See it if You enjoy theological conundrums, have your own questions about faith and what makes a person truly righteous.
Don't see it if You cannot have your questioned or held up to new light.
See it if Like important issues raised and explored, without yielding hollow answers; appreciate fine writing and great acting.
Don't see it if Want your plays to get resolved tidily.
See it if you want a thinker!
Don't see it if you are offended by religion.
See it if You're interested in the exploration of alternative forms of theatrical storytelling. Most of this show is a sermon delivered by microphone.
Don't see it if You do not like plays about religion.
See it if You like nuanced but still funny interrogations of massive, for-profit Christianity with really good singing
Don't see it if you're a devout Christian with no sense of humor
See it if you have never challenged your own thinking about organized faith and religion.
Don't see it if you are a critical thinker about religion and faith and want more in-depth insight than a well-thought out 90 minute skit.
See it if Like philosophical thought provoking
Don't see it if Dislike the above
See it if You want a conversation about what is right and wrong through the lens of religion, and how this impacts relationships.
Don't see it if You find innovative staging distracting or want a loud and fast show.
"It’s a play that’s likely to prompt lively post-show debates about religion amongst audience members but its fixation with ideology also means it comes across a bit coldly...Some audience members will be willing to go on that intellectual ride regardless of its lack of emotional punch, but others will find themselves missing a bit more peripheral detail to support the ideological quandaries that Hnath presents in his ambitious piece."
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"A good example of the modern discussion drama. Hnath has managed to put a gripping theological problem into a novel dramatic format and to humanize it through a central character whose pride goeth before his fall."
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"What’s most unexpected about 'The Christians,' is that there’s not a scintilla of satire. Hnath, whose mother is an ordained minister, treats each character with respect. His aim seems not to score points but to explore the nature of faith and the politics of a church like this."
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"As directed by Les Waters and played by the cast, Hnath’s efforts to present balanced arguments pay off. Garman, especially, is so convincing as Pastor Paul that spectators may forget they’re in a theater and not in a sanctuary...Everyone else on the altar/stage is every bit as persuasive."
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"This is a play asking legitimately difficult questions about belief and behaviour and not providing much in the way of answer. Still, it might seem a more conventional script, were it not for Hnath’s careful formal choices and for the infinite restraint that the director, Les Waters, brings to the service. With their help, we have a clever, searching and elusively profound work. Amen to that."
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'The Christians' takes matters of faith and creates a effective play that really takes a complicated issue and makes it black and white...It’s first-rate cast and it’s simplistic production values make it a safe bet for theatregoers especially those from the mid-west...Debate is what 'The Christians' ignores. This is an issue swathed in shades of gray and they are not unearthed just glossed over."
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"Lucas Hnath has come up with a provocative, engrossing argument and put it into a well-constructed and arresting frame. What seems to be a visit to a typical fundamentalist megachurch eventually turns into a religious tug-of-war. Thanks to Mr. Hnath and director Les Waters, it's a highly theatrical one...Mr. Hnath clearly knows the territory. Combine this with a provocative thesis and even-sided handling, and what you get is a thought-provoking intellectual exercise with his Christians."
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"Hnath’s ambition in tackling the thorny topic of religion, his unusual structuring, his stylistic choices such as having the actors only speak through microphones are all intriguing. And yet, the results, at least for me, were less than stirring... I admire Hnath’s bold ambition and look forward to his upcoming play at New York Theatre Workshop. I just wish the results had turned out better this time."
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