See it if you enjoy Broadway-style shows with production numbers and tunes you have definitely heard before.
Don't see it if you want to watch thought-provoking theatre, this is a show which does not require a lot of thinking.
See it if You are a lover of classical musicals, you need an easy lighthearted watch.
Don't see it if You don’t appreciate older musical styles
See it if You like big song and dance numbers, they don’t come any bigger than the Act one closing or Act 2 opening of this show.
Don't see it if You want a challenging night out.
See it if You like dynamic, happy shows with lots of dancing, brilliant tap numbers and amazing music by Cole Porter. The main number was incredible!
Don't see it if N/A
See it if You like classic musicals with entertaining spectacle dance numbers and an incredible cast (dance and vocals)
Don't see it if You want deep plot and intellectual script.
See it if Great staging. Entertaining. A classical musical with big numbers, tap dancing, etc..
Don't see it if You're looking for something new and refreshing.
See it if you like great music, choreography and hilarious shows
Don't see it if You don’t like dated romantic love story
See it if you love a fun, classic musical.
Don't see it if you want something more modern or moving.
"If I have any reservations it’s that the terrific band occasionally drowns out Porter’s deft wordplay, and after the dazzling pace of the first half there’s a slight loss of momentum in the second. But, honestly, those are quibbles. This production is a dream."
Read more
"There’s the odd contemporary parallel, like the satire of our obsession with celebrity, but, just like when it was first staged during the Depression, this is really about stepping into another world and leaving our troubles behind. Quite simply: it’s the top."
Read more
Kathleen Marshall’s direction and choreography are supremely polished. The best songs and the biggest moments belong to Reno Sweeney, and [Sutton] Foster knocks them dead. A magnificent London debut.
Read more
Imported Broadway star Sutton Foster effortlessly steals every scene as Reno with a devastating mix of raw talent ... and sheer, gutbusting effort. They don’t make ’em like this anymore ... but it feels fresh.
Read more
Director and choreographer Kathleen Marshall ... crams the two-hour ride with cheesy, feel-good moments: this is vintage stage magic at its most explosively joyous.
Read more
Director Marshall keeps a tight ship, as it were, the neat set-ups and unnecessary complications of the plot weightlessly executed. Anything Goes revels in how ridiculous it is, and the audience does too. This is one to get drunk on, hangover-free.
Read more
[The show is] held together by a fabulous central performance from the American star Sutton Foster as Reno Sweeney. Throughout the show, there is a demob-happy feeling – in cast and audience. It is exactly what the captain ordered.
Read more