See it if You want to see how a small lie can mushroom out of control. It was a fabulous show.
Don't see it if If you are not into teen angst. Read more
See it if Like the music
Don't see it if U don’t like depressing
See it if Just see it!!! The best play
Don't see it if You don't like Broadway
See it if You love quality acting and great singing and lyrics that inspire and touch your heart.
Don't see it if Don't like musicals and stories that have something to say.
See it if you can handle deeply affecting shows about mental illness; like great lyrics, writing and acting
Don't see it if you were not moved by or comfortable with Curious Incident or Next to Normal
See it if Well written story line, beautiful singing. Tony award winning show. 3 years running strong! No wonder! You will not be sorry you went.
Don't see it if I have no answer to why you should go Read more
See it if You're a parent, a teenager, a human. It will make you laugh, cry, and everything in between.
Don't see it if Just see it. You won't regret it.
See it if You have no preconceived notions of what the play entails. If you want to be moved to tears throughout, though laughing through those tears
Don't see it if You must see it; it is brilliant!
"Heart-stirring and often shattering. But it’s not just the show’s universal and topical subject matter, smarty explored by Steven Levenson’s mostly well-written book or Benj Pasek and Justin Paul’s lovely, deeply felt score, that lends the work such pathos. What makes 'Evan Hansen' so special, and oddly lovable, is the brave and extraordinarily raw performance by Ben Platt...In the end, 'Dear Evan Hansen' is both a must-see musical and a tribute to the singular talents of its rising star."
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"'Dear Evan Hansen' has changed now that it’s on Broadway, in ways that make it an even more affecting musical. Ben Platt’s performance, impressive from the get-go, is even better...The transfer feels seamless. The unchanged score holds up, comprised of the same tuneful and moving songs...All give superb performances. Platt has toned down his nervousness – he fidgets less – which makes his performance all the more credible, all the more heartbreaking."
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"It’s a shame that a late and sizable script shortcoming lowers the rank of this tuner from surpassing musical treat to compromised excellence...The fair approach is to rave about 'Dear Evan Hansen‘s' outstanding elements, starting with Platt’s star-making performance. Surely, too, the place to start is with Levenson’s original book...Bolstered by Pasek and Paul’s energetic music...They all lack the courage of their dramatic convictions, and thus contrive for Evan an unearned redemption."
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"With its near perfect score by Benj Pasek and Justin Paul...Subtle direction by Michael Grief, combined with a layered and truthful book by Steven Levenson, it has Tony Awards written all over it. Add to that the winning performances by the cast, especially Ben Platt, this musical will get under your skin and speak to you in so many ways...Here is an original musical that didn’t skip any steps, wraps its audience in its arms and allows the music, the story and the characters to do their jobs."
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"A major musical on Broadway that deserves to find a new audience...The entire show is marked by creativity both in staging and performance. Platt is outstanding throughout in the title role of the production, which has a clever book by Levenson and involving music and lyrics by Pasek and Paul...Grief has directed with expert meshing of the show’s many ingredients...Not only an enjoyable show, but an admirable one that bears repeat viewing to absorb all of its energy and imagination."
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"A winning, insightful, and totally of-the-moment teen dramedy for the digital age. If its 'Heathers' meets 'Ordinary People' vibes don’t always combine in perfect harmony, its humor and extreme heart are sure strike chords with viewers of all walks...Director Greif does expert work in familiar territory...Pasek and Paul’s score is lyrical and emotionally rich, with an emo-pop, singer-songwriter feel that’s perfectly matched with the story, and offers Platt in particular many moments to shine."
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"The show is superb—original, sensitive, provocative, endearing—about so many other knowing and loving things that it’s even possible to overlook the unearned happy ending...Everyone is a fully developed person in Levenson’s smart book, and the clever, sympathetic songs by Pasek and Paul have a pop intimacy that challenges expansive vocal ranges without seeming to show off. The production by director Greif brings out the real-life depth in the eight exhilarating actors."
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"The musical boasts a darkly textured and deeply nuanced book and provocative songs that are drenched in feeling and fearless commitment. It never sentimentalizes its subject, but feels constantly truthful...This show registers its emotions with a frank, fearless ambivalence. The tone of uncertainty and palpable unease is stunningly projected by Platt...There are equally impressive performances from the other seven actors in the tight ensemble of Greif's deeply felt production."
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