Tony Award-winning playwright and director Richard Nelson returns to The Public Theater with part two of his new three-play cycle about a year in the life of the Gabriels of Rhinebeck, New York. More…
'What Did You Expect?' brings us back to the Gabriels' kitchen, with the country now in the midst of the general election for president. Over the course of one evening in the house they grew up in, history (both theirs and our country's), money, politics, family, art, and culture are chopped up and mixed together while a meal is made.
See it if you enjoy small-focus theater. Through one family, we see much of America. The gap between rich and poor, city and country, young and old.
Don't see it if you want to escape real life problems. Many of the issues resonated deeply. I liked the quiet exchanges, but others may prefer more drama.
See it if you have a heart. This play occupies that quiet place inside all of us where our mother (hopefully) knew just how & when to hold & love us.
Don't see it if you need action or fast paced anything. This is like a recipe. It takes time to prepare and bake before it's ready to be consumed.
See it if you saw Part 1 and/or plan to see Part 3 of the Gabriels trilogy; you want to see some of the most realistic, believable acting anywhere.
Don't see it if you're hungry. (Another complete meal is prepared on stage.) Or if you've invested in this family expecting profundities on current events.
See it if See it!! Very impressive acting. So naturalistic. Wonderful writing. Very engaging throughout
Don't see it if You don't want to see a play where all the action takes place around the kitchen table. It is interesting (and funny!), but also intense
See it if you enjoyed part 1 of this trilogy, or you are a fan of the Apple family plays. Superb ensemble work. Requires attentive listening.
Don't see it if you have trouble focusing on people sitting around a kitchen table and talking. If you need action or moving scenery, skip it.
See it if you believe good theater depends on its actors and writers. Great ensemble cast with lots of chemistry. Not one line feels insincere.
Don't see it if you don't like hanging out with your relatives or you prefer high octane action.
See it if you saw and enjoyed "The Apple Family" series at the Public last season, and have enjoyed the first show of "The Gabriels " this season.
Don't see it if you dislike shows which are all talk and little action; you are totally disinterested in "normal" family life portrayed on stage.
See it if you liked the first play in the Gabriel series or if you enjoy listening to intelligent conversation even when it is unfocused.
Don't see it if like a strong narrative arc with more action and less talk.
See it if You enjoy Richard Nelson's work: slow, thought provoking theater vs "entertainment!", and "real world" plays.
Don't see it if You're tired of reality and aren't looking to have it punch you in the gut. Don't see this if you are looking to escape.
See it if You like great acting and thoughtful writing. You care about the problems of real people.
Don't see it if You prefer action and easy to digest entertainment.
See it if Enjoy poignant pieces about society today and topical issues.
Don't see it if If slow moving pointed dialogue is not your thing
See it if you saw the 1st play, Hungry. While prior knowledge isn't necessary, it's helpful to understand where the characters are coming from.
Don't see it if you enjoy action-packed, large-scale plays. This is a family drama that while more conversational, is incredibly relevant.
See it if You want to catch up with the Gabriels who are slightly tetchier with each other. Play is sketchier in format and the audience pushed away.
Don't see it if You crave big drama. This is intimate, personal, the "real life" we all live writ small on the stage. Yet, we're reminded, it's a play.
See it if you liked the previous play about the Gabriels, you like a story and characters that develop slowly, a lovely family drama with great acting
Don't see it if you want a fast-paced story or if you want nothing at all to do with the political climate no matter how subtle the references are
See it if We sit in the dark watching a family in their kitchen preparing a meal. It is so natural you cannot believe they are acting.
Don't see it if You do not appreciate small, intimate, natural, shows. Surely, a performer who appears not to be acting is doing the most superb job.
See it if You like a meaty drama that doesn't hit you over the head. Even people who aren't political animals will enjoy.
Don't see it if You wouldn't enjoy a play that encourages you to think about it afterward and interpret what you saw.
See it if You care about the contemporary American experience during this election year. Love amazing acting.
Don't see it if Need action on stage.
See it if you enjoy quiet shows that portray ordinary people living ordinary lives -- this show is somewhat similar to The Humans in that regard.
Don't see it if you want a lot of action or perhaps a crisis that the characters need to resolve -- this isn't that kind of show.
See it if You liked the first installment. You enjoy straight plays full of dialogue. You're curious about the "most important literary picnic ever".
Don't see it if You're hard of hearing or feel like you need to hear every single line. You don't like food baking. You want something adventurous.
See it if You want to see the next episode of the Gabriel family saga, or if you want to see a play that explores the 2016 election year angst.
Don't see it if You don't like Chekhovian style character plays.
See it if engaging, beautifully drawn characters; slice of life drama with a pulse on issues of the day that both destroy and strengthen family bonds
Don't see it if you want light fluff or heavy comedy
See it if you are capable of appreciating really fine acting that doesn't involve catastrophic circumstances but just the challenges of daily living.
Don't see it if you always want adventure, action, and high drama.
See it if you've liked Nelson's Apple plays and want to see a great acting ensemble.
Don't see it if you take little pleasure in intimate, character and dialogue driven drama without a strong or propulsive plot.
See it if you have liked the other Nelson plays [Apple or Gabriel]. Or enjoy super-realism [meals cooked onstage, a running theme for him].
Don't see it if you seek development or consequence; it's all talk, mixing the trite with the unrealistically profound. But: Roberta Maxwell is amazing.
See it if u enjoy intensely engrossing plays and superior ensemble acting. I was riveted from the first moment to the last sigh. The production is A+.
Don't see it if you don't enjoy the above. Really, it's a superb example of modern American theater at its best. Political, but, mostly, personal impact.