See it if You enjoy ioriginal creative theater with great acting & staging. Everything seems so diligently crafted. It is a must see for true theater
Don't see it if This is not fluff or musical. It is a work that makes the viewer think even after the play is over. Read more
See it if Like seeing war conditions and its consequences.
Don't see it if Hate anything related to PTSD or violence in general. Read more
See it if This is what small theater can be. Intense, sincere, intimate, creative, and imaginative.
Don't see it if You don't want a strong night of intensity.
See it if …you’re up for a riveting, kinetic and theatrical exploration of a female soldier’s trauma.
Don't see it if … you’ve had enough with war stories, and are weary of them. Understood, what with Ukraine horror upfront on a daily basis. But please go!
See it if You enjoy psychological thrillers and productions that make an off-broadway budget look and sound like a million dollars.
Don't see it if You are hyper sensitive to loud sounds or are scared easily and don't wish to be scared. Read more
See it if You want to experience a phenomenally polished intimate theater experience. Worth seeing just for the creative and purposeful steampunk set
Don't see it if You’re not into an intense depiction of PTSD. Otherwise this is a must see. Easily one of the best off/off-off Broadway plays I’ve seen.
See it if you’re open to fascinating depiction of struggling with PTSD and finding normalcy through it
Don't see it if you don’t like strobe effects or unpleasant, high-pitched noises Read more
See it if Want to see a unique show that attempts to depict a PTSD break with reality. Acting staging and writing are well done and riveting.
Don't see it if Heavy show about PTSD, horrors of war, impact on relationship, psychosis. Use of strobe and darkness is intense. Read more
Written by Leegrid Stevens, "War Dreamer" has a storyline that is not straightforward in time and place. It is disconnected from a regular flow of action, with jumps in time, place and reality. However, he skillfully keeps the audience guessing what is real and what is not without losing the story's underlying thread. Stevens makes the audience both witness and participant as he brilliantly weaves his story of trauma and disassociation.
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