Part of FringeNYC: A young Pakistani-American activist has been recruited to infiltrate a militant group in the Middle East. When she disappears, her recruiter has to determine whether she has changed sides or been betrayed. He finds out the truth is more complicated. More…
Categories: Drama, Local. From White Rabbit & Ego Actus. Written by Maximillian Singh Gill. Directed by Joan Kane.
"The core idea is exciting…Gill writes in a mostly taut style that results in clipped, spare back-and-forth while sometimes launching into more poetic expansiveness…The casually realistic style of performance and direction makes the more florid passages feel discordant and writer-ly…Make no mistake, the stakes are high in the lives of these people, but too often, small events are played with as much significance as enormous ones." Full Review
"In the last few years several new plays have treated prevailing concerns of espionage or terrorism in a compelling way. Unfortunately, in its current manifestation, this play isn't one of them...Despite the intricate set up of the plot and the cast's very competent acting, interest flags as the belabored and over-written play dissipates its potential energy. Quicker, crisper scenes would cover the same territory while retaining audience attention." Full Review
See it if you want to see something that involves the war on terror with a sympathetic Muslim character.
Don't see it if you will be disappointed with the lack of focus, rushed development, and characters' unbelievable tone shifts. I give it a C+ grade.