patience for long plays, you prefer lighthearted plays
See it if you find it cathartic to find some humor in the horror of situations like Parkinson's or if you read the Modern Love column and wanted more.
Don't see it if you would be frustrated by the focus being less on the person with Parkinson's than on the marital dynamic, or if you hate one-person shows.
See it if you’re interested in bold writing and performances tackling the intersection of sex, race, oppression, and desire, even when you don’t agree
Don't see it if you are unwilling to sit through aggressively uncomfortable scenes, are squeamish about nudity/sex on-stage, or need everything to be PC
See it if you appreciate smart, sharp, and funny portrayals of girlhood and growing up without shying away from the hard stuff
Don't see it if the exploration of sexually and racially charged experiences would be triggering instead of validating/healing/thought-provoking for you
See it if you like heartbreaking (but still funny!) realism and are ready for a tour-de-force performance by Elaine May
Don't see it if you would find the process of watching someone's slow, torturous mental decline to be... well, slow and torturous.
See it if you like realism; plays about racial violence/police brutality that are also family dramas; and abrupt endings that don't sugarcoat
Don't see it if you question the dramatic value of plays that are one long, realistic scene; you don't like being emotionally manipulated by "shock" endings
See it if you appreciate sharp, smart plays that treat teenage girls, their dynamics, & their traumas with respect, warmth, & humor (a la The Wolves)
Don't see it if you find accents difficult to understand during quick dialogue and are unwilling to put in the effort to try to keep up
See it if you enjoy strong performances in shows that grapple with race, gender, power, sexuality, and family - and the intersections of these issues
Don't see it if you're looking for a lighthearted piece of entertainment and currently crave theater as escapism - which is valid, but this show is not that
See it if you're interested in tragic family dramas with intersectional issues, imperfectly done but thought- and reaction-provoking nonetheless
Don't see it if depictions of self-harm upset you, if you hate framing devices, or if you're expecting the shadow cast to be more than glorified translators
See it if you want a masterclass in “the personal is political,” where constitutional law is accessible and funny and moving and yes, also theatrical.
Don't see it if you are anti-choice or anti-feminist to the point where even just listening to one woman’s personal and familial history could offend you.
See it if you enjoy thoughtful & carefully constructed meditations on life & being a woman in America, where the sharpness is all between the lines.
Don't see it if you prefer linear chronology & things spelled out for you (having multiple actresses play MP works surprisingly well, but takes some focus).
See it if you enjoy realistic takes on the lives of ordinary people, and don't mind some very real sexism and toxicity as part of that portrayal
Don't see it if you cannot handle drawn out scenes of simulated sex or if you're expecting inner complexity for the lead role, a la Mary Page Marlowe
See it if you're looking for a light-weight show about the patriarchy and for tidy little nuggets of feminism through an avant garde theatrical lens
Don't see it if you're expecting a deep meditation on the patriarchy beyond the simplistic thought, "we need to tell our daughters they can be anything!"
See it if you want incisive and witty commentary on gender and sex, ranging from the purely raunchy to philosophical digressions on language and power
Don't see it if you're easily offended/made uncomfortable by frank talk of sexual behavior, your masculinity is fragile, or you're sitting next to your mom
See it if you're curious about a rarely produced and moderately charming lesbian one-act that is a unique product of its time
Don't see it if you want prize-worthy dialogue, a fast-paced drama, or convincing acting/costumes/wigs (all of which were very uneven in this production)
See it if you want to see supremely talented actors showcase their talents & are okay with the 1st and 2nd halves of the show being different tonally
Don't see it if you want a show that’s either 100% comedic or 100% serious / don’t want to think about race as it pertains to the musical theater industry
See it if you want the most powerful production of Fiddler you'll ever see -- the set is beautifully simplified, putting the focus on the music/story
Don't see it if you're unfamiliar w/ Fiddler + a slow reader (the subtitles move somewhat quickly, might be hard to follow if you don't know Fiddler at all)
See it if you enjoy laugh-out-loud comedies featuring women of color, queerness, and everyday life, and don't mind a little roughness around the edges
Don't see it if you're uncomfortable with explicit discussions of the female body and a clear focus on female pleasure
See it if you enjoy shows that aren't afraid to try new things stylistically / aren't afraid to provoke an audience
Don't see it if you would be annoyed by the same joke over and over again, or if you dislike early-stage, unpolished comedy or shows w/ audience interaction
See it if you like revivals that shake up the original show a bit (as I understand it, this was somewhat reimagined).
Don't see it if you feel "eh" about Sondheim in general. I never love his shows, but I keep trying! No fault on the production that I don't love Sondheim...
See it if you want to see the most eye-popping set change you'll ever experience, alongside some humorous skewering of office culture and gender roles
Don't see it if you have no interest, even via satire, in watching men be whiny babies about feelings (this show needs some work, but has SO much potential)
See it if you want to see a masterfully staged production ("Wait for Me" is truly breath-taking) about grief, loss, letting go... and also politics?
Don't see it if you love Trump and want to build walls, or you can't get behind a show removing the violence from the Hades/Persephone origin story
See it if you’d like to see talented performers doing their best with what they’re given, or you can never get enough of Alice in Wonderland stories
Don't see it if you value your time (music is bland or sometimes just bad, choreography is repetitive, plot is half-baked) - it makes for a very long 90 min
See it if you’re interested in what it means to communicate, to put words into someone else’s mouth on a stage... or you just love that night’s guest!
Don't see it if you dislike experimental theater, have no tolerance for the unpolished, or prefer shows that simply entertain and do not make you think.
See it if you love Aaron Sorkin and accept upfront that it's going to be preachy or you want to engage in two hours of nostalgia for the book.
Don't see it if you can't stand when adults play children or you think it's weak writing when a play doesn't just have a message but *tells* you it has one.
See it if you love any of the actors enough (Radcliffe is lovely) to not mind that the script and its "insights" might leave you luke-warm
Don't see it if you're expecting real insights on the value of / what counts as the truth (if you want to save money, just re-read The Things They Carried)
See it if you’d be tickled by a light-hearted show that pokes as much fun at East Coast theater snobs as it does socially conservative Midwesterners.
Don't see it if you’re expecting the emotional focus of the show to be the teen lesbian characters — they are lovely, but the show’s not really about them.
See it if you're interested in seeing a very promising and already very polished new musical, with strong performances all around.
Don't see it if you have a short attention span (it's doesn't feel long, but it definitely isn't short) or have no interest in historical themes.
See it if you'd value seeing a conversation on-stage unlike anything you've probably heard on-stage before; are seeking unique, nuanced queer stories
Don't see it if you need a play to have slightly more dramatic structure to merit being staged than this play does / are squeamish about frank sexual convos
See it if you're curious to see a promising, provocative, but imperfect attempt at wrestling w/ racial violence, queerness, and the meaning of safety
Don't see it if you only have patience for perfect plays and don't find any value in the grappling
See it if you're interested in historical gay male dramas, intriguing framing devices, and newly written cabaret/Cole Porter style music/musicals
Don't see it if you would get frustrated by a show that reveals its complications somewhat slowly and that can feel a little too simple/cliched at times
See it if you want a sharp, smart, feminist show w/ characters so endearing & keenly crafted you'll find it shockingly easy to tell five Betties apart
Don't see it if you're easily offended by coarse language, queerness, diversity, feminism, or any of the other good things in life
See it if you’re such a fan of Bob Dylan that a play using his music would be enjoyable to you no matter how well-integrated or relevant the music is.
Don't see it if you want to be emotionally moved by the theater you see or if you’re expecting the music to give you insights into the characters.
See it if you’d enjoy a delightful, diverse, & low-stakes playfully-gendered Elizabethan romp that knows it’s silly & isn’t trying to be anything else
Don't see it if you want a self-serious production — I love a serious drama as much as the next person, but this is a show for when you want to break loose
See it if you just want to indulge in the fun of an old favorite movie (if you can, sit close enough to see the costuming details -- they're amazing!)
Don't see it if you need insightful lyrics or groundbreaking music (also, perhaps don't see it if you don't love the movie? not sure if it would hold up...)