seven methods of killing kylie jenner London Reviews and Tickets

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About the Show

Jasmine Lee-Jones' award-winning play returns to the Royal Court Theatre following its hit 2019 run.

A young Black woman takes to social media to vent her frustration with white women profiting from Black culture. A thought-provoking play which examines online culture, racism and cultural appropriation. Winner of the Evening Standard and Critics’ Circle Most Promising Playwright Awards and the Alfred Fagon Award.

Critic Reviews (6)

Jasmine Lee-Jones’s powerfully original debut play follows these two female friends having the most blistering, agonising, meme-scattered row of their lives. Nothing’s off-limits, from primary school humiliations to the vast structural privilege that light-skinned women have.
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Jones’s dialogue is quick, sharp and clever...[Jasmine Lee-Jones] is a brilliant, dynamic writer, and this is a striking debut.
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In short, this play is pure dynamite. I'd even say it'll be one we are going to look back on and say was a defining moment in theatre.
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Lee-Jones does not shy away from any difficult topics, and digs into the nuance of the complicated culture we find ourselves in.
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Lee-Jones is astonishingly adept at using coruscating humour to leaven her sombre themes...The ingenious aspect of this play is how Lee-Jones’s script and Milli Bhatia’s direction collapse the difference between the Twittersphere and Cleo’s real domestic life.
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Jasmine Lee-Jones’ comedy about social media, racism and colourism crackles with energy. It blends fire and humour, memes and quotes from Black Twitter into a moving manifesto about racial oppression and appropriation.
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