Closed 1h 40m
Goodbody
Midtown E
77

Goodbody NYC Reviews and Tickets

77%
(45 Reviews)
Positive
84%
Mixed
11%
Negative
5%
Members say
Great acting, Funny, Clever, Intense, Entertaining

About the Show

The Crook Theater Company presents their first original work, an ultra-violent, profane fantasia that is both comic and shocking.

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Member Reviews (45)

75
Quirky, Raunchy, Violent, Good set, Well acted

See it if you're a fan of Tarantino style movies. The violence is both graphic & at times comical.

Don't see it if blood, guts, sex & violence make you uneasy ( there's lots of that). Read more

76
Quirky, Thought-provoking, Refreshing, Funny, Grand-guignol in english

See it if you like interesting stories, quirky characters and a good who done it.

Don't see it if you dislike watching violence and like tidy endings.

Critic Reviews (8)

October 15th, 2018

"For most of its running time, 'Goodbody' has the foul mouth, wiseacre ways, and twisty plotting of some of our better crime novelists, plus a little something extra...Near the end, however, 'Goodbody' starts to wobble a bit...the plot seems to hit a standstill...Still, this is a good chance to meet any number of talented young people...The theatre is woefully undersupplied with thrillers these days, so it's hard to dismiss one as kicky as 'Goodbody,' even if it runs down toward the end."
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October 11th, 2018

"'Goodbody' gets the macabre humor just right, with very funny dialog throughout. It also keeps the tension high, though that part is a bit of a cheat since it relies heavily on the presence of loaded and aimed firearms, implements of torture, and plenty of stage blood...A ghoulish ending pushes the play beyond the limits of its own internal credibility. But J. C. Ernst, the writer, has a way with dialog that mostly keeps the edgy gangster saga within the realm of its gallows humor origins."
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October 26th, 2018

"From its dramatic opening, there's nowhere for 'Goodbody' to go but down, even if Ernst keeps raising the stakes with complicated backstories and developments that leave one breathlessly confused. The production, however, is a good one, with rapid-fire direction by Melissa Firlit, the aforementioned set and lighting by McCarren, the apt and pertinent costumes by Dan Morrison, fight choreography by Cliff Williams III, and a strong ensemble performance."
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October 17th, 2018

“A screwball murder caper...Cleverly penned...and directed...The story unfolds with twists and turns before a somewhat surprising and very satisfying denouement. It’s meant to a be a goofy bad-guy story that’s escapist theater at its best. Best of all ‘Goodbody’ has little to do with any current events or politics. It provides a lot of laughs mixed with the tension and danger of a story about crazy, murderous losers. And that’s not only just fine, but a very welcome and necessary relief.”
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October 11th, 2018

"If you find it difficult to take any of this seriously, don't even try. 'Goodbody' is a satire of the old-fashioned gangster movie and the newer variations created by writers such as Martin McDonagh and Quentin Tarantino. In many ways it is quite successful...Director Melissa Firlit keeps the mayhem moving. Although a good deal of 'Goodbody' is belabored, there's enough here that's truly funny to get us over the bumpy spots."
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October 12th, 2018

"Ernst…shows a masterful command of fast and furious, not to mention funny and filthy, dialogue. Some of his bits are belabored and the play could lose a few minutes but he's definitely on the right track…As the situations evolve, Ernst carefully peels away the skins of the various dramatic onions, exposing layers of lying and deception… The bizarre conclusion…is surely over the top, but it's not without sufficient foreshadowing. Whether or not you approve, you'll probably long remember it."
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October 19th, 2018

“A fabulous premise...Unfortunately, ‘Goodbody’ loses steam as the evening progresses...Ernst attempts the violent insanity of a McDonagh or Tarantino, but the humor isn't funny enough, the suspense isn't suspenseful enough, and the insanity isn't insane enough...There are genuinely funny moments and some of the suspense works well...‘Goodbody’ is never boring. But it just doesn't have the build and tension it needs to fulfill the promise of its premise.”
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October 17th, 2018

“Despite the seemingly predictable setup of its initial premise...‘Goodbody’ cleverly subverts expectations...After a shaky start, the play eventually finds its groove...Displaying an interesting dichotomy of its own to rival that of its characters...With its deftly crafted humor amid literally stomach-curdling violence, ‘Goodbody’ successfully pays homage to the action-comedy genre with unabashed, bloody brio.”
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