See it if Interesting look at legal negotiation- but a bit too pc ending
Don't see it if Want real drama or entertainment
See it if If you enjoy Law & Order. I found it predictable but my friends didn't. I was presently surprised and actually really enjoyed it.
Don't see it if If "lawyer talk" isn't your thing or you don't like shows like Law & Order.
See it if you are fascinated by lawyers. I found the arguments and strategies unconvincing. This is a punchline play which disappointed.
Don't see it if you want more than talking heads. The plot points didn't work, altho some class action talk was interesting (better done in A Civil Action).
See it if you like to see how the sausage is made-how high powered litigators operate behind closed doors
Don't see it if /since problem with script: out-of-the-blue revenge plot/motivation emerges at end; too many operatic/unrealistic speeches; uneven acting
See it if You like watching legal dramas that over use legal jargon to convey intensity. Good effort but missed the mark.
Don't see it if You're in the legal profession and/or prefer well written dramas that offer an element of surprise or make you care about the characters.
See it if you love courtroom dramas
Don't see it if if you don't like shows that are long and serious and are more talk than action.
See it if You want to see a play that tries to make you think.
Don't see it if you have another show in mind
See it if you don't mind bad language.
Don't see it if you want better plot and acting
“In a new work by Norman Shabel, we are treated to a legal gem. Well written such that the audience understands the way a class-action lawsuit works and well acted such that we believed the actors in their respective corners of the fight. Director Christopher Scott had much talent to work with...Mr. Scott channeled the talent of the fine actors to make his impression last...A great legal drama with a redeeming ending.”
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"A very decent legal drama…The dialogue bristles with legal authenticity, and enough wit and solid characterization...Director Christopher Scott does no harm, but he doesn’t especially enhance…He has directed his cast to operate at a pitch a few clicks higher than naturalism, which makes you more aware of watching a play than you’d care to be; but the style isn’t egregious...The cast, while not exceptional, is plenty good enough to carry it and engage your interest."
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