See it if you want to see great acting
Don't see it if you don’t enjoy plays about WW2 and nazis
See it if you like plays that analyse the human condition through brilliant acting, interesting staging, complex dialogue
Don't see it if you find the rise of the Nazis and the Holocaust themes that you struggle with
See it if History, WW2, Conflicting emotions and the consequences of the choices we make are important to you
Don't see it if you're not interested in the horrors of prejudice and bigotry
See it if want to understand a thought transformation of a good German citizen in 1933-s, amazingly performed by David Tennant
Don't see it if looking for a fun and light-weight evening
See it if you want to be challenged as its a play that makes you question your own decisions
Don't see it if you do not want to be in the position where you may side with a nazi Read more
See it if .
Don't see it if .
See it if You want to catch a glimpse of Tennant doing what he does best - great acting. Strong ending to the show but the rest I struggled with.
Don't see it if Confusing slow storyline.
See it if You want a slow burn meditation on one man's morality. This is thought provoking and dark.
Don't see it if You prefer something more lighthearted. There are many dark topics throughout this production.
"Although grimly funny and studiously banal at times, it progresses inexorably...This is an important rather than an enjoyable watch."
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" 'Good' is a gradually enraging drama that makes us hear afresh the denials that lead populism into dangerous waters, and may well be a lesson for our times."
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"In a hypnotic performance, [Tennant] ... keeps us in suspense, giving conspiratorial flashes and darkening into malevolence, but, in the main, eerily neutral and preoccupied ... Less commendable are the Cabaret-style ticket-prices at the top end: £155 for the seat I was sitting in? It was good, but not that good."
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"It's a chilling performance rather than a moving one...Good isn't perfect, but its lessons demand to be understood."
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"It’s a strong framing, and there are striking, resonant messages within this work, but as drama it unsettles when really it should devastate."
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"Don’t expect fireworks. What you get is something stranger, more insidious, and I suspect much more memorable."
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"...the play’s pertinence, in our age of populism, scapegoating and sloganeering, remains sharp. It’s a grim nightmare of quietly lethal potency."
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"Tennant’s performance is terrifyingly magnificent; never missing a beat, Tennant keeps the audience enthralled, continually shocking us in the cool detachment with which he delivers some of the most chilling lines."
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