Eddie Redmayne’s Emcee is a brilliantly twisted creation. [Jessie Buckley] epitomises interwar Berlin: broken and broke, dancing tipsily on the edge. Frecknall proves herself one of our most exciting directors, and she draws superb performances from all involved.
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But fundamentally, it’s a great production of ‘Cabaret’ that’s good enough to triumph over the myriad distractions it throws in its own path.
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Rebecca Frecknall’s production on the whole lives up to its hype. [Jessie Buckley] sings with astonishing command, and there is an especially breath-taking version of “Cabaret”. If this show is sold on [Eddie Redmayne's] star turn, we get more than our money’s worth with his blinding performance – in this blinder of a show.
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This is it. This is the one. At the end of the year, Rebecca Frecknall’s production of Cabaret – starring Eddie Redmayne and Jessie Buckley – stands revealed as 2021’s kill-for-a-ticket theatrical triumph.
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With its starry cast and a director who has made her name rethinking classic plays, this Cabaret always promised to be the show of the season. It is that. It's also a show for our times.
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“Every element of Frecknall’s production is a wow: the sumptuous pre-show entertainment...this production is, and will remain, an absolute knockout. With its combination of all-encompassing decadent beauty and thunderous moral force, there’s simply nothing else in town quite like it.”
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Every decision [Frecknall] makes here has clear, clever purpose. This Cabaret isn’t a radical reinterpretation, but its differences from previous productions plant themselves subtly at first, then ripple outward until they overwhelm.
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The Kit Kat Club is the ultimate escape. After a difficult or even ordinary day, the fanfare, glitz, and glamour feel like a portal to another time, where you’ll be greeted with complimentary schnapps, dancing chorus members, and a lascivious pre-show smorgasbord.
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