'Sojourners' and 'Her Portmanteau' comprise a two-part theatrical event running in rep at New York Theatre Workshop. They're part of 'The Ufot Cycle,' a nine-play saga chronicling the matriarch of a Nigerian family.
Read more Show lessSee it if How to move ahead when weighed down by so much baggage? How to mend holes in our hearts when we make the difficult decisions. A mother and..
Don't see it if daughter(s) relationship that compels us to hope, in a Nigerian family in the 70's & today. Slow, inarticulate start, strong build.
See it if shows how painfully and w humor yearning 4 family connection overcomes decisions splitting apart Nigerian-Amer family, outstanding ensemble
Don't see it if dead moments where you say "enough already," you NEED to see "Sojourners" before, since this makes "Portmanteau" resonant & heartbreaking Read more
See it if You are interested in the aftermath decades later of a Nigerian immigrant's life in America a few decades later. How did her life turn out?
Don't see it if You are not interested in how America affects the lives of immigrants v. the family ones still left in the home country.
See it if partners 85 my 75 great performances by all 4 . thought provoking dialogue but....
Don't see it if perhaps a glossary of the Nigerian terms would be useful however anxious to see the 2nd part of the cycle
See it if You like dramas about mothers, daughters, youthful decisions, long-term consequences, culture shock and good writing.
Don't see it if You are bothered by characters occasionally breaking into a foreign language you don't understand. Read more
See it if A bit slow and long, but performances are stellar for this emotional drama. A character piece done well.
Don't see it if You need an intermission. I could have used one.
See it if you want to know what happened next. The storytelling is great! Give me more.
Don't see it if you want a complete story with all the answers in 90 minutes.
See it if You enjoy quiet stories about family/relationships that expose you to different cultures
Don't see it if You are looking for a story with a big "aha" moment. Read more
“The most compelling element of this double header is the concept...The facts of this story are often illogical as well as not written clearly. This work has been in development for some time, and the only explanation I can come up with is that Iskandar and Udofia are too close to the material...The cast does what it can, but they are not able to keep this production afloat…The intent of this story is spectacular and clear as a bell. As it stands now, the execution does not live up to it.”
Read more
"A master class in acting...At a time when immigration is one of the most prevalent topics, these plays hit particularly hard and, even in their slower moments, one cannot help but be completely captivated by the expertly executed performances delivered by every member of the cast...Udofia’s script is authentic and sometimes raw, and Iskandar honors these elements, letting certain moments linger for a bit too long...The uniformly excellent performances maintain the momentum."
Read more
“Directed with skill and focus by Ed Sylvanus Iskandar…The images are ripe with emotion…Adiagha is amazingly portrayed by the almost unrecognizable Chinasa Ogbuagu. It’s a knock-down brilliant transformation that still astounds me… All are excellent and completely engaged in this one-act play. A true marvel that is only made better after watching the origin play, ‘Sojourners.’”
Read more
"I loved the opening of 'Her Portmanteau'...I think it set up expectations for something less realistic and more imagistic than the plays in fact are...It all takes place on a single evening, which I think is perhaps to its detriment. It’s tackling more than thirty years of occluded, suppressed, and evaded relationships and memories, yet it reaches a hasty (and to me unsatisfying) resolution."
Read more
"Exquisitely crafted and skillfully performed...The resplendent cast grapples with the complex dynamics of confession, forgiveness, and reconciliation with authenticity and deeply palpable believability...The final scene is a compelling testament to the power of unconditional and non-judgmental love, to the importance of ‘belonging’ to a family and to a nation, and to the strength of a value system that transcends time and space...Particularly relevant in the current geopolitical climate."
Read more
“More streamlined and structurally coherent than ‘Sojourners,' while sharing some of that earlier play’s strengths. Again, there are knowing glimpses of the culture clash that is inherent in immigrant life…That this production chooses to leave its English-speaking audience so long in the dark will prove a challenge for many...But the challenge at least can be justified...It reproduces in the English-speaking audience something of the feeling of disorientation that new immigrants feel.”
Read more
“This is a cast who knows how to act with their finely crafted performances…Ogbuagu, who plays Abasiama in ‘Sojourners,’ is unrecognizable in ‘Her Portmanteau,’ she is so different. This is one talented actress. Ms. Jules brings a new level to Abasiama...This time some of the choices Ms. Udofia makes are not so clear…‘Her Portmanteau’ leaves too many issues unexplored. Ed Sylvanus Iskandar brings out the best in his actors."
Read more
“The acting is superb and goes a long way to mitigate the play’s slow pacing, narrative infelicities and repetitiveness…Loren Shaw’s costumes befit the characters well. Director Ed Sylvander Iskandar keeps the actors going at full throttle too much of the time…Both plays have flaws, but the strong performances make them worth a visit.”
Read more