After a recent run at the Edinburgh Fringe Festival, the Representatives presents a revised version of this drama, a play within a play imagining a secret meeting between Army whistle-blower Manning and President Obama. More…
In December 2010, long before his suicide, hacktivist Aaron Swartz requested information from the U.S. government about the treatment of Chelsea Manning, the soldier who would be found guilty of leaking classified documents to Wikileaks. Playwright Stan Richardson uses this fact as a springboard to imagine Swartz creating a piece of theatrical activism intended to free Manning. 'Private Manning Goes to Washington' is a timely and trenchant new play about the power of theatre to create empathy, understanding, and justice in an age of virtual realities and manufactured truths.
"Wonderfully acted and imaginatively presented...Richardson very skillfully blends the facts of the case with dramatic license to create an entertaining and provocative scenario. Treason versus conscience is evenhandedly explored. At times the play is overly self-conscious but is ultimately compelling...The actors have tremendous chemistry and their naturalness energizes this often polemical material...Its highly theatricalized mixture of documentary and drama is quite effective." Full Review
"Whether you applaud or detest Manning, the play delivers an important message about the role of whistle-blowers in a free society...Our only critique is that the dialogue feels more dense with (apparent) facts than two people would normally express during a real conversation...We'd definitely encourage you to catch 'Private Manning'...You'll be entertained, for sure, and if you haven't spent much time thinking about whistle-blowing before, you certainly will after the show." Full Review
"'Private Manning Goes to Washington' covers a lot of territory during its hour-long running time, much of it requiring, by necessity, the kind of background information that will allow the audience to grasp the intricacies of Manning's situation. The play cannot help but border on the polemic, but the subject matter is never less than intriguing. Both the performances and the directing are polished to a gleam." Full Review
"Avoiding preaching, 'Private Manning Goes to Washington' simply demands we know the truth...Playwright Stan Richardson should be applauded for his mastery of the many complicated layers of story (kudos also to dramaturg Jordan Schildcrout)...The impact of the power dynamic between the two actors does somewhat flatten the complexity of these characters, though the script does enough work to expose everyone’s flaws ensuring they retain their humanity." Full Review
for a previous production "E. James Ford and Matt Steiner give extraordinary performances of considerable psychological depth. They very effectively convey a fractious, often amusing relationship that is driven by a troubled personal history. There are moments when a single look conveys a complex range of feelings. Stan Richardson’s strong, well-written dialogue is always sharp, sensitive and completely absorbing. The play’s characters are believable and the issues it explores important." Full Review
for a previous production "The debates over the morals of open information and whistleblowing between Billy and Swartz are more interesting than the eventual showdown between Obama and Manning. The acting is good and the play in general avoids lazy left-wing condemnation of the United States, though it is uniformly sympathetic to Manning...It is certainly an extremely interesting play, done well, and only occasionally falls down at points dramatically." Full Review
See it if Tour de force acting by a single actor embodying more than a dozen characters in a searing drama about the brutality of war an
Don't see it if the gutwrenching brutality of war and its impact on idividuals is of little interest don't see this show.
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