See it if fan of nicky silver and enjoy his style of humor. some funny parts but not on par of other works
Don't see it if not a fan of stories of gay son/ mother issue plays.
See it if You like family dramas You enjoy seeing how the sins of the parents are visited on their children
Don't see it if YOu need a lot of action
See it if You want to be entertained but don't mind seeing a work in progress. Needs a little editing but there'sa good idea here.
Don't see it if You're looking for perfection and polish.
See it if a multi-generational play which uses stereotypes in abundance; but nevertheless the talented cast, and director makes it worthwhile.
Don't see it if you lack patience, this play requires you to see both acts to understand its meaning.
See it if you cannot miss a Nicky Silver play or a Vineyard production/
Don't see it if expect it to be one of Silver's best. Something is missing compared to his past works. (Yes, It is a tough goal to reach)
See it if The first act was somewhat of a slapstick farce. Very funny. Then the second act seemed to be an entirely different play. more of a heavy
Don't see it if drama. If you like farce you will enjoy Act 1, but Act 2 is a downer. All in all I liked it, but I felt the second act changed the mood.
See it if want a night at theatre that doesn't require much thinking
Don't see it if you are looking for originality
See it if Enjoy delightful sets and a great combination of comedy and compelling drama.
Don't see it if You can't follow non linear storytelling
"'This Day Forward' is not the collection of funny, cruel one-liners that have dominated Silver's recent plays. It is far more rooted in character. It is funny, but also more character driven. Irene, young and old, is a fascinating character, the centerpiece of a play filled with rich characters. Mark Brokaw has paced the play perfectly and the ensemble couldn't be better...The play deserves a future in regional theatre and beyond. It is one of Silver's best."
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"Act I is overplayed and stretched, and Act II is laden with familiar family issues and mental illness, and neither feels entirely successful or fresh. While a welcome dose of Silver’s biting humor is in place, it’s like watching two would-be skits joined at the hip…Family eccentricities and the childhood scars that plague adults is typical terrain for Silver, but there are no new revelations or any compelling depth of emotion…The cast performs admirably, and Gable is a standout."
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"I loved the play. Using dark humor, Silver brilliantly explores love and conflict in both straight and gay relationships, family dynamics, and the serious concerns involving an aging parent. The script indeed includes provocative and moving themes and compelling and sympathetic characters…The many awkwardly hilarious moments were ably directed by Mark Brokaw…The cast is stellar. Most exceptional is Michael Crane…Ms. Gable brilliantly inhabits two entirely different roles."
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"It’s all light and superficial. Not plausible nor believable. However the acting is convincing. And then all of a sudden in Act II everything begins to make sense. Sort of…The actors convincingly convey their newfound characters with warmth and honesty. And humor…Mr. Silver has captured both periods exactly and has created a theatrical coup with his double casting…It’s quite sad, believable and touching. Each act is nicely directed by Mark Brokaw with its own and quite unique tone."
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